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Issue Details: First known date: 2005... 2005 The Dolls' Revolution : Australian Theatre and Cultural Imagination
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Contents

* Contents derived from the Melbourne, Victoria,:Australian Scholarly Publishing , 2005 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Dolls, Revolution and Australian Theatre, Rachel Fensham , Denise Varney , single work criticism
Introduction to the selected work The Doll's Revolution : Australian Theatre and Cultural Imagination.
(p. 1-63)
The Poetic Revolution, Rachel Fensham , Denise Varney , single work criticism
'Jenny Kemp's theatre is less about a political revolution in which the writer takes up arms against gender inequality and political injustice and more about a political revolution in which expanded conditions of possibility for the psyche, particularly for women, are the key to cultural transformation.' (p.64)
(p. 64-108)
Modern Dolls, Global Spin: Joanna Murray-Smith, Rachel Fensham , Denise Varney , single work criticism
'This chapter positions Murray-Smith and her fascination with the modulations between language, truth and reality as a global playwright of modern drama...' (p.114)
(p. 109-156)
Pockets of Rebellion : Katherine Thomson, Rachel Fensham , Denise Varney , single work criticism

'This chapter focuses on Katherine Thomson as a playwright who utilises the conventions of social realism and naturalism to write plays that dramatise the effects of social and economic change on the lives of fictional but realistically-based characters.' (p.158)

(p. 157-198)
A Compelling Force : Indigenous Women Playwrights, Maryrose Casey , single work criticism (p. 199-237)
Violating the Past : Beatrix Christian, Laura Ginters , single work criticism (p. 238-284)
Redistribution of Power : Hannie Rayson, Rachel Fensham , Denise Varney , single work criticism
'...discusses Rayson's participation in and contributuion to ... the turning of the wheel that would make women the key players on the Australian stage.' (p.285)
(p. 285-328)
Conclusion: Post Revolutionary Australian Theatre, Rachel Fensham , Denise Varney , single work criticism (p. 329-338)
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