AustLit

'We have lived round the corner from the world, with not even a signpost to betray our whereabouts. and if the treasure we have accumulated makes no show upon our bank statements, neither is it subject to income tax.'

Lantana, bushy and massive, is Australia's most uncontrollable tropical weed. Inland from the Pacific coast, where the pineapple plantations grow, sprawls the lantana in all its luxuriance. Here, too, putting up constant fight against the weed, is the small farming community of Lantana Lane. Though they stoutly declare that farming means drudgery, misery, penury, monotony, bankruptcy and calamity - that it is, in short, a mug's game - they are all firmly and happily wedded to the land, and therefore, naturally, to the lantana. From Aunt Isabelle, part-pioneer, part-Parisienne, to Nelson the one-eyed kookaburra bird, each of the Lane's inhabitants makes their own inimitable contribution to this engaging and witty portrait of community life.

Source: Allen & Unwin https://www.allenandunwin.com/browse/books/fiction/Lantana-Lane-Eleanor-Dark-9781743313367 

'Who the hell’s Nino Culotta. That’s what you asked yourself when you first picked up this book, wasn’t it? Well I’m Nino Culotta. My father baptised me Giovanni—John—well Giovannino is like Johnny, and Nino is an easier way of saying it. Or a lazier way, if you like.

'Just off the boat from Italy—the north—Nino Culotta arrives in Sydney. He thought he spoke English but he’s never heard anything like the language these Australians are speaking.

'They’re a Weird Mob is an hilarious snapshot of the immigrant experience in Menzies-era Australia, by a writer with a brilliant ear for the Australian way with words.' (Publication summary : Text Classics)

'Australian authors who published in London were occasionally caught in the Customs’ censorship net when their books were sent to Australia. One such was Norman Lindsay, whose novel Redheap was published by the prestigious London firm of Faber. In 1930, acting on a tip-off from London, a Customs official discovered 2000 copies in Sydney, bound for bookshops throughout Australia.

'The novel was described as containing ‘serious reflections on the morality’ of a fictitious Australian country town that bore a striking resemblance to Creswick, where the author spent his childhood. In 1930, the minister announced that the novel was a prohibited import. It was the first time an Australian novel had been banned. There were protests about the ban and Lindsay was quoted in the press as saying that if such actions were allowed to continue, there ‘could be no hope of culture here’.

'Redheap remained on the prohibited list until 1958, though it was freely available in Britain, the USA and other countries. Ure Smith eventually republished it in 1959.' (Publication summary)

A 'satire of modern Australian life, with settings ranging from Sydney to the Gold Coast of Queensland'. The story focuses on the comic 'efforts of the protagonist, Clem Bird, to escape the bonds of respectability, a job, matrimony and the social ambitions of his North Shore mother'.

(Sources: Murphy Women Writers and Australia, 1988; The Oxford Companion to Australian Literature, 1994.)