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'How can the fictional representation of space and domestic interority be
interpreted in fictional works like Dirt Music, The Riders or Winton's latest novel Breath?
This article argues that the house as an active living space in Winton's work functions
significantly in the context of describing a mythical, commercially marketable, nostalgic
image of rural Australia as a place of masculine redefinition and maturation. The analysis
of spatiality in this context provides a deeper engagement with the connection between
space and gender, highlighting the ambiguous nature of specifically gendered spheres in the
architecture of Winton's fictional dwelling places. Deviating from the original Victorian
concept of "separate spheres", which set up clear definitions of male and female domestic
spaces, Winton's narratives place priority on highlighting the male influence on the
originally female domains in the house. It is argued that these spaces reflect the troubling
binary between male presence and female absence, highlighting the desires and troubles of
the male characters but also female trauma, self-harm and displacement. These are some of
the issues this paper addresses, showing how the postcolonial dialectic between place,
space and gender can be applied to Winton's fictional "traumascapes" (M. Tumarkin).' (Author's abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 10 Jan 2013 10:29:23
59-79
http://www.ub.edu/dpfilsa/jeasa326schurholz.pdf
Gendered Spaces : The Poetics of Domesticity in Tim Winton’s Fiction
Journal of the European Association of Studies on Australia,
Subjects:
- Dirt Music 2001 single work novel
- The Riders 1994 single work novel
- Breath 2008 single work novel
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