Homoeroticism in David Malouf's Fiction single work   criticism  
Issue Details: First known date: 2009 2009
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'David Malouf is hardly a gay icon. Although he has never kept his homosexuality a secret, neither has he flaunted it, either in his life or in his writings. Where the latter are concerned, there is no doubt that Malouf doesn't want to be pigeonholed, that he rejects restrictive levels that would do an injustice to his wide-ranging preoccupations and his considerable appeal to all manner of readers.' (p. 271)

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  • Appears in:
    y Messengers of Eros : Representations of Sex in Australian Writing Xavier Pons , Newcastle upon Tyne : Cambridge Scholars Press , 2009 Z1572958 2009 single work criticism

    'After decades of strict, puritanical censorship, Australian writers are free to address sexual issues. But sex remains a controversial and disturbing topic - its representation in poetry or fiction can never be free of ambiguities and still requires a variety of literary strategies to be made acceptable.

    Messengers of Eros examines those strategies and offers close readings of many Australian literary texts. It revisits classics such as Coonardoo, Capricornia or Such Is Life as well as major modern writers such as Patrick White, Peter Carey, David Malouf or Richard Flanagan, and engages with contemporary works whose status is still a matter for debate. It takes into account the postcolonial context of Australia's culture, especially where Indigenous and multicultural writers are concerned.

    This original and compelling book draws on the lessons of French theory and, though its approach is sympathetic to postmodernism, it never falls into academic jargon, remaining easily accessible to the general reader.' (Publisher's blurb)

    Newcastle upon Tyne : Cambridge Scholars Press , 2009
    pg. 271-292
Last amended 12 Feb 2010