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Notes
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First published in serial form in Mitchel's New York newspaper The Citizen, from January 14th to August 19th 1854, before being issued in book form the same year.
Affiliation Notes
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Nineteenth-Century Travel Writing
John Mitchel (1815-1875) was an author, editor, solicitor, activist and Irish nationalist. In the 1840s, Mitchel began editing Irish nationalist papers, firstly the as assistant editor of Nation under Charles Duffy, and then launching United Irishman himself, which broadcasted views of the Young Ireland Movement. Mitchel was charged with sedition under the Treason Felony Act (1848) and sentenced to 14 years’ transportation, and was sent to Van Diemen’s Land (although originally he was in Bermuda and Cape of Good Hope).Two years after he was granted a ticket of leave, Mitchel escaped to America, where he was welcomed a hero on his arrival in New York. Jail Journal narrates his experience of five years in various British prisons, and was originally published in the New York newspaper The Citizen from January 12 to August 19 1854. Mitchell began his book with a treatise on the dominating force of England on Irish history. After varied experiences of prison life, Mitchell tells of his arrival as a convict in Van Diemen's Land, describing the landscape, flora and fauna, the convict system, colonial society, and his experiences there are detailed in a conversational and engaging manner.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Antipodal Ireland and Tasmanian Underworlds : John Mitchel and William Moore Ferrar
2021
single work
criticism
— Appears in: Australian Literary Studies , vol. 36 no. 2 2021;'The Central Highlands of Tasmania is an unlikely antipodes of Irish writing, but it is a region that has complex representations by exiled and immigrant Irish writers. The picturesque landscape of the Highlands in the Young Irelander John Mitchel’s Jail Journal (1856) is well known; less well known is the writing of William Moore Ferrar, born in Dublin in 1823 and who emigrated to New South Wales, then Van Diemen’s Land, as a free settler in 1843. His novel Artabanzanus: The Demon of the Great Lake: An Allegorical Romance of Tasmania: Arranged from the Diary of the Late Oliver Ubertus (1896) represents a vision of an ideal surface world and a hellish underground. Dedicated to Arthur James Balfour, and dramatising the issue of Irish home rule, Ferrar’s novel is an eccentric but multi-faceted instance of the Irish-Tasmanian imaginary.'
Source: Abstract.
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Fiction and Fakements in Colonial Australia
2020
single work
criticism
— Appears in: Postcolonial Studies , September vol. 23 no. 3 2020; (p. 360-370)'The imaginations of convicts in Australia became attuned to the pairing of opposites and this led to strange tensions in their way of representing things. On Norfolk Island the meanings of words were reversed, so that ‘good’ meant ‘bad’ and ‘ugly’ meant ‘beautiful’. This undermining of official meanings produced the argot called the ‘flash’ or ‘kiddy’ language of the colony. Designed at first to keep private sentiments from being inspected, it eventually supported a system of dissident actions called ‘cross-work’ or ‘cross doings’. One word loomed large amidst these inversions: ‘fakement’, meaning booty, forgery or deceit. The verb has more extensive meanings: rob, wound, shatter; ‘fake your slangs’ means break your shackles. It also meant performing a fiction and accepting the consequences of it.' (Publication abstract)
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Learning to Love the Gum Tree
2010
single work
criticism
— Appears in: Island , Autumn no. 120 2010; (p. 44-50) -
Recolonisation and Disinheritance : The Case of Tasmania
2006
single work
criticism
— Appears in: Critics and Writers Speak : Revisioning Post-Colonial Studies 2006; (p. 106-114) 'The essay discusses the appropriations of the history and landscape of Tasmania, in the nineteenth and twentieth centuries and particularly by outsiders to the state, whether they are European or from the Australian mainland' (106). Pierce draws on the texts cited above, and on critical responses to these texts to demonstrate the conflicted experiences of departure from Tasmania and, in some cases, an equally unsettling return. -
Tasmania's Literary Heritage
1999
single work
criticism
essay
— Appears in: 40° South : Tasmania & Beyond , Autumn no. 12 1999; (p. 19-22)
-
Recolonisation and Disinheritance : The Case of Tasmania
2006
single work
criticism
— Appears in: Critics and Writers Speak : Revisioning Post-Colonial Studies 2006; (p. 106-114) 'The essay discusses the appropriations of the history and landscape of Tasmania, in the nineteenth and twentieth centuries and particularly by outsiders to the state, whether they are European or from the Australian mainland' (106). Pierce draws on the texts cited above, and on critical responses to these texts to demonstrate the conflicted experiences of departure from Tasmania and, in some cases, an equally unsettling return. -
Tasmania's Literary Heritage
1999
single work
criticism
essay
— Appears in: 40° South : Tasmania & Beyond , Autumn no. 12 1999; (p. 19-22) -
Learning to Love the Gum Tree
2010
single work
criticism
— Appears in: Island , Autumn no. 120 2010; (p. 44-50) -
Fiction and Fakements in Colonial Australia
2020
single work
criticism
— Appears in: Postcolonial Studies , September vol. 23 no. 3 2020; (p. 360-370)'The imaginations of convicts in Australia became attuned to the pairing of opposites and this led to strange tensions in their way of representing things. On Norfolk Island the meanings of words were reversed, so that ‘good’ meant ‘bad’ and ‘ugly’ meant ‘beautiful’. This undermining of official meanings produced the argot called the ‘flash’ or ‘kiddy’ language of the colony. Designed at first to keep private sentiments from being inspected, it eventually supported a system of dissident actions called ‘cross-work’ or ‘cross doings’. One word loomed large amidst these inversions: ‘fakement’, meaning booty, forgery or deceit. The verb has more extensive meanings: rob, wound, shatter; ‘fake your slangs’ means break your shackles. It also meant performing a fiction and accepting the consequences of it.' (Publication abstract)
-
Antipodal Ireland and Tasmanian Underworlds : John Mitchel and William Moore Ferrar
2021
single work
criticism
— Appears in: Australian Literary Studies , vol. 36 no. 2 2021;'The Central Highlands of Tasmania is an unlikely antipodes of Irish writing, but it is a region that has complex representations by exiled and immigrant Irish writers. The picturesque landscape of the Highlands in the Young Irelander John Mitchel’s Jail Journal (1856) is well known; less well known is the writing of William Moore Ferrar, born in Dublin in 1823 and who emigrated to New South Wales, then Van Diemen’s Land, as a free settler in 1843. His novel Artabanzanus: The Demon of the Great Lake: An Allegorical Romance of Tasmania: Arranged from the Diary of the Late Oliver Ubertus (1896) represents a vision of an ideal surface world and a hellish underground. Dedicated to Arthur James Balfour, and dramatising the issue of Irish home rule, Ferrar’s novel is an eccentric but multi-faceted instance of the Irish-Tasmanian imaginary.'
Source: Abstract.
- Tasmania,
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cIreland,cWestern Europe, Europe,
- Sydney, New South Wales,
- 1848-1854
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Dublin,
Dublin (County),
cIreland,cWestern Europe, Europe,
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cBermuda,cAmericas,
- Cape of Good Hope, Southern Africa, Africa,
- Tasmania,
- Sydney, New South Wales,
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cTahiti,cSociety Islands,cFrench Polynesia,cSouth Pacific, Pacific Region,
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San Francisco,
California,
cUnited States of America (USA),cAmericas,
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New York (State),
cUnited States of America (USA),cAmericas,