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AbstractHistoryArchive Description
'An air-hostess prepares for work before the mirror. In her image a situation unfolds. A catastrophe. She's hunted by a man with eyes of ash. Is this a fantasy? Or a real threat she fears outside her door? A psychological thriller performed by Hannah Norris (My Name is Rachel Corrie).' (Production summary (2015))
Notes
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One-woman show.
Production Details
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First produced at Downstairs Theatre, Belvoir St., Surry Hills, New South Wales, 7 April - 1 May, 2011. Directed by Sarah John.
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Presented by Duncan Street Theatres and performed at The Manse: 10 February – 14 March 2015
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Playwriting Doesn’t Get Better or Worse – but It Does Evolve
2015
single work
essay
— Appears in: The Conversation , 1 May 2015; -
The Second Cut Is Deeper
2015
single work
review
— Appears in: The Adelaide Review , March no. 421 2015; (p. 31)
— Review of Cut 2011 single work drama -
Untitled
2011
single work
review
— Appears in: The Sun-Herald , 24 April 2011; (p. 13)
— Review of Cut 2011 single work drama -
Suspense of a Haunted Woman on the Edge
2011
single work
review
— Appears in: The Sydney Morning Herald , 11 April 2011; (p. 10)
— Review of Cut 2011 single work drama
-
Suspense of a Haunted Woman on the Edge
2011
single work
review
— Appears in: The Sydney Morning Herald , 11 April 2011; (p. 10)
— Review of Cut 2011 single work drama -
Untitled
2011
single work
review
— Appears in: The Sun-Herald , 24 April 2011; (p. 13)
— Review of Cut 2011 single work drama -
The Second Cut Is Deeper
2015
single work
review
— Appears in: The Adelaide Review , March no. 421 2015; (p. 31)
— Review of Cut 2011 single work drama -
Playwriting Doesn’t Get Better or Worse – but It Does Evolve
2015
single work
essay
— Appears in: The Conversation , 1 May 2015;
Awards
Last amended 22 Dec 2015 12:50:55