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Australian Literary Fiction Book of the Year (2006-)
Subcategory of Australian Book Industry Awards (ABIA)
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Latest Winners / Recipients

Year: 2023

winner y separately published work icon Horse : A Novel Geraldine Brooks , Melbourne : Viking , 2022 24015444 2022 single work novel historical fiction

'A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

'Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 

'New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.

'Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.

'Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.' (Publication summary) 

Year: 2022

winner y separately published work icon Love and Virtue Diana Reid , Ultimo : Ultimo Press , 2021 21618821 2021 single work novel

'"Whenever I say I was at university with Eve, people ask me what she was like, sceptical perhaps that she could have always been as whole and self-assured as she now appears. To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her."

'Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.

'Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.

'Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.'

Source: Publisher's blurb.

Year: 2021

winner y separately published work icon A Lonely Girl Is a Dangerous Thing Jessie Tu , Crows Nest : Allen and Unwin , 2020 19295097 2020 single work novel

'Jena Chung plays the violin. She was once a child prodigy and is now addicted to sex. She's struggling a little. Her professional life comprises rehearsals, concerts, auditions and relentless practice; her personal life is spent managing family demands, those of her creative friends, and lots of sex. And then she meets Mark—much older and worldly-wise—who bewitches her. Could this be love? When Jena wins an internship with the New York Philharmonic, she thinks the life she has dreamed of is about to begin. But when Trump is elected, New York changes irrevocably and Jena along with it. She comes to learn that there are many different ways to live and love and that no one has the how-to guide for any of it—not even her indomitable mother.

'A Lonely Girl is a Dangerous Thing unflinchingly explores the confusion of having expectations upturned, and the awkwardness and pain of being human in our increasingly dislocated world—and how, in spite of all this, we still try to become the person we want to be. It is a dazzling, original and astounding debut from a young writer with a fierce, intelligent and fearless new voice.

Source: Publisher's blurb.

Year: 2020

winner y separately published work icon The Weekend Charlotte Wood , Crows Nest : Allen and Unwin , 2019 16866680 2019 single work novel

'The brilliant new novel from Charlotte Wood, acclaimed author of The Natural Way of Things .

'People went on about death bringing friends together, but it wasn't true. The graveyard, the stony dirt - that's what it was like now. They knew each other better than their own siblings, but Sylvie's death had opened up strange caverns of distance between them.

'Four older women with a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her?

'They are Jude, a once-famous restaurateur, Wendy, an acclaimed public intellectual, and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather for Christmas at Sylvie's old beach house - not for festivities, but to clean the place out before it is sold.

'Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface - and threatens to sweep away their friendship for good.

'The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book, a celebration of tenderness and friendship that is nothing short of a masterpiece.'  (Publication summary)

Year: 2019

winner y separately published work icon Boy Swallows Universe Trent Dalton , Sydney South : Fourth Estate , 2018 13529833 2018 single work novel

'Brisbane, 1983: A lost father, a mute brother, a mum in jail, a heroin dealer for a stepfather and a notorious crim for a babysitter. It's not as if Eli's life isn't complicated enough already. He's just trying to follow his heart, learning what it takes to be a good man, but life just keeps throwing obstacles in the way - not least of which is Tytus Broz, legendary Brisbane drug dealer.

'But if Eli's life is about to get a whole lot more serious. He's about to fall in love. And, oh yeah, he has to break into Boggo Road Gaol on Christmas Day, to save his mum.'

Source: Publisher's blurb.

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