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Courtesy the publisher.
y The Boat selected work   short story  
Issue Details: First known date: 2008 2008
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AbstractHistoryArchive Description

'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)

Notes

  • Dedication: To: Ta Thi Xuan Le, my mother, Le Huu Phuc, my father and Truong and Victor, my brothers.
  • Epigraph: Importunate along the dark/ Horizon of immediacies/ The flares of desperation rise. W. H. Auden.
  • Epigraph: How strange that when the summons came I always felt good. Frank Conroy.
  • Included in the New York Times Book Review 100 Notable Books List for 2008.
  • Noted briefly in the 'Paperback Row' column, New York Times Book Review, 27 September 2009.
  • In 2011, first-year students at Melbourne University were able to purchase a subsidised copy of The Boat as part of the university's summer reading project. The project aimed to engage students in university life.

Affiliation Notes

  • This work is affiliated with the AustLit subset Asian-Australian Children's Literature and Publishing because it has been recommended as a resource for Asia Literacy for secondary students by the Department of Education and Early Childhood Development, Victoria.

Contents

* Contents derived from the Camberwell, Camberwell - Kew area, Melbourne - Inner South, Melbourne, Victoria,: Hamish Hamilton , 2008 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Love and Honour and Pity and Pride and Compassion and Sacrifice, Nam Le , 2006 single work short story

'A young Vietnamese-Australian named Nam, in his final year at the famed Iowa Writers' Workshop, is trying to find his voice on the page. When his father, a man with a painful past, comes to visit, Nam's writing and sense of self are both deeply changed.

'Love and Honour and Pity and Pride and Compassion and Sacrifice is a deeply moving story of identity, family and the wellsprings of creativity, from Nam Le's multi-award-winning collection The Boat.' (From the publisher's website, 2012 Penguin publication.)

(p. 1-30)
Cartagena, Nam Le , 2006 single work short story (p. 31-75)
Meeting Elise, Nam Le , Nam Le , 2007 single work short story (p. 76-105)
Halflead Bay, Nam Le , 2008 single work short story (p. 106-185)
Hiroshima, Nam Le , 2007 single work short story

A young girl in war-time Hiroshima tries to repress her loneliness and longing for her family by clinging to nationalist propaganda.

(p. 186-203)
Tehran Calling, Nam Le , 2007 single work short story (p. 204-263)
The Boat, Nam Le , 2008 single work short story (p. 264-313)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • New York (City), New York (State),
      c
      United States of America (USA),
      c
      Americas,
      :
      Knopf , 2008 .
      Extent: 272p.
      Edition info: 1st ed.
      ISBN: 9780307268082, 9780307388193
    • c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      Canongate , 2009 .
      Extent: 288pp.p.
      Note/s:
      • Also ebook.
      ISBN: 9781847671615
    • c
      Canada,
      c
      Americas,
      :
      c
      United States of America (USA),
      c
      Americas,
      :
      Vintage , 2009 .
      Extent: 288pp.p.
      ISBN: 9780307388193
    • Melbourne, Victoria,: Penguin , 2013 .
      Extent: 336p.
      Note/s:
      • Published: 20/11/2013
      ISBN: 9780143569701
Alternative title: Im Boot: Erzählungen
Language: German

Works about this Work

26 Aussie Books You Must Read Blanche Clark , 2015 single work column
— Appears in: The Courier-Mail , 24 January 2015; (p. 18-19)
'With Australia Day upons us...26 great Australian Books that have helped shape and define our nation...'
Worlds Apart : Nam Le’s The Boat and Ali Alizadeh’s Transactions Lachlan Brown , 2015 single work criticism
— Appears in: Transnational Literature , May vol. 7 no. 2 2015;

'Australian short fiction collections which are self-consciously and explicitly transnational have risen to prominence during the past decade. Nam Le’s celebrated collection The Boat (2008) has been followed by Ali Alizadeh’s Transactions (2013), Maxine Beneba-Clarke’s Foreign Soil (2014) and Ceridwen Dovey’s Only the Animals (2014). All these books are ambitious, grandtour collections, organising themselves in ways that emphasise disparate locations around the globe. They are marked by precocious writing styles, a predilection for distinct and distinctive voices, rapid or jolting movements between specific yet diverse situations, a thematisation of

‘the global’, as well as holistic or in some cases totalising structures. The collections by Le, Alizadeh and Beneba-Clarke are accompanied by metafictive frames which foreground the idea of writing as a creative and urgent act in a globalised world. Such transnational short fiction may find immediate precursors in writers like Jhumpa Lahiri, whose Unaccommodated Earth

explores familial migrations and double migrations and Daniel Alarcon whose War by Candlelight depicts intense and specific locations from Lima to New York.' (Author's introduction)

“Trafficking in Words” : On the Politics of Writing, Cross-Border Mobility, and Nam Le’s The Boat Marita Jane Bullock , 2015 single work criticism
— Appears in: Antipodes , December vol. 29 no. 2 2015; (p. 461-477)
Nam Le’s The Boat : A Reflection of Multiple Selves Yasue Arimitsu , 2014 single work criticism
— Appears in: Literatures in English : New Ethical, Cultural and Transnational Perspectives 2014;
‘. . . An Asian Dummy with an Aussie Voice’ : Ventriloquism and Authenticity in Nam Le’s The Boat and Tim Winton’s The Turning Lachlan Brown , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 3 2014;

'This paper presents a number of key similarities between Nam Le’s story ‘Halflead Bay’ in The Boat and Tim Winton’s 2004 collection of short stories The Turning. Indeed the scale and type of these similarities indicates more than a subconscious attempt at creating what could be considered a quintessentially regional Australian voice. There seems to be mimicry, counterfeit or the call of the lyrebird at play in this story. Picking up Ken Gelder’s ideas of citation and ventriloquism from his 2010 discussion of proximate reading, alongside Connor's discussion of ventriloquism in Dumdstruck, this paper considers the implications of Le’s attempts to ‘out-Winton’ Winton in ‘Halflead Bay.’ Of particular relevance here is Le’s own exploration of ventriloquism and accents in his Wheeler Centre presentation ‘Voices from Elsewhere’, as well the attention he pays to accents, location and problematic authenticity in The Boat’s opening story.' (Publication abstract)

The Boat Catherine Cole , 2013 single work essay
— Appears in: Reading Australia 2013;

Written for the Reading Australia project, this essay serves as an introduction to Nam Le's The Boat. Cole discusses how the book 'offers a new conversation about the Vietnam War and its aftermath. The collection encompasses a diverse geography, from Iran to Colombia, the United States to Australia, Japan and the South China Sea, yet the Vietnam War is an assertive presence too in the collection’s first and last stories, "Love and Honour and Pity and Pride and Compassion and Sacrifice" and "The Boat".' Cole discusses the 'literature of emigration,' gives a synopsis of each of the collection's stories, and examines the structural format of the collection.

Globalised Fiction Becomes a Fact Lachlan Brown , 2013 single work criticism
— Appears in: Telling Stories : Australian Life and Literature 1935–2012 2013; (p. 566-572)
El mercado del crimen : Ética y justica poética en Nam Le Alejandro Herrero-Olaizola , 2013 single work criticism
— Appears in: Novela negra y otros crímenes : la visión de escritores y críticos 2013; (p. 253-263)
The Name and the Face Juliana Qian , 2012 single work criticism
— Appears in: Overland , Spring no. 208 2012; (p. 27-32)
Aporetic Australia in 'The White Tiger', 'The Boat' and 'The Hamilton Case' Nicholas Jose , 2012 single work criticism
— Appears in: JASAL , vol. 12 no. 2 2012;
The paper investigates the significance of the aporetic presence of Australia in three important works of contemporary fiction that deal with Asian experience: The Hamilton Case (2003) by Michelle de Kretser, the story 'Love and Honor and Pity and Pride and Compassion and Sacrifice' from The Boat (2008) by Nam Le, and The White Tiger (2008) by Aravind Adiga. Each author has links to Australia. In the case of The White Tiger, the paper considers the different contexts in which it can be read, including specifically Indian English Fiction, and argues that Australia offers a further context, a disappearing point, as 'a moral as well as a narrative alternative'. In the case of Nam Le's story Australia appears as the enabling ground for a 'defining but transitional, diasporic identity'. In The Hamilton Case Australia is an imaginary alternative and site for shape-changing and revenant stories. In considering these works as arguably examples of a new, mobile Asian Australian writing, the paper notes how they relate to and at the same time extend the parameters of Australian literature.
Don't Miss the Boat Peter McPhee , 2011 single work column
— Appears in: Voice , 14 February - 13 March vol. 7 no. 2 2011; (p. 5)
Professor Peter McPhee outlines the University of Melbourne's 'Melbourne Summer Reading' ('MSR') project, a 2011 initiative for first-year students. All first-year students will read Nam Le's The Boat before the start of Semester I. Professor McPhee writes: 'The purpose of the MSR project is to welcome new undergraduate students to the academic life of the University, and our values of engagement with big ideas, reflection and discussion'.
‘This Story Does Not Begin on a Boat’ : What Is Australian about Asian Australian Writing? Wenche Ommundsen , 2011 single work criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 25 no. 4 2011; (p. 503–513)
'With reference to recent debates about the politics of representation, this paper argues that a profound ambivalence about identity, and particularly about Asian Australian identity, is a common characteristic of much recent Asian Australian literary writing. It also asks whether this is the characteristic that marks this writing as specifically Australian. Tracing cultural contexts from the 'pathologies' of Australian multicultural debates to other transnational literary traditions, the paper uses examples from the writing of Brian Castro, Alice Pung, Ouyang Yu, Nam Le, Shaun Tan, and Tom Cho to speculate on the emergence of a new and distinct phase of transnational writing in Australia.' (Author's abstract)
Finding a Place in the World - Vietnamese-Australian Diasporic Writing Hoa Pham , 2011 single work criticism
— Appears in: Long Paddock , vol. 71 no. 1 2011;
'This essay touches briefly on the works of Nam Le, Chi Vu and Dominic Hong Duc Golding, demonstrating how 'they provide a counter narrative to the dominant discourse of the Vietnam/America War in Australia, and, further, how they might pave a central place for Australian diasporic writing in general.' (Source: Introduction, p. 1)
The Silver Age of Fiction Peter Pierce , 2011 single work criticism
— Appears in: Meanjin , Summer vol. 70 no. 4 2011; (p. 110-115)
Peter Pierce looks at contemporary Australian fiction to define Australia's 'Silver Age of Australian fiction' .
Books 2011 single work column
— Appears in: The Sydney Morning Herald , 20 December 2011; (p. 11)
Authors Stay on Track Marc McEvoy , 2011 single work column
— Appears in: The Sun-Herald , 18 December 2011; (p. 7)
History and Postmemory in Contemporary Vietnamese Writing Catherine Cole , Marsha Berry , 2011 single work criticism
— Appears in: TEXT : Special Issue Website Series , April no. 10 2011;
'In this paper we argue that there are many ways in which history is embedded in a country's fiction—many of them offering questions rather than answers about a country's creative practices. In Vietnam it seems inevitable that the war against America and her allies would shape the nation's creative writing. But is this the case? And what of the ways in which later generations have reacted to the war? In Vietnam and Australia this shared history has played out differently, not least in a postmemory dialogue between a generation who remembers too much and a generation who remembers too little.' (Author's abstract)
Rewriting Australian Literature Nicholas Jose , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 95-107)
'There are those of us who are trying to rethink the place of Australian literature in our lives, as readers and writers, students and teachers, and as participants in this society and culture. It's happening from different angles: in the academy, in literary studies, cultural studies, and Australian studies, including Australian history, at undergraduate and postgraduate levels, and in research frameworks; in secondary and primary education, locally and nationally; and in the public domain. It's also happening internationally, through translation, and in the many different spaces where Australian literature might have meaning. Meaning, of course, is a first question and the meanings of both 'Australian' and 'literature' are fluid and routinely contested. Coupling the terms only increased the questioning, raising the stakes to beg the question of whether it is meaningful or necessary to talk about Australian literature at all. What is it? Does it exist? Does it matter anymore, or any differently from any other kind of literature, simply because we happen to be in Australia? Does it have a privileged claim on our attention, or, if it does, is that suspect? Each part of the coupling comes with hefty baggage. 'Australian' brings the national, the nation and the nationalistic, identity and belonging, history and culture, citizenship and inclusion/exclusion. 'Literature' brings not only the literary, but also language, and literacy, questions of reading and writing, and teaching and learning in relation to reading and writing. In particular it brings, for my purposes here, those approaches and practices known as 'creative writing' that in recent decades have entered subject English and more broadly the business of how literature is made is made in our society. 'Creative writing' is an infelicitous term, perhaps, but one we're stuck with, understood as something with many manifestations, widespread popularity and its own complex institutional history. Discussion of these things - creative writing and Australian literature in the curricular context - joins with larger debates about our education and contemporary culture that tend, paradoxically, to adopt a rhetoric of embattlement while taking for granted the importance of both related fields. It is surprising that, in a neoliberal, technocratic, metric-managed world, reading, writing and creativity should retain such power and loom so large.' (Author's abstract)
Untitled Peter O. Stummer , 2011 single work review
— Appears in: Zeitschrift fur Australienstudien , no. 25 2011; (p. 161-164)

— Review of The Boat Nam Le 2008 selected work short story
Review : The Boat Samira Hassan , 2011 single work review
— Appears in: Refugee Transitions , May no. 25 2011; (p. 80-81)

— Review of The Boat Nam Le 2008 selected work short story
Editor's Picks Matthia Dempsey , 2008 single work review
— Appears in: Bookseller + Publisher Magazine , April/May vol. 87 no. 8 2008; (p. 32)

— Review of The Boat Nam Le 2008 selected work short story
A World of Stories from a Son of Vietnam Michiko Kakutani , 2008 single work review
— Appears in: The New York Times , 13 May 2008; (p. 1)

— Review of The Boat Nam Le 2008 selected work short story

Kakutani asserts that the opening story, 'like many in The Boat, catches people in moments of extremis, confronted by death or loss or terror (or all three) and forced to grapple at the most fundamental level with who they are and what they want or believe. Whether it’s the prospect of dying at sea or being shot by a drug kingpin or losing family members in a war, Nam Le’s people are individuals trapped in the crosshairs of fate, forced to choose whether they will react like deer caught in the headlights, or whether they will find a way to confront or disarm the situation.'

Outside Ethnicity Hari Kunzru , 2008 single work review
— Appears in: The New York Times Book Review , 8 June vol. 113 no. 23 2008; (p. 8)

— Review of The Boat Nam Le 2008 selected work short story

Kunzru suggests in this review that 'The Boat is transparently a product of the increasingly formalized milieu in which American writers train — a well-wrought collection that, in its acute self-consciousness, trails a telltale whiff of 'the industry' that is its initial concern, of the 'heap of fellowship and job applications' the fictional Le needs 'to draft and submit' when he’s interrupted by his father. 'Ethnic lit' is unhappily what emerges when identity politics head into the marketing meeting [...]. Le is starting to grapple with the subtleties of authenticity, but one comes away feeling that it’s not really his subject, that he has a future as a very different kind of writer.'

First-Time Narrative a Rare Voice Tim Johnston , 2008 single work review
— Appears in: The Weekend Australian , 7-8 June 2008; (p. 14-15)

— Review of The Boat Nam Le 2008 selected work short story
No Need for Lesbian Vampires James Ley , 2008 single work review
— Appears in: The Age , 14 June 2008; (p. 31)

— Review of The Boat Nam Le 2008 selected work short story
A Global View of the Sharp End of a Small World A. P. Riemer , 2008 single work review
— Appears in: The Sydney Morning Herald , 21-22 June 2008; (p. 32-33)

— Review of The Boat Nam Le 2008 selected work short story
Deep in the Heart of Suburbia Barry Oakley , 2008 single work review
— Appears in: The Australian Literary Review , July vol. 3 no. 6 2008; (p. 22)

— Review of A History of the Beanbag : And Other Stories Susan Midalia 2007 selected work short story ; Redfin Anthony Lynch 2007 selected work short story ; [Camera Obscura] Kathryn Lomer 2008 selected work short story ; The Boat Nam Le 2008 selected work short story
Eerie Knowing Louise Swinn , 2008 single work review
— Appears in: Australian Book Review , July-August no. 303 2008; (p. 21)

— Review of The Boat Nam Le 2008 selected work short story
So Haunting You'll Forgive Creative Touch Heidi Maier , 2008 single work review
— Appears in: The Courier-Mail , 14 - 15 June 2008; (p. 23)

— Review of The Boat Nam Le 2008 selected work short story
Flying Free of the Ethnic Pigeonhole Eleanor Limprecht , 2008 single work review
— Appears in: The Sun-Herald , 6 July 2008; (p. 11)

— Review of The Boat Nam Le 2008 selected work short story
Unconventional Wisdom : Australian Short Stories Louisa Syme , 2008 single work review
— Appears in: Overland , Spring no. 192 2008; (p. 84-87)

— Review of The Best Australian Stories 2007 2007 anthology short story extract autobiography ; Svetlana or Otherwise Tiggy Johnson 2006 selected work short story ; Prime Cuts Angus Gaunt 2008 selected work short story ; The Boat Nam Le 2008 selected work short story ; Below Tree Level Ben Walter 2008 single work novella
[Untitled] Roie Thomas , 2008 single work review
— Appears in: Viewpoint : On Books for Young Adults , Spring vol. 16 no. 3 2008; (p. 26-27)

— Review of The Boat Nam Le 2008 selected work short story
Thomas describes Le as talented when discussing the "compelling and eclectic" range of stories in this longer critical review.
Off-Course Hirsh Sawhney , 2008 single work review
— Appears in: The Times Literary Supplement , 10 October no. 5506 2008; (p. 21)

— Review of The Boat Nam Le 2008 selected work short story
Across Seven Seas Antoine Wilson , 2008 single work review
— Appears in: Los Angeles Times , 6 July 2008;

— Review of The Boat Nam Le 2008 selected work short story
Around the World in 288 Pages Ky-Phong Tran , 2008 single work review
— Appears in: Nguoi Viet 2 , 7 May 2008;

— Review of The Boat Nam Le 2008 selected work short story
Untitled Fiona Edwards , 2009 single work review
— Appears in: InCite , January/February vol. 30 no. 1/2 2009; (p. 28)

— Review of The Boat Nam Le 2008 selected work short story
This Year's Work in Fiction 2008-2009 Susan Midalia , 2009 single work review
— Appears in: Westerly , July vol. 54 no. 1 2009; (p. 51-64)

— Review of The Pages Murray Bail 2008 single work novel ; The Lieutenant Kate Grenville 2008 single work novel ; The Spare Room Helen Garner 2008 single work novel ; The Anatomy of Wings Karen Foxlee 2006 single work novel ; Boy On A Wire Jon Doust 2009 single work novel ; The Sinkings Amanda Curtin 2008 single work novel ; Bird Sophie Cunningham 2008 single work novel ; One Foot Wrong Sofie Laguna 2008 single work novel ; Avenue of Eternal Peace Nicholas Jose 1989 single work novel ; Life in Seven Mistakes Susan Johnson 2008 single work novel ; The Steele Diaries Wendy James 2008 single work novel ; Butterfly Sonya Hartnett 2009 single work novel ; Dissection Jacinta Halloran 2007 single work novel ; Fugitive Blue Claire Thomas 2008 single work novel ; Sweet Tracy Ryan 2008 single work novel ; The Virtuoso Sonia Orchard 2009 single work novel ; Ransom David Malouf 2009 single work novel ; The Good Parents Joan London 2008 single work novel ; Vertigo : A Pastoral Amanda Lohrey 2008 single work novella ; The Boat Nam Le 2008 selected work short story ; New Australian Stories 2009 anthology short story ; The Slap Christos Tsiolkas 2008 single work novel
A Stunning Debut from a Remarkable New Talent Nathanael O'Reilly , 2009 single work review
— Appears in: Antipodes , June vol. 23 no. 1 2009; (p. 93-94)

— Review of The Boat Nam Le 2008 selected work short story
Untitled Jorge Salavert , 2010 single work review
— Appears in: Notas Literarias 2010-;

— Review of The Boat Nam Le 2008 selected work short story
Sea of Stories Natasha Lester , 2009 single work review
— Appears in: Indigo , Spring no. 4 2009; (p. 130-132)

— Review of The Boat Nam Le 2008 selected work short story ; The Rip Robert Drewe 2008 selected work short story
Stories to Explore Somone Else's Skin Patrick Cohen , 2008 single work column
— Appears in: The New York Times , 14 May 2008; (p. 1)
When the Boat Comes In Michael Williams , 2008 single work column
— Appears in: The Sydney Morning Herald , 21-22 June 2008; (p. 28-29) The Age , 30 May 2008; (p. 24-25)
Short and Sweet Michael Harry , 2008 single work column
— Appears in: The Advertiser , 26 July 2008; (p. 15)
On Nam Le Peter Craven , 2008 single work criticism
— Appears in: Heat , no. 17 (New Series) 2008; (p. 63-77)
Asian Voices Add to the Great Chorus James Massola , 2008 single work criticism
— Appears in: The Canberra Times , 6 September 2008; (p. 4-5)
[Pounds] 60,000 Dylan Thomas Prize Goes to Globetrotting Debut Author 2008 single work column
— Appears in: The Guardian , 11 November 2008;
Award-Winning Young Writer Inspired By His Refugee Past Susan Wyndham , 2008 single work column
— Appears in: The Sydney Morning Herald , 12 November 2008; (p. 17)
Vietnamese Refugee Wins Top English Literary Award Gia Metherell , 2008 single work column
— Appears in: The Canberra Times , 12 November 2008; (p. 9)
Ship Comes in for The Boat Jason Steger , 2008 single work column
— Appears in: The Age , 15 November 2008; (p. 29)
A column canvassing current literary news including a brief report on Nam Le's winning of the 2008 Dylan Thomas Prize.
Refugee's Tales Win Dylan Thomas Prize 2008 single work column
— Appears in: The Australian , 12 November 2008; (p. 8)
Le Caps Unerring Voyage to Literary Stardom Michael Davis , 2008 single work column
— Appears in: The Australian , 13 November 2008; (p. 10)
Through Other Eyes 2008 single work interview
— Appears in: Luna Park , Spring no. 2 2008;
LAist Interview : Nam Le, Author of The Boat 2004- single work interview
— Appears in: LAist

This interview discusses self-consciousness in literature, the differences in expectation that readers bring to short stories as compared to novels, the form of the stories in The Boat, and how the book came to be published.

The Friction Zone : Sophie Cunningham Talks to Nam Le Sophie Cunningham (interviewer), 2009 single work interview
— Appears in: Meanjin , Autumn vol. 68 no. 1 2009; (p. 134-143)
Untitled Peter Mares (interviewer), 2008 single work interview
— Appears in: ABC News [Online] , June 2008;
Ex-Corporate Lawyer a Newcomer to Watch Nancy Zhang (interviewer), 2009 single work interview
— Appears in: Shanghai Daily , 13 March 2009;
A Brilliant Way with Words Marc McEvoy , 2009 single work column
— Appears in: The Sydney Morning Herald , 16-17 May 2009; (p. 26-27)
The Boat Takes Out Literary Awards Gia Metherell , 2009 single work column
— Appears in: The Canberra Times , 19 May 2009; (p. 4)
First-Time Author Floats Boat with Premier's Prize Win Marc McEvoy , 2009 single work column
— Appears in: The Sydney Morning Herald , 19 May 2009; (p. 5)
Praise for Nam Le Viet Tran , 2009 single work correspondence
— Appears in: The Sydney Morning Herald , 20 May 2009; (p. 10)
Viet Tran writes of his pride in learning of Nam Le's win for The Boat in the 2009 New South Wales Premier's Literary Awards.
Last amended 10 Jan 2014 13:24:19
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