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AbstractHistoryArchive Description
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Between Innocence and Adulthood : Telling A Girl’s Own Story (Jane Campion, 1983)
2017
single work
column
— Appears in: Senses of Cinema , September vol. 84 no. 2017; -
A Girl’s Own Story : Jane Campion, 1984
2010
single work
criticism
— Appears in: Senses of Cinema , no. 55 2010; -
y
Jane Campion : Memory, Motif and Music
1992
Perth
:
Centre for Research in Culture and Communication (Murdoch University)
,
1995
Z1611493
1992
single work
criticism
Geraldine Bloustein examines several of Jane Campion's early films, focusing on the director's exploration of the role of daydreams and fantasies in people's lives, and how power and control in social and personal relationships can help to squash those daydreams. Bloustien proposes that Campion's strikingly original visual style allows these films to move away from traditional narrative techniques, and unfold through separate self-contained segments. She also notes that music is a frequently recurring motif in many of her films, suggesting that it is a highly significant cultural vehicle for the fantasies behind everyday life.
Among the films examined are: Peel (1983), Passionless Moments (1984), A Girl's Own Story (1986), Two Friends (1986), Sweetie (1989) and An Angel at My Table (1990).
-
A Girl's Own Story : The Films of Jane Campion
1990
single work
criticism
— Appears in: Refractory Girl , January no. 34 1990; (p. 40-41)
-
y
Jane Campion : Memory, Motif and Music
1992
Perth
:
Centre for Research in Culture and Communication (Murdoch University)
,
1995
Z1611493
1992
single work
criticism
Geraldine Bloustein examines several of Jane Campion's early films, focusing on the director's exploration of the role of daydreams and fantasies in people's lives, and how power and control in social and personal relationships can help to squash those daydreams. Bloustien proposes that Campion's strikingly original visual style allows these films to move away from traditional narrative techniques, and unfold through separate self-contained segments. She also notes that music is a frequently recurring motif in many of her films, suggesting that it is a highly significant cultural vehicle for the fantasies behind everyday life.
Among the films examined are: Peel (1983), Passionless Moments (1984), A Girl's Own Story (1986), Two Friends (1986), Sweetie (1989) and An Angel at My Table (1990).
-
A Girl's Own Story : The Films of Jane Campion
1990
single work
criticism
— Appears in: Refractory Girl , January no. 34 1990; (p. 40-41) -
A Girl’s Own Story : Jane Campion, 1984
2010
single work
criticism
— Appears in: Senses of Cinema , no. 55 2010; -
Between Innocence and Adulthood : Telling A Girl’s Own Story (Jane Campion, 1983)
2017
single work
column
— Appears in: Senses of Cinema , September vol. 84 no. 2017;
-
cAustralia,c
- 1960s
