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Issue Details: First known date: 2011... 2011 Ancestors in Nineteenth Century Albums
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Includes

1. Great Aunt i "Nothing in the background can distract", Michael Sharkey , 2011 single work poetry
— Appears in: Australian Poetry Journal , vol. 1 no. 1 2011; (p. 53) The Best Australian Poems 2012 2012; (p. 31) The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 466-467)
2. Great Grandparents i "Her older siblings stand erect as she:", Michael Sharkey , 2011 single work poetry
— Appears in: Australian Poetry Journal , vol. 1 no. 1 2011; (p. 53) The Best Australian Poems 2012 2012; (p. 31) The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 466-467)
3. Family Secret i "How himself in the chair at the front with", Michael Sharkey , 2011 single work poetry
— Appears in: Australian Poetry Journal , vol. 1 no. 1 2011; (p. 54) The Best Australian Poems 2012 2012; (p. 32) The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 466-467)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Poetry Journal Australian Poetry Journal : Beginnings vol. 1 no. 1 2011 Z1823982 2011 periodical issue (1 issues) 2011 pg. 53-54
  • Appears in:
    y separately published work icon The Best Australian Poems 2012 John Tranter (editor), Collingwood : Black Inc. , 2012 Z1902441 2012 anthology poetry "In this impressive anthology John Tranter weaves many threads into a portrait of Australian poetry in 2012. Emerging poets sit alongside the celebrated, travelling from Lake Havasu City to Graz, and nursing homes to fairgrounds, with characters as diverse as David Bowie, Emily Dickinson and Rumpelstiltskin." [Source: publisher's blurb - back cover] Collingwood : Black Inc. , 2012 pg. 31-32
  • Appears in:
    y separately published work icon The Turnrow Anthology of Contemporary Australian Poetry John Kinsella (editor), Monroe : LA Desperation Press Turnrow Books , 2014 8049508 2014 anthology poetry

    'This anthology...is a negotiation of many spaces. That of poets and their work, the idea of "Australia", the idea of being "represented" in a different demographic (America), personal or textual issues with anthologiser, who else is being included (though none outside myself and the publishers have knowledge of this until publication). Vitally, whoat matters is the conversations that arise from the anthology going public, and how the poets and readers deal with this community that has been organically and artificially induced.' John Kinsella (Source: backcover)

    Monroe : LA Desperation Press Turnrow Books , 2014
    pg. 466-467
Last amended 7 Apr 2015 12:53:26
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