AustLit
Issue Details:
First known date:
2012...
no.
64
September
2012
of
Senses of Cinema
est. 1999
Senses of Cinema
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Notes
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Contents indexed selectively.
Contents
* Contents derived from the 2012 version. Please note that other versions/publications may contain different contents. See the Publication Details.
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Dead End Drive-In (Brian Trenchard-Smith, 1986),
single work
review
— Review of Dead End Drive-In 1986 single work film/TV ; -
Red Hill (Patrick Hughes, 2010),
single work
review
— Review of Red Hill 2010 single work film/TV ; -
Evie Hayes in Ants in His Pants (William Freshman, 1939),
single work
review
— Review of Come up Smiling 1939 single work film/TV ; -
'Scorched Earth and Space' : The Overlanders (Harry Watt, 1946),
single work
review
— Review of The Overlanders 1946 single work film/TV ; -
A Bitter Ending in Bitter Springs (Ralph Smart, 1950),
single work
review
— Review of Bitter Springs 1950 single work film/TV ; -
The Tracker (Rolf de Heer, 2002),
single work
review
— Review of The Tracker 2002 single work film/TV ; -
Speaking Truth to Power in Everynight… Everynight (Alkinos Tsilimidos, 1994),
single work
review
— Review of Everynight Everynight 1994 single work film/TV ; -
Untitled,
single work
review
— Review of The Shadowcatchers : A History of Cinematography in Australia 2012 single work criticism ; -
Showing Australia Itself : Australian Documentary : History, Practices, and Genres by Trish Fitzsimons, Pat Laughren, and Dugald Williamson,
single work
review
— Review of Australian Documentary : History, Practices and Genres 2011 multi chapter work criticism ; -
Determining Transnationalism in Serena Formica’s Peter Weir : A Creative Journey from Australia to Hollywood,
single work
review
— Review of Peter Weir : A Creative Journey from Australia to Hollywood 2012 single work criticism ; - The Corpse is in Australia, or The Cinematic Death of White Supremacy, single work criticism
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 8 Oct 2012 12:00:48