Issue Details: First known date: 2010 2010
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AbstractHistoryArchive Description

Nineteenth-century settler verse about indigenous peoples has received relatively little critical analysis; what there is has sometimes been negative, judging it as complicit in the evils of colonization. This essay sets out to show that settler poets were capable of producing powerful poems designed to enlist reader sympathy for the sufferings of indigenous peoples, as a prelude to political action aimed at ameliorating their condition. The essay considers three 'crying mother' poems from the 1830s, locating them in their period's contentious, highly-charged debates about race, morality and national destiny. (Only one of the poems is by an Australian writer, Eliza Dunlop.)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Postcolonial Studies vol. 13 no. 1 March 2010 Z1668252 2010 periodical issue 2010 pg. 55-70

Works about this Work

Eliza Hamilton Dunlop's 'The Aboriginal Mother' : Romanticism, Anti Slavery and Imperial Feminism in the Nineteenth Century Katrina Hansord , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-12)
'This paper positions the work of colonial poet Eliza Hamilton Dunlop amongst international Romantic poetry of the period, and argues that Dunlop's poetry reflects a transposition of Romantic women's poetry to Australia. Dunlop's poetry, such as 'The Aboriginal Mother', demonstrates the relationship of Romantic women's poetry to early feminism and Social Reform. As with the work of Felicia Hemans, Dunlop was interested in the role of women, and the 'domestic' as they related to broader national and political concerns. Dunlop seems to have been consciously applying the tropes, such as that of the mother, of anti slavery poetry found within American, British, and international poetic traditions to the Australian aboriginal context. Themes of indigenous motherhood, and also of Sati or widow burning in India, and human rights had been favored by early women's rights campaigners in Britain from the 1820s, focusing on abolition of slavery through the identification of white women with the Negro mother. Dunlop's comparative sympathy for the situation of aboriginals in Australia has been given critical attention as the aspect which makes her work valuable. However, in this essay I hope to outline how Dunlop's poetry fits in to the international context of the engagement of Romantic women poets with Western Imperialist models and colonial Others.' (Author's abstract)
Eliza Hamilton Dunlop's 'The Aboriginal Mother' : Romanticism, Anti Slavery and Imperial Feminism in the Nineteenth Century Katrina Hansord , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-12)
'This paper positions the work of colonial poet Eliza Hamilton Dunlop amongst international Romantic poetry of the period, and argues that Dunlop's poetry reflects a transposition of Romantic women's poetry to Australia. Dunlop's poetry, such as 'The Aboriginal Mother', demonstrates the relationship of Romantic women's poetry to early feminism and Social Reform. As with the work of Felicia Hemans, Dunlop was interested in the role of women, and the 'domestic' as they related to broader national and political concerns. Dunlop seems to have been consciously applying the tropes, such as that of the mother, of anti slavery poetry found within American, British, and international poetic traditions to the Australian aboriginal context. Themes of indigenous motherhood, and also of Sati or widow burning in India, and human rights had been favored by early women's rights campaigners in Britain from the 1820s, focusing on abolition of slavery through the identification of white women with the Negro mother. Dunlop's comparative sympathy for the situation of aboriginals in Australia has been given critical attention as the aspect which makes her work valuable. However, in this essay I hope to outline how Dunlop's poetry fits in to the international context of the engagement of Romantic women poets with Western Imperialist models and colonial Others.' (Author's abstract)
Last amended 16 Mar 2011 11:33:30
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