2793618845773219355.jpg
Screen cap from promotional trailer
form y The Castle single work   film/TV   humour  
Issue Details: First known date: 1997 1997
AustLit is a subscription service. The content and services available here are limited because you have not been recognised as a subscriber. Find out how to gain full access to AustLit

AbstractHistoryArchive Description

The Kerrigan family's home is situated right beside one of Melbourne's airports, but they don't mind. In fact, they love living there. When the government and airport authorities announce that they are buying up all the properties in the neighbourhood in order to make way for airport extensions, Darryl decides to defend his right to live in his beloved home. The Castle is the story of how they take on the authorities, all the way to the High Court.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Straight to the Pool Room: Top 10 Films about the Australian Dream Luke Buckmaster , single work column
Straight to the Pool Room : Top 10 Films about the Australian Dream Luke Buckmaster , 2016 single work column
— Appears in: The Guardian Australia , 25 April 2016;
'The housing market may not sound like the most stimulating territory for a story, but it has been the basis of some of Australia’s greatest films'
It Isn't Like We're Lacking Inspiration in Our Books and Music : What's Happened to Great Aussie Movies? Nicolle Flint , 2014 single work column
— Appears in: The Advertiser , 23 September 2014; (p. 22)
The Bogan Aesthetic Simon Caterson , 2014 single work criticism
— Appears in: Island , no. 139 2014; (p. 9-15)
'Australian society has never been more diverse, intricate and sophisticated than it is right now. But, as Simon Caterson writes, never have we been more bogan.' (9)
The Castle Yasmin Vought , 2012 single work essay
— Appears in: World Film Locations : Melbourne 2012; (p. 94-95)
Who's Afraid of the Working Class? We Are Rebecca Harkins-Cross , 2011 single work column
— Appears in: The Lifted Brow , no. 13 2011; (p. 33, 37)
Battlers Take Top Spot in Movie Poll Rosemary Lentini , 2010 single work column
— Appears in: The Courier-Mail , 7 October 2010; (p. 13)
Favourite Movie Character Gong Going Straight to the Pool Room Isabel Hayes , 2010 single work column
— Appears in: The Canberra Times , 7 October 2010; (p. 3)
Isabel Hayes reports on an Australian survey in which 37 per cent of respondents chose The Castle's Darryl Kerrigan as the film character most representative of the Australian character.
y Witnessing Australian Stories : History, Testimony and Memory in Contemporary Culture Kelly Jean Butler , Melbourne : 2010 6037495 2010 single work thesis

'This book is about how Australians have responded to stories about suffering and injustice in Australia, presented in a range of public media, including literature, history, films, and television. Those who have responded are both ordinary and prominent Australians–politicians, writers, and scholars. All have sought to come to terms with Australia's history by responding empathetically to stories of its marginalized citizens.

'Drawing upon international scholarship on collective memory, public history, testimony, and witnessing, this book represents a cultural history of contemporary Australia. It examines the forms of witnessing that dominated Australian public culture at the turn of the millennium. Since the late 1980s, witnessing has developed in Australia in response to the increasingly audible voices of indigenous peoples, migrants, and more recently, asylum seekers. As these voices became public, they posed a challenge not only to scholars and politicians, but also, most importantly, to ordinary citizens.

'When former Prime Minister Kevin Rudd delivered his historic apology to Australia's indigenous peoples in February 2008, he performed an act of collective witnessing that affirmed the testimony and experiences of Aboriginal Australians. The phenomenon of witnessing became crucial, not only to the recognition and reparation of past injustices, but to efforts to create a more cosmopolitan Australia in the present. This is a vital addition to Transactions critically acclaimed Memory and Narrative series.' (Publisher's blurb)

Coming from the City in the Castle, Vacant Possession, Strange Planet and Radiance Felicity Collins , Therese Davis , 2004 single work criticism
— Appears in: Australian Cinema after Mabo 2004; (p. 112-130)
In this chapter, Collins and Davis analyse how emergent themes within contemporary Australian cultural studies, repudiate 'the 19th century bush as the template for a British-derived national identity, turning instead to the cosmopolitan city , the multi-cultural suburbs, and the hedonistic holiday coast as templates for the a dynamic, post-national, post-multi-cultural identity in the 21st century.' The authors argue that 'the problem of belonging and of being at home in Australia is evident in the afterwardness of the history wars that followed the Mabo decision.' Source : Australian Cinema after Mabo (2004).
y 'The Castle' Brett Beckingham , Perth : Centre for Research in Culture and Communication (Murdoch University) , 2000 Z1699065 2000 single work criticism Research undertaken by a student of the Centre for Culture and Communication (Murdoch University) into The Castle (1997). Includes aspects relating to the production phase, critical reception, principal performers and production crew, references and a synopsis.
Nostalgia Unbound : Illegibility and the Synthetic Excess of Place Fiona Allon , 2000 single work criticism
— Appears in: Continuum : Journal of Media and Cultural Studies , vol. 14 no. 3 2000; (p. 275-287)
The Castle : A Critical Study of a Feature Film Text Tony Hughes , 1999 single work essay
— Appears in: Australian Screen Education Online , Summer no. 20/21 1999; (p. 36-43)
'This study programme uses the Australian feature film The Castle to exemplify the ways in which a text confirms or challenges the attitudes and values of its audience.'
Coming from the City in the Castle, Vacant Possession, Strange Planet and Radiance Felicity Collins , Therese Davis , 2004 single work criticism
— Appears in: Australian Cinema after Mabo 2004; (p. 112-130)
In this chapter, Collins and Davis analyse how emergent themes within contemporary Australian cultural studies, repudiate 'the 19th century bush as the template for a British-derived national identity, turning instead to the cosmopolitan city , the multi-cultural suburbs, and the hedonistic holiday coast as templates for the a dynamic, post-national, post-multi-cultural identity in the 21st century.' The authors argue that 'the problem of belonging and of being at home in Australia is evident in the afterwardness of the history wars that followed the Mabo decision.' Source : Australian Cinema after Mabo (2004).
y 'The Castle' Brett Beckingham , Perth : Centre for Research in Culture and Communication (Murdoch University) , 2000 Z1699065 2000 single work criticism Research undertaken by a student of the Centre for Culture and Communication (Murdoch University) into The Castle (1997). Includes aspects relating to the production phase, critical reception, principal performers and production crew, references and a synopsis.
Battlers Take Top Spot in Movie Poll Rosemary Lentini , 2010 single work column
— Appears in: The Courier-Mail , 7 October 2010; (p. 13)
Favourite Movie Character Gong Going Straight to the Pool Room Isabel Hayes , 2010 single work column
— Appears in: The Canberra Times , 7 October 2010; (p. 3)
Isabel Hayes reports on an Australian survey in which 37 per cent of respondents chose The Castle's Darryl Kerrigan as the film character most representative of the Australian character.
Nostalgia Unbound : Illegibility and the Synthetic Excess of Place Fiona Allon , 2000 single work criticism
— Appears in: Continuum : Journal of Media and Cultural Studies , vol. 14 no. 3 2000; (p. 275-287)
Who's Afraid of the Working Class? We Are Rebecca Harkins-Cross , 2011 single work column
— Appears in: The Lifted Brow , no. 13 2011; (p. 33, 37)
y Witnessing Australian Stories : History, Testimony and Memory in Contemporary Culture Kelly Jean Butler , Melbourne : 2010 6037495 2010 single work thesis

'This book is about how Australians have responded to stories about suffering and injustice in Australia, presented in a range of public media, including literature, history, films, and television. Those who have responded are both ordinary and prominent Australians–politicians, writers, and scholars. All have sought to come to terms with Australia's history by responding empathetically to stories of its marginalized citizens.

'Drawing upon international scholarship on collective memory, public history, testimony, and witnessing, this book represents a cultural history of contemporary Australia. It examines the forms of witnessing that dominated Australian public culture at the turn of the millennium. Since the late 1980s, witnessing has developed in Australia in response to the increasingly audible voices of indigenous peoples, migrants, and more recently, asylum seekers. As these voices became public, they posed a challenge not only to scholars and politicians, but also, most importantly, to ordinary citizens.

'When former Prime Minister Kevin Rudd delivered his historic apology to Australia's indigenous peoples in February 2008, he performed an act of collective witnessing that affirmed the testimony and experiences of Aboriginal Australians. The phenomenon of witnessing became crucial, not only to the recognition and reparation of past injustices, but to efforts to create a more cosmopolitan Australia in the present. This is a vital addition to Transactions critically acclaimed Memory and Narrative series.' (Publisher's blurb)

The Castle Yasmin Vought , 2012 single work essay
— Appears in: World Film Locations : Melbourne 2012; (p. 94-95)
It Isn't Like We're Lacking Inspiration in Our Books and Music : What's Happened to Great Aussie Movies? Nicolle Flint , 2014 single work column
— Appears in: The Advertiser , 23 September 2014; (p. 22)
The Bogan Aesthetic Simon Caterson , 2014 single work criticism
— Appears in: Island , no. 139 2014; (p. 9-15)
'Australian society has never been more diverse, intricate and sophisticated than it is right now. But, as Simon Caterson writes, never have we been more bogan.' (9)
The Castle : A Critical Study of a Feature Film Text Tony Hughes , 1999 single work essay
— Appears in: Australian Screen Education Online , Summer no. 20/21 1999; (p. 36-43)
'This study programme uses the Australian feature film The Castle to exemplify the ways in which a text confirms or challenges the attitudes and values of its audience.'
Straight to the Pool Room : Top 10 Films about the Australian Dream Luke Buckmaster , 2016 single work column
— Appears in: The Guardian Australia , 25 April 2016;
'The housing market may not sound like the most stimulating territory for a story, but it has been the basis of some of Australia’s greatest films'
Straight to the Pool Room: Top 10 Films about the Australian Dream Luke Buckmaster , single work column

Awards

1997 winner Australian Film Institute Awards Best Original Screenplay
Last amended 7 Jul 2014 14:25:34
Settings:
  • Urban,
Newspapers:
    Powered by Trove
    X