Issue Details: First known date: 2007 2007
AustLit is a subscription service. The content and services available here are limited because you have not been recognised as a subscriber. Find out how to gain full access to AustLit

AbstractHistoryArchive Description

'This article rereads Patrick White's Riders in the Chariot against some of the past criticism of the text. It argues that the text has much to say about the contemporary politics of fear operating in Australia and demonstrates that many of the historical readings of White as an elitist, alienated Modernist cannot be sustained. The contemporary relevance and force of this novel arises from a double movement: the beauty of White's prose operates continually to allow us to perceive the "infinite in everything" but it also helps us understand the absolutely ordinary fears and insecurities of the suburban Australian consciousness. Through the ordinary everydayness of his Australian characters (other than the riders) we see all too clearly how the ignorance and prejudice of a very small few have the ability to snowball with catastrophic consequences. Himmelfarb, in the face of horror, turned away from literature believing that intellectual reasoning had failed humanity. Today it is the fear of intellectual reasoning that has the potential to make us all less than we have the potential to be.' (Author's abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y JASAL Journal of the Association for the Study of Australian Literature vol. 7 2007 Z1454555 2007 periodical issue 2007 pg. 32-45
    Note: Includes list of works cited.
  • Appears in:
    y Remembering Patrick White : Contemporary Critical Essays Elizabeth McMahon (editor), Brigitta Olubas (editor), Amsterdam New York (City) : Rodopi , 2010 Z1691441 2010 selected work criticism Remembering Patrick White presents the first major study of the full range of White’s work in over twenty-five years, and aims to bring this important author up to date for new generations of readers and scholars. Patrick White is a writer of moods and perspectives and the essays collected here range in their focus over his public presentations, his formal challenges, his spiritual leanings and dramatic gestures. They examine the breadth and significance of White’s intellectual contribution and consider the ongoing legacy of his thought and his art within national and international frames. As a collection, they focus our attention on what Patrick White means at the juncture of the present, reading his work through contemporary critical perspectives that further underscore the dynamism and substance of his writing. (Publisher's blurb) Amsterdam New York (City) : Rodopi , 2010
Last amended 9 Aug 2010 11:15:59
Newspapers:
    Powered by Trove
    X