AustLit logo

AustLit

image of person or book cover 7840934843468884341.jpg
Screen cap from promotional trailer
form y separately published work icon I, Frankenstein single work   film/TV   horror   science fiction  
Adaptation of I, Frankenstein Kevin Grevioux , 2009 single work graphic novel
Note: Co-scripted with American screenwriter Kevin Grevioux
Issue Details: First known date: 2013... 2013 I, Frankenstein
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Frankenstein's monster, named Adam and having taken the surname of his creator, becomes involved in a war between two immortal clans in an ancient city.'

Source: Screen Australia (http://www.screenaustralia.gov.au/news_and_events/2012/ia_121115_MultiplatformClinic.aspx#sthash.hei4xA2U.dpuf). (Sighted: 13/1/2014)

Publication Details of Only Known VersionEarliest 2 Known Versions of

VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Related Works

y separately published work icon Frankenstein; or, The Modern Prometheus (International) assertion Mary Shelley , London : Lackington, Hughes, Harding, Maver & Jones , 1818 Z856175 1818 single work novel horror

'Victor Frankenstein, a Swiss scientist, has a great ambition: to create intelligent life. But when his creature first stirs, he realizes he has made a monster. A monster which, abandoned by his master and shunned by everyone who sees it, sets out to destroy Dr Frankenstein with murder and horrors to the very ends of the earth.' (Source: Penguin)
VIEW ALL RELATED WORKS (1)

Works about this Work

Australian Blockbuster Movies Mark David Ryan , 2018 single work criticism
— Appears in: Australian Screen in the 2000s 2018; (p. 51-76) Develops a multidimensional definition of 'Australian blockbuster' and argues for their distinct status as a specific genre.
Here Be More Movie Monsters : Frankenstein, Godzilla, Whatevs... Camilla Nelson , 2014 single work review
— Appears in: The Conversation , 26 March 2014;
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Humanity Absent in 'Frankenflop' Simon Weaving , 2014 single work review
— Appears in: The Canberra Times , 22 March 2014; (p. 27)
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Classic Tale Lacks Soul Evan Williams , 2014 single work review
— Appears in: The Weekend Australian , 22-23 March 2014; (p. 15)
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Cinema Action-Fantasy Falls Short Gothic Ambition Turns to Monstrous Farce Jake Wilson , 2014 single work review
— Appears in: The Age , 20 March 2014; (p. 30)
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
The Monster of Melbourne Michael Bodey , 2014 single work review
— Appears in: The Weekend Australian , 15-16 March 2014; (p. 14-15)
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Into the Heart of the Monster Philippa Hawker , 2014 single work review
— Appears in: The Canberra Times , 15 March 2014; (p. 27) The Age , 15 March 2014; (p. 24)
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
To Be Frank, He Doesn't Cut It Leigh Paatsch , 2014 single work review
— Appears in: The Courier-Mail , 20 March 2014; (p. 32)
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Barely Alive Jake Wilson , 2014 single work review
— Appears in: The Sydney Morning Herald , 20 March 2014; (p. 30)
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Cinema Action-Fantasy Falls Short Gothic Ambition Turns to Monstrous Farce Jake Wilson , 2014 single work review
— Appears in: The Age , 20 March 2014; (p. 30)
— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Australian Film Industry in the Swim with an Influx of Big Stars Vicky Roach , 2012 single work column
— Appears in: The Courier-Mail , 2 November 2012; (p. 16)
Home-Grown Talent Attracts Hollywood Backing Garry Maddox , 2012 single work column
— Appears in: The Sydney Morning Herald , 2 November 2012; (p. 5)
Monster Mission Caris Bizzaca , 2014 single work review
— Appears in: The Courier Mail , Saturday 15 March 2014; (p. 11)

Stuart Beattie is a man on a mission. The Australian writer/director of Tomorrow, When the War Began and I, Frankenstein~ knows Australia had the potential and the talent to make epic movies.
The Monster Inside Neala Johnson , 2014 single work column
— Appears in: The Courier-Mail , 20 March 2014; (p. 31)
Australian Blockbuster Movies Mark David Ryan , 2018 single work criticism
— Appears in: Australian Screen in the 2000s 2018; (p. 51-76) Develops a multidimensional definition of 'Australian blockbuster' and argues for their distinct status as a specific genre.
VIEW ALL WORKS ABOUT (13)
Last amended 4 Jun 2020 14:13:51
Stuart Beattie
Subjects:
Influenced by:
Frankenstein; or, The Modern Prometheus
Newspapers:
    Powered by Trove
    X