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AbstractHistoryArchive Description
'Hunter Carlyon began as a black baby and was turned into a white boy before turning back into a black youth and finally a white man.
'But now he is a contender in a nationwide competition to design a new flag for the coming republic. In an Australia Day ceremony the Prime Minister is going to anoint him as the man who best understands what Australia has become. And Hunter Carlyon is black again. And the woman he loves has gone missing in a war-zone, leaving him haunted by her voice on his mobile phone...'
Source: Publisher's blurb.
Affiliation Notes
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Associated with the AustLit subset Australian Literary Responses to 'Asia' as the work contains a Japanese character.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Sites and Targets : Anson Cameron's Tin Toys and Silences Long Gone
2001
single work
criticism
— Appears in: Kunapipi , vol. 23 no. 2 2001; (p. 178-189) The Regenerative Spirit : Volume 2 : (Un)settling, (Dis)locations, (Post-)colonial, (Re)presentations - Australian Post-Colonial Reflections 2004; (p. 283-292) The author observes that Cameron's portrayal of Australian social, political and aesthetic life in his novels forces us to ask the question "how far 'past the post' is post-colonial in this country?" -
Dad, Let's Play that Game Again
2000
single work
review
— Appears in: The Sydney Morning Herald , 22 April 2000; (p. 10)
— Review of Tin Toys 2000 single work novel -
Race Relations
2000
single work
review
— Appears in: The Bulletin , 7 March vol. 118 no. 6214 2000; (p. 98)
— Review of Tin Toys 2000 single work novel -
Tales from an Irreverent Funny Farm
2000
single work
review
— Appears in: The Weekend Australian , 12-13 February 2000; (p. 13)
— Review of Tin Toys 2000 single work novel -
Second Novels
2000
single work
review
— Appears in: Australian Book Review , April no. 219 2000; (p. 42-43)
— Review of Stormy Weather 2000 single work novel ; Tin Toys 2000 single work novel
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Blind Bit of Notice
2000
single work
review
— Appears in: The Age , 19 March 2000; (p. 7)
— Review of Stormy Weather 2000 single work novel ; Tin Toys 2000 single work novel -
A Sparse Harshness
2000
single work
review
— Appears in: The Australian's Review of Books , May vol. 5 no. 4 2000; (p. 22)
— Review of Stormy Weather 2000 single work novel ; Tin Toys 2000 single work novel -
Second Novels
2000
single work
review
— Appears in: Australian Book Review , April no. 219 2000; (p. 42-43)
— Review of Stormy Weather 2000 single work novel ; Tin Toys 2000 single work novel -
Tales from an Irreverent Funny Farm
2000
single work
review
— Appears in: The Weekend Australian , 12-13 February 2000; (p. 13)
— Review of Tin Toys 2000 single work novel -
Race Relations
2000
single work
review
— Appears in: The Bulletin , 7 March vol. 118 no. 6214 2000; (p. 98)
— Review of Tin Toys 2000 single work novel -
Black to White and Back
2000
single work
biography
— Appears in: The Canberra Times Sunday Times , 20 February 2000; (p. 18) -
Words to Cojure With : Fiction
Janet Chimonyo
,
Owen Richardson
,
2000
single work
column
— Appears in: The Age , 5 August 2000; (p. 7) -
Sites and Targets : Anson Cameron's Tin Toys and Silences Long Gone
2001
single work
criticism
— Appears in: Kunapipi , vol. 23 no. 2 2001; (p. 178-189) The Regenerative Spirit : Volume 2 : (Un)settling, (Dis)locations, (Post-)colonial, (Re)presentations - Australian Post-Colonial Reflections 2004; (p. 283-292) The author observes that Cameron's portrayal of Australian social, political and aesthetic life in his novels forces us to ask the question "how far 'past the post' is post-colonial in this country?"
Last amended 18 Aug 2016 11:17:33
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