AustLit logo
form y separately published work icon Pure Shit single work   film/TV  
Alternative title: Pure S
Issue Details: First known date: 1976... 1976 Pure Shit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Two days in the lives of four Melbourne junkies as they cruise around trying to score.'

Source: Screen Australia

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Re-reading Indigenous Cinema : Criticism, White Liberal Guilt and Otherness Stephen Gaunson , 2013 single work criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 27 no. 6 2013; (p. 763-769)
'In this paper, I will advance a critical perspective of some methodologies on appraising Indigenous films, in terms of their aesthetic as well as their cultural value. In doing this, I propose a cultural and textual approach that gives the films a context for which they can be critically understood. With a heavy emphasis on the political content of many Indigenous films, here I argue for a more critical pedagogical evaluation that considers the challenges of Indigenous films and problems that arise when we ignore to discuss them as ‘cinema’. Through surveying a number of recent Indigenous films, and the criticism that surrounds them, I concentrate on how they can be better used as texts to enhance the study of world cinema and cultural issues of Aboriginality.' (Author's abstract)
Dual Occupancy : Melbourne and the Feminist Drama of Dwelling in Monkey Grip Allison Craven , 2012 single work criticism
— Appears in: Studies in Australasian Cinema , March vol. 5 no. 3 2012; (p. 333-342)
'Monkey Grip is viewed as a film that evokes the sexual politics of feminism and of city life, and can thus be seen as both a feminist film and a 'Melbourne film', a convergence that emerges in other films made and set in Melbourne, including Love and Other Catastrophes. The city appears as a centre of dwelling and habitation, with attention drawn to the spectacle of the interiors of the residences, in which much of the action occurs, and with reflection on the conditions and values of production. Bachelard's notion of the house image is applied to distinguish the performances of gender from those in films in non-urban settings.' (Editor's abstract)
Pure Shit (AKA Pure S) Fiona Trigg , 2012 single work essay
— Appears in: World Film Locations : Melbourne 2012; (p. 32-33)
Dual Occupancy : Melbourne and the Feminist Drama of Dwelling in Monkey Grip Allison Craven , 2012 single work criticism
— Appears in: Studies in Australasian Cinema , March vol. 5 no. 3 2012; (p. 333-342)
'Monkey Grip is viewed as a film that evokes the sexual politics of feminism and of city life, and can thus be seen as both a feminist film and a 'Melbourne film', a convergence that emerges in other films made and set in Melbourne, including Love and Other Catastrophes. The city appears as a centre of dwelling and habitation, with attention drawn to the spectacle of the interiors of the residences, in which much of the action occurs, and with reflection on the conditions and values of production. Bachelard's notion of the house image is applied to distinguish the performances of gender from those in films in non-urban settings.' (Editor's abstract)
Re-reading Indigenous Cinema : Criticism, White Liberal Guilt and Otherness Stephen Gaunson , 2013 single work criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 27 no. 6 2013; (p. 763-769)
'In this paper, I will advance a critical perspective of some methodologies on appraising Indigenous films, in terms of their aesthetic as well as their cultural value. In doing this, I propose a cultural and textual approach that gives the films a context for which they can be critically understood. With a heavy emphasis on the political content of many Indigenous films, here I argue for a more critical pedagogical evaluation that considers the challenges of Indigenous films and problems that arise when we ignore to discuss them as ‘cinema’. Through surveying a number of recent Indigenous films, and the criticism that surrounds them, I concentrate on how they can be better used as texts to enhance the study of world cinema and cultural issues of Aboriginality.' (Author's abstract)
Pure Shit (AKA Pure S) Fiona Trigg , 2012 single work essay
— Appears in: World Film Locations : Melbourne 2012; (p. 32-33)
Last amended 15 Oct 2014 10:53:37
Settings:
  • Melbourne, Victoria,
Newspapers:
    Powered by Trove
    X