AustLit logo

AustLit

form y separately published work icon Clay single work   film/TV   crime  
Issue Details: First known date: 1964... 1964 Clay
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Film Details - Giorgio Mangiamele Productions , 1964

Producers:

Giorgio Mangiamele

Director of Photography:

Giorgio Mangiamele

Editors:

Giorgio Mangiamele
Chris Tsalikis

Composer:

Graham Hair

Music:

Background music was also performed by a quartet of university students.

Cast:

Janine Lebeden, George Dixon, Chris Tsalikis, Claude Thomas, Robert Clarke, Lola Russell.

Release Dates:

25 August 1965

Location:

  • Eltham, Victoria

Awards:

  • Cannes Film Festival, France (1965) Golden Palm Award - Giorgio Mangiamele (nomination)
  • Australian Film Institute Awards (1965) Silver Award - Giorgio Mangiamele (winner)
  • Australian Film Institute Awards (1965) Silver Medallion - Giorgio Mangiamele (winner)
  • Australian Film Institute Awards (1965) Kodack Silver Trophy - Giorgio Mangiamele (winner)

Notes:

1. Also known as Argile (France).
2. In order to raise the £12,000 needed to make the film, Giorgio Mangiamele mortgaged his home and also devised a co-operative scheme whereby each member of the cast and production crew contributed £200 towards the making of the film. This was to be repaid following the film's release. According to Andrew Pike and Ross Cooper (1980), early reactions to the film were positive. The ABC bought the television rights for £2,600 and the Australian Film Institute (AFI) awarded Mangiamele two awards for photography. When Clay screened at the 1965 Cannes Film Festival, it was also nominated for an award. The critical and public response to the film when it premiered at the Sydney and Melbourne film festivals was not so positive, however. The result was that the film secured no commercial interest. Mangiamele was forced to exhibit the film himself. After a one-week season at the St Kilda Palais, the film was rarely screened again (p. 308).
3. Further reference: Andrew Pike and Ross Cooper. Australian Film 1900-1977, A Guide to Feature Film Production (1980, q.v.), p. 308.

X