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'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 8 Jun 2012 13:33:27
204-213
Crime Scenes : The Importance of Place in Australian Crime Fiction
Subjects:
- Quintus Servinton : A Tale, Founded upon Incidents of Real Occurrence 1830-1831 single work novel
- His Natural Life 1870-1872 single work novel
- Bony 1929 series - author novel
- The Misplaced Corpse 1944 single work novel
- GP Detective Stories 1940-1949 periodical short story (1 issues)
- The High Commissioner 1966 single work novel
- The Empty Beach 1983 single work novel
- The Greenwich Apartments 1986 single work novel
- The Mystery of a Hansom Cab 1886 single work novel
- Stiff 1994 single work novel
- The Feng Shui Detective Goes South 2002 single work novel
- The Secret of the Garden 1924 single work novel
- Innocent Murder 2005 single work novel
- Paydirt 1992 single work novel
- Last Drinks 2000 single work novel
- Tenocha 1995 single work novel
- The Vodka Dialogue 2003 single work novel
- Continent of Mystery : A Thematic History of Australian Crime Fiction 1997 single work criticism
- Crime Fiction in South Australia 1995 single work criticism
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