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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Last Letter to Les Murray
i
"Les, I’m writing to you",
2019
single work
poetry
— Appears in: Quadrant , June vol. 63 no. 6 2019; (p. 39) -
[Essay] : Murray: Collected Poems
2013
single work
essay
— Appears in: Reading Australia 2013-;'Edward Hirsch begins his beautiful How to Read a Poem (Harcourt Brace, 1999) in Celan’s heartland. Imagine yourself on the shore, he writes, foraging among ‘seaweed and rotten wood, the crushed cans and dead fish’, finding an ‘unlikely looking bottle from the past’. The message inside has been making its way towards someone for a long time, and now ‘that someone turns out to be you’. He quotes ‘On the Interlocutor’, Osip Mandelstam’s 1913 essay about a similar wave-dumped poem: ‘The message in the bottle was addressed to its finder. I found it. That means, I have become its secret addressee.’ Poems, for Mandelstam, are composed for ‘a reader in posterity’; for Celan, perhaps for a reader he refers to as the ‘addressable thou’.' (Introduction)
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Contemporary Poetry and the Sacred
2007
single work
criticism
— Appears in: Australian Literary Studies , October vol. 23 no. 2 2007; (p. 153-167) -
The Dark and Light of the Daylight Moon : The Poetry of Les Murray
1993
single work
criticism
— Appears in: New England Review , vol. 15 no. 3 1993; (p. 197-207)A detailed critical analysis of two of Les Murray's collections.
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Going to the Cause
1992
single work
review
— Appears in: The Times Literary Supplement , 29 May no. 4652 1992; (p. 24)
— Review of Collected Poems 1991 selected work poetry
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Hiccups in the Clockwork of Poetry
1991
single work
review
— Appears in: The Age , 13 July 1991; (p. 8)
— Review of Blocks and Tackles : Articles and Essays 1982 to 1990 1990 selected work prose review autobiography criticism essay ; Collected Poems 1991 selected work poetry ; Dog Fox Field : Poems 1990 selected work poetry -
How Poetry is Packaged
1991
single work
review
— Appears in: Australian Society , August vol. 10 no. 8 1991; (p. 40-42)
— Review of Confessions of a Corinthian : Poems 1991 selected work poetry ; The Faber Book of Modern Australian Verse 1991 anthology poetry ; Beauty Is the Straw : Poems 1991 selected work poetry ; Selected Poems 1991 selected work poetry ; Collected Poems 1991 selected work poetry -
[Review] Poetry 1991
1991
single work
review
— Appears in: OzMuze , October vol. 1 no. 13 1991; (p. 9-10)
— Review of Collected Poems 1991 selected work poetry drama ; Rain at Gunn Point : Poems of Tony Scanlon 1990 selected work poetry ; Malabata 1991 single work autobiography novel ; Falling up into Verse : (A Poetic Treatise or Handbook [Survival Manual] for Live Poets, Aspiring Poets, and Students of Poetry, Down Under) 1989 single work criticism ; The Rose Garden : A Selection of Poems 1991 selected work poetry ; Collected Poems 1991 selected work poetry ; Orpheus 1991 selected work poetry -
A World Where Full Being Can be Recovered
1991
single work
review
— Appears in: The Canberra Times , 28 September 1991; (p. C8)
— Review of Collected Poems 1991 selected work poetry ; New and Selected Poems 1960-1990 1991 selected work poetry biography -
Advice for the New Nineties
1992
single work
review
— Appears in: London Review of Books , 12 March vol. 14 no. 5 1992; (p. 27)
— Review of Collected Poems 1991 selected work poetry -
Contemporary Poetry and the Sacred
2007
single work
criticism
— Appears in: Australian Literary Studies , October vol. 23 no. 2 2007; (p. 153-167) -
After Poetry (11) : A Quarterly Account of Recent Poetry
1991
single work
criticism
— Appears in: Overland , Summer no. 125 1991; (p. 61-67) -
The Dark and Light of the Daylight Moon : The Poetry of Les Murray
1993
single work
criticism
— Appears in: New England Review , vol. 15 no. 3 1993; (p. 197-207)A detailed critical analysis of two of Les Murray's collections.
-
[Essay] : Murray: Collected Poems
2013
single work
essay
— Appears in: Reading Australia 2013-;'Edward Hirsch begins his beautiful How to Read a Poem (Harcourt Brace, 1999) in Celan’s heartland. Imagine yourself on the shore, he writes, foraging among ‘seaweed and rotten wood, the crushed cans and dead fish’, finding an ‘unlikely looking bottle from the past’. The message inside has been making its way towards someone for a long time, and now ‘that someone turns out to be you’. He quotes ‘On the Interlocutor’, Osip Mandelstam’s 1913 essay about a similar wave-dumped poem: ‘The message in the bottle was addressed to its finder. I found it. That means, I have become its secret addressee.’ Poems, for Mandelstam, are composed for ‘a reader in posterity’; for Celan, perhaps for a reader he refers to as the ‘addressable thou’.' (Introduction)
-
Last Letter to Les Murray
i
"Les, I’m writing to you",
2019
single work
poetry
— Appears in: Quadrant , June vol. 63 no. 6 2019; (p. 39)