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AbstractHistoryArchive Description
This play draws upon Rosenberg's poetry and quotations from Shakespeare's The Merchant of Venice to dramatise an informal tribunal or debate on whether the play should be considered anti-semitic. Characters include a Narrator, Stagemaster, Spirit and Clown.
Production Details
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First staged at the Tower Theatre at the Malthouse, Melbourne, on 7 December 2006. Subsequently performed on 11 September 2010 by the Melbourne Shakespeare Society, directed by Wilfred Last and Judith Rodriguez. [Source: Alex Skovon, 'Landscapes of Disenchantment and Hope']
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Threads
2011
single work
essay
— Appears in: Singing for All He's Worth : Essays in Honour of Jacob G. Rosenberg 2011; (p. 219-241) -
A Mysterious Time
2011
single work
essay
— Appears in: Singing for All He's Worth : Essays in Honour of Jacob G. Rosenberg 2011; (p. 97-111) -
Landscapes of Disenchantment and Hope
2011
single work
criticism
— Appears in: Singing for All He's Worth : Essays in Honour of Jacob G. Rosenberg 2011; (p. 1-23) -
Reflections on Shakespeare and Shylock
2006
single work
criticism
— Appears in: The Australian Jewish News , 1 December 2006;
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Landscapes of Disenchantment and Hope
2011
single work
criticism
— Appears in: Singing for All He's Worth : Essays in Honour of Jacob G. Rosenberg 2011; (p. 1-23) -
A Mysterious Time
2011
single work
essay
— Appears in: Singing for All He's Worth : Essays in Honour of Jacob G. Rosenberg 2011; (p. 97-111) -
Threads
2011
single work
essay
— Appears in: Singing for All He's Worth : Essays in Honour of Jacob G. Rosenberg 2011; (p. 219-241) -
Reflections on Shakespeare and Shylock
2006
single work
criticism
— Appears in: The Australian Jewish News , 1 December 2006;
Last amended 21 Nov 2012 13:28:39