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Author's abstract: This essay intervenes in current debates about the operation of creative writing as an academic discipline, and provides a polemical critique of practice-led research as a basis for disciplinary identity. It argues that the emergence of creative writing studies as a field of academic research is the product of an ongoing tension created by the pull of centrifugal intellectual forces that are interdisciplinary in focus and centripetal institutional forces that are driving towards disciplinary independence.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Some (Post-Romantic) Reflections on Creative Writing and the Exegesis
2010
single work
criticism
— Appears in: TEXT : Special Issue Website Series , October no. 8 2010; 'The link between creative practice and research outcomes in universities remains a vexed issue, as does the associated question about the function of the exegesis in creative and practice-led higher degree theses. This paper reflects on these issues through discussing the nature of inspiration and some of the features of creative work, arguing that research and art are intimately connected.' (Author's abstract)
-
Some (Post-Romantic) Reflections on Creative Writing and the Exegesis
2010
single work
criticism
— Appears in: TEXT : Special Issue Website Series , October no. 8 2010; 'The link between creative practice and research outcomes in universities remains a vexed issue, as does the associated question about the function of the exegesis in creative and practice-led higher degree theses. This paper reflects on these issues through discussing the nature of inspiration and some of the features of creative work, arguing that research and art are intimately connected.' (Author's abstract)
Last amended 10 Sep 2008 14:09:10
http://nla.gov.au/nla.arc-10069-20080715-0018-www.textjournal.com.au/april08/dawson.html
Creative Writing and Postmodern Interdisciplinarity
TEXT : The Journal of the Australian Association of Writing Programs
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