The Mask of Fiction : A Memoir single work   criticism  
Issue Details: First known date: 2012 2012
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'I've been asked for a memoir for this occasion yet I am uncomfortable writing directly about myself. I prefer the mask of fiction. In this preference it is self-deception I fear most, for who but the self-deceived would claim to be able to write with moral detachment about themselves? I am also cautious of the fate of WB Yeats, the poet, of whom Richard Ellmann wrote, 'The autobiographical muse enticed him only to betray him, abandoning him to ultimate perplexity as to the meaning of his experiences' (Yeats, 2). Memoir does not offer us a sure means for contacting the deeper dualities of the self. For his journey to the heart of darkness, fiction is a more certain, if more oblique , way.' (Author's introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y The Novels of Alex Miller : An Introduction Robert Dixon , Crows Nest : Allen and Unwin , 2012 Z1856233 2012 anthology criticism 'One of Australia's most respected novelists, Alex Miller's writing is both popular and critically well-received. He is twice winner of Australia's premier literary prize, the Miles Franklin Award. He has said that writing is his way of 'locating connections' and his work is known for its deeply empathic engagement with relationships and cultures.

    This collection explores his early and later works, including Miller's best-known novels, The Ancestor Game, Journey to the Stone Country, Lovesong and Autumn Laing. Contributors examine his intricately constructed plots, his interest in the nature of home and migration, the representation in his work of Australian history and culture, and key recurring themes including art and Aboriginal issues. Also included is a memoir, illustrated by photographs from his personal collection, in which Alex Miller reflects on his writing life.

    With contributions from leading critics including Raimond Gaita, Peter Pierce, Ronald A. Sharp, Brenda Walker, Elizabeth Webby and Geordie Williamson, this collection is the first substantial critical analysis of Alex Miller's work. It is an invaluable resource for anyone teaching and studying contemporary Australian literature.' (Publisher's blurb)
    Crows Nest : Allen and Unwin , 2012
    pg. 29-41
Last amended 11 Jul 2012 10:39:04
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