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She Casts Herself as a Revolutionary : Performance and Performativity in 'The Man Who Loved Children'
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First known date:
1996...
1996
She Casts Herself as a Revolutionary : Performance and Performativity in 'The Man Who Loved Children'
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Notes
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Paper presented at the 18th Annual Association for the Study of Australian Literature Conference held in Brisbane, Qld, 6-11 July 1996.
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Includes reference to the influence of Frederich Wilhelm Nietzsche and of Marxism on Christina Stead.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 11 Sep 2007 12:19:47
129-136
She Casts Herself as a Revolutionary : Performance and Performativity in 'The Man Who Loved Children'
