Arguably the most popular book of poetry ever produced in Australia, The Songs of a Sentimental Bloke was first published in October 1915. Its success was immediate and unprecedented for a book of Australian verse. The first edition of 2,480 copies sold out within weeks, and by the end of February 1916 the book had reached a fifth impression and was still selling well. Tongue firmly in cheek, C. J. Dennis informed his publishers Angus and Robertson that the work's 'success [was] becoming monotonous'. There was more monotony to come, however: the book sold more than 100,000 copies in the first five years after its publication, and was rarely out of print in Dennis's lifetime. Added to this, there were film, stage, and musical versions of the work, as well as recitals given by popular entertainers. In many respects, 'The Sentimental Bloke' became a phenomenon of popular culture that took on a life of its own.
Dennis later claimed that the idea for 'The Sentimental Bloke' came from a 'racy' young man from Melbourne he had met in Toolangi. According to Dennis' wife Margaret Herron, the young man had fallen in love with a farmer's daughter, but the farmer disapproved and forbade her from having anything to do with him. The Melbourne man was said to have complained to Dennis, 'what sort of bloke do they think I am? Blimey, anyone would think I was a crook! Ain't a bloke got sisters of his own?' In Dennis's imagination, this frustrated love affair eventually became a story in which a tough, streetwise young larrikin gives up his dissolute ways for domestic happiness with his sweetheart. A crucial factor in the success of Dennis's 'Sentimental Bloke' verse was that it was narrated from the point of view of 'the Bloke', employing a slang idiom appropriate to the character. In his correspondence with his publishers, Dennis noted that 'the stuff, while not having any considerable literary merit, is, I believe, extremely popular'.
'The Australian Poetry Library (APL) aims to promote a greater appreciation and understanding of Australian poetry by providing access to a wide range of poetic texts as well as to critical and contextual material relating to them, including interviews, photographs and audio/visual recordings.
This website currently contains over 42,000 poems, representing the work of more than 170 Australian poets. All the poems are fully searchable, and may be accessed and read freely on the World Wide Web. Readers wishing to download and print poems may do so for a small fee, part of which is returned to the poets via CAL, the Copyright Agency Limited. Teachers, students and readers of Australian poetry can also create personalised anthologies, which can be purchased and downloaded. Print on demand versions will be availabe from Sydney University Press in the near future.
It is hoped that the APL will encourage teachers to use more Australian material in their English classes, as well as making Australian poetry much more available to readers in remote and regional areas and overseas. It will also help Australian poets, not only by developing new audiences for their work but by allowing them to receive payment for material still in copyright, thus solving the major problem associated with making this material accessible on the Internet.
The Australian Poetry Library is a joint initiative of the University of Sydney and the Copyright Agency Limited (CAL). Begun in 2004 with a prototype site developed by leading Australian poet John Tranter, the project has been funded by a major Linkage Grant from the Australian Research Council (ARC), CAL and the University of Sydney Library. A team of researchers from the University of Sydney, led by Professor Elizabeth Webby and John Tranter, in association with CAL, have developed the Australian Poetry Library as a permanent and wide-ranging Internet archive of Australian poetry resources.' Source: www.poetrylibrary.edu.au (Sighted 30/05/2011).
ySixty Classic Australian PoemsGeoff Page,
Sydney:University of New South Wales Press,2009Z15702962009single work criticism (taught in 3 units)'This is a superb introduction to poetry from the nineteenth century to the present. With insight and insider knowledge, poet Geoff Page emphasises the contribution made by the notable generation of Australian poets who emerged during and just after World War II. It includes several contemporary poems which are likely to become classics in the near future. Each poem is followed by a short, lively essay discussing its merits and suggesting why it might be considered a classic.' (Publisher's blurb)Sydney:University of New South Wales Press,2009
yAustralian Poetry Since 1788Geoffrey Lehmann
Sydney:University of New South Wales Press,2011Z18038462011anthology poetry (taught in 1 units)'A good poem is one that the world can’t forget or is delighted to rediscover. This landmark anthology of Australian poetry, edited by two of Australia’s foremost poets, Geoffrey Lehmann and Robert Gray, contains such poems. It is the first of its kind for Australia and promises to become a classic. Included here are Australia’s major poets, and lesser-known but equally affecting ones, and all manifestations of Australian poetry since 1788, from concrete poems to prose poems, from the cerebral to the naïve, from the humorous to the confessional, and from formal to free verse. Translations of some striking Aboriginal song poems are one of the high points. Containing over 1000 poems from 170 Australian poets, as well as short critical biographies, this careful reevaluation of Australian poetry makes this a superb book that can be read and enjoyed over a lifetime.' (From the publisher's website.)Sydney:University of New South Wales Press,2011