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The Changes single work   poetry   "Kissing Louise was a bell. Unlike"
Issue Details: First known date: 2011... 2011 The Changes
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Poetry Since 1788 Geoffrey Lehmann (editor), Robert Gray (editor), Sydney : University of New South Wales Press , 2011 Z1803846 2011 anthology poetry (taught in 1 units) 'A good poem is one that the world can’t forget or is delighted to rediscover. This landmark anthology of Australian poetry, edited by two of Australia’s foremost poets, Geoffrey Lehmann and Robert Gray, contains such poems. It is the first of its kind for Australia and promises to become a classic. Included here are Australia’s major poets, and lesser-known but equally affecting ones, and all manifestations of Australian poetry since 1788, from concrete poems to prose poems, from the cerebral to the naïve, from the humorous to the confessional, and from formal to free verse. Translations of some striking Aboriginal song poems are one of the high points. Containing over 1000 poems from 170 Australian poets, as well as short critical biographies, this careful reevaluation of Australian poetry makes this a superb book that can be read and enjoyed over a lifetime.' (From the publisher's website.) Sydney : University of New South Wales Press , 2011 pg. 1038-1039
  • Appears in:
    y separately published work icon Notes for the Translators : From 142 New Zealand and Australian Poets Christopher Kelen (editor), Macao : Association of Stories in Macao , 2012 Z1920358 2012 anthology poetry Macao : Association of Stories in Macao , 2012 pg. 102-103
    Note: Includes explanatory notes for translators.
  • Appears in:
    y separately published work icon The Ringing World Tricia Dearborn , Glebe Point : Puncher and Wattmann , 2012 6626899 2012 selected work poetry This engaging collection charts a wild ride, from the language of the laboratory to the surprises of hetero-sex to the yearnings of the about-to-be-cannibalised. The writing is at times provocative and sensual, at others slyly meditative, but always fearless, compressed, precise. Glebe Point : Puncher and Wattmann , 2012 pg. 13
Last amended 9 Nov 2013 14:12:36
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