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Equity Awards
Subcategory of Awards Australian Awards
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History

'Established by the Equity Foundation in 2011, the peer-voted awards honour outstanding performances by television ensembles in Australian drama, comedy and miniseries programs that aired in the last 12 months.'

Notes

  • Equity Awards are given for Outstanding Performances in Acting in Television programs.
    Television programs must be Australian and must feature an Australian cast. Television programs must have been first broadcast on television (either free or pay) in Australia.

    Awards for Outstanding Performances in Acting shall be given in the following categories:

    TELEVISION PROGRAMS

    Outstanding Performance by an Ensemble in a Drama Series
    Outstanding Performance by an Ensemble in a Comedy Series

Latest Winners / Recipients

Year: 2015

winner (Outstanding Performance by an Ensemble in a Mini-Series/Telemovie) form y separately published work icon ANZAC Girls Felicity Packard , Niki Aken , ( dir. Ian Watson et. al. )agent Australia : Screentime ABC Television , 2013 Z1917858 2013 series - publisher film/TV 'In December 1914, the first women volunteers for the Army Nursing Service sailed from Australia bound for the Great War. Diverted to Egypt in preparation for the Gallipoli campaign they served in Alexandria, Gallipoli, Lemnos and on the Western Front. Through shocking hardship they experienced exceptional friendship, passionate love, success and heartbreak. ' (Source: Australian Television website)
winner (Outstanding Performance by an Ensemble in a Comedy Series) form y separately published work icon The Moodys Ian Meadows , Trent O'Donnell , Patrick Brammall , Phil Lloyd , ( dir. Scott Pickett et. al. )agent Australia : Jungleboys , 2014 6911138 2014 series - publisher film/TV

'The follow-up to the hugely popular series A Moody Christmas. Picking up a month after we last saw them, it will visit the Moodys at various family events throughout the year. Like A Moody Christmas, each episode will revolve around a particular occasion that naturally brings them back together such as Australia Day, Bridget's 60th Birthday, or the Easter Long Weekend.'

Source: Screen Australia.

Year: 2012

winner (Equity Award for Outstanding Performance by an Ensemble Cast in a Television Drama Series) form y separately published work icon East West 101 Kristen Dunphy , Kris Wyld , Michael Miller , Kris Mrksa , Michelle Offen , Sherine Salama , David Ogilvy , Vanessa Bates , Katherine Thomson , Steve Knapman , Steve Knapman , Kris Wyld , ( dir. Peter Andrikidis ) Australia : SBS Television Knapman Wyld Television , 2009-2011 Z1643485 2009-2011 series - publisher film/TV (taught in 1 units)

Series One of East West 101 focuses on two men whose destinies are irrevocably intertwined. Malik is driven by a hunger for justice. He was twelve when a masked gunman held up the family shop. Malik refused to hand over the money and his father was subsequently shot and injured. He later joined the police force and has been looking for the shadowy figure who pulled the trigger. When he finally finds him, Malik's belief in the justice system is challenged by a powerful desire for revenge. As he hunts down the truth, it is revealed that one of his colleagues, Crowley, had a part to play in the original investigation. Crowley is a man whose vision has been blighted by pain and prejudice. His son, Paul, was found dead of an overdose on drugs sold to him by a Lebanese dealer. When the drug dealer who sold Paul the heroin is found murdered, Internal Affairs come asking questions.

In Season Two, East West 101 expands to seven episodes as the Major Crime Squad investigate crime and murder in all quarters of multicultural Sydney. But overarching all is the quest for Detective Zane Malik to find the truth behind a car bomb attack which kills two men. The Major Crime Squad form a joint task force with the NSO (National Security Organisation) to deal with the crime. There is paranoia in the city and fallout on the Muslim community. Malik knows that in order to stop the circle of hate, he must solve the crime. Was the bomb really an act of extremists, as the media suggest, or a sophisticated killing by a career criminal? Malik doggedly pursues the truth until he, too, becomes a target. Inspector Patricia Wright questions his motives but her vision is clouded by personal issues that she wants to keep hidden from the squad. Crime has touched her own family.

Season Three : The Hero's Journey. 'In [this] third season of East West 101, the Major Crime Squad investigates a 36 million dollar robbery in Australia and its connections to the murder of 17 people in Afghanistan. Is the robbery to fund an act of terror by military trained radicals, or the work of sophisticated criminals? For Detective Zane Malik the case has savage personal and professional ramifications. Malik is obstructed in his quest to find those responsible by the interference of newcomer Detective Neil Travis. Travis has fought in Iraq and his attitude and approach to the investigation cause conflict with Malik. In the hunt for an elusive foe, ultimately both men are forced to confront what makes a man a hero, or a coward...'

(Source: East West 101, SBS website)

winner (Equity Award for Outstanding Performance by an Ensemble Cast in a Mini-Series or Telemovie) form y separately published work icon The Slap Tony Ayres , Australia : ABC Television Matchbox Pictures , 2011 Z1699408 2011 series - publisher film/TV 'The series starts at an Australian backyard BBQ. Amongst alcohol, friendship and a children's cricket game a man slaps a child who is not his son. The party comes to a sudden halt. The child's parents are so affronted they vow to take the man to court. As the series unfolds the police become involved and friends and family are forced to take sides. One cousin is forced to testify against another. Couples are caught in the crossfire. Beliefs are tested and relationships strained.

'The story is told through the points of view of eight characters as the court case proceeds, as affairs begin and end, as a pregnancy is decided and marriages morph and change. Each character's life is profoundly affected by "the slap", and each of the main character is metaphorically slapped as they are forced to face up to fundamental truths about themselves.'

Source: The Slap website http://www.abc.net.au/tv/theslap/about/ (Sighted 11/10/2011)
Series 4
winner (Equity Award for Outstanding Performance by an Ensemble Cast in a Television Comedy Series) form y separately published work icon At Home with Julia Amanda Bishop , Rick Kalowski , Phil Lloyd , ( dir. Erin White ) Australia : Australian Broadcasting Corporation Quail TV , 2011 Z1803593 2011 series - publisher film/TV humour satire 'This four-part comedy series takes viewers into the life of PM Julia Gillard and boyfriend Tim Mathieson, behind the closed doors of The Lodge. How do Julia and Tim find 'couple time' amid Independents crashing Date Night, Julia's security detail constantly suspecting terrorist plots against her, and non-stop unsolicited advice from Paul Keating?' (ABC website)

Year: 2011

winner form y separately published work icon Rake Peter Duncan , Andrew Knight , Richard Roxburgh , Charles Waterstreet , Peter Duncan , ( dir. Peter Duncan et. al. )agent Australia : ABC Television , 2010-2016 Z1737627 2010 series - publisher film/TV crime

'On any single day, Cleaver Greene is described as many things. Whilst his ex-wife may call him 'unreliable", his son will call him "a mate". To his learned friends at the bar table he is "a real wag", to his jurors he is "hilarious", and to most judges he is "an outrage". To the Tax Office, he is "a defendant", to a certain brothel owner "a legend", and to his former cocaine dealer "a tragic loss".

'The clients he loves the most - the cases that thrill him - are those that appear to be utterly hopeless. There's something about being on the wrong side of conventional wisdom that feels right to him, be it at the bar table or the dinner table.

'He will do whatever it takes to defend and save life's truly lost souls. The big sinners. Its drug lords. Its cannibals. Its bestialites. And at the same time, he will struggle to save himself, to stop himself falling back into the abyss that has characterised most of his self-destructive adult life thus far.

'Despite his own hopelessness, his wit and charm have won him hordes of companions over the years. Most nights of the week, there is no shortage of invitations: dinner with a judge at the RMC (His Honour pays), or with some drug dealers in Chinatown (Manos pays), or with some of his copper mates at the Matador (no one pays).

'Any gaps in his diary will inevitably be filled by either all night sessions in chambers preparing for court or similarly lengthy sessions at his favourite brothel, simply referred to by those in the know as "the Club" (here, Cleaver is more than happy to open his own wallet). He tends to wake up bruised. Physically. Emotionally. Spiritually. Usually it's a combination thereof. He spends a nano-second wondering how his life came to this - living in a studio above a café in the Cross, without his wife and son, in love with a prostitute, defending hopeless cases. Then he gets up, puts on his dressing gown and a pair of brogues and goes downstairs for a coffee. Then it's out into the world - onto the battleground that is Cleaver Greene's day.'

Source: ABC Television website, http://www.abc.net.au/tv/
Sighted: 1 November 2010.

Works About this Award

Mystery Road Wins Award 2019 single work column
— Appears in: Koori Mail , 3 July no. 704 2019; (p. 3)
'Cast members of landmark ABC drama Mystery Road have been celebrated at the annual Equity Ensemble Awards, which honour outstanding performances by Australian actors.' 
Equity Gong for Rake Michael Idato , 2011 single work column
— Appears in: The Sun-Herald , 19 June 2011; (p. 21)
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