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AbstractHistoryArchive Description

'In Australia (and globally), refugees and 'the environment' are major sources of anxiety that define the experience of living in modern times. Contemporary social policy is then a representational technology that speaks to environmental and crosscultural transactions within 'modern' Australian cinematic texts. This article tracks the conversational contours between policy on climate change and border control in Australia and representations of self-other and self-environment relations in Australian film produced in the latter period of the Howard era (1996-2007). Films have frequently sought to mobilize a range of visions and understandings of both security and sustainability, and of the associated productions of policy, identity and space. Such exchanges necessitate critical scrutiny of the politicized cultural contexts that produce them - and an awareness of the normative reassertions that accompany these cinematic mediations of modern Australian experience.' (Author's abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Studies in Australasian Cinema vol. 5 no. 2 24 August 2011 Z1870677 2011 periodical issue Selected papers from the XVth Biennial Conference of the Film and
    History Association of Australia and New Zealand (FHAANZ), University
    of New South Wales, Sydney, Australia.
    2011
    pg. 185-192
Last amended 13 Sep 2012 11:55:33
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