AustLit

'...[Norman] Lindsay's novel Redheap, first published in Britain in 1930, was promptly banned in Australia for some three decades. This made Lindsay a hero in the eyes of some younger writers...

With the advantage of hindsight, some critics have wondered what the fuss had been all about, arguing that Lindsay's writings were little more than a kind of adolescent caper, and have now outlived whatever subversive quality they might once have possessed.' (p. 139)

'All serious art breaks the rules-there can be no innovation without some form of transgression. Yet the breaking of rules is not enough to produce serious art, and while the very focus of erotic writing seems to invite transgressions, these are not necessarily liberating or creative. When transgressions lie for the most part in the subject-matter, their translation into literary break-throughs is problematic, and they can in fact be undermined by writing that is bland, conventional and predictable. Literature, it bears perhaps repeating, is not the thing itself but a representation and thus a re-creation of it. Modes of representations are always ideologically loaded and, while the contemporary period has invented very little in terms of sexual practices, it has been able to innovate significantly in terms of representational practices. It remains to be seen what kind of articulation can be found between the two.' (p 39)