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Notes
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Epigraph: When you are honest to your feelings, that triggering town chooses you. Your words used your way will generate your meanings. Your obsessions lead you to your vocabulary. Your way of writing locates, even creates, your inner life. (Richard Hugo, The Triggering Town: Lectures and Essays on Poetry and Writing.(1979) )
Includes
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The Deadly Hume:
2005
single work
prose
— Appears in: Jacket , April no. 27 2005; -
Aren't We
2005
single work
prose
— Appears in: Jacket , April no. 27 2005; Outcrop : Radical Australian Poetry of Land 2013; (p. 52) -
Dirty Ruralism
2005
single work
poetry
— Appears in: Jacket , April no. 27 2005; Motherlode : Australian Women's Poetry 1986 - 2008 2009; (p. 248) -
Glory That
2005
single work
prose
— Appears in: Jacket , April no. 27 2005; -
Riverina Sharps:
2005
single work
prose
— Appears in: Jacket , April no. 27 2005; -
Wine Bar:
2005
single work
prose
— Appears in: Jacket , April no. 27 2005; -
Triggering Town:
2005
single work
prose
— Appears in: Jacket , April no. 27 2005; Outcrop : Radical Australian Poetry of Land 2013; (p. 53) -
The Red Door:
2005
single work
prose
— Appears in: Jacket , April no. 27 2005;
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Lost Wagga Wagga
2014
single work
criticism
— Appears in: JASAL , vol. 14 no. 3 2014; 'This paper draws on Ross Gibson’s 7 Versions of an Australian Badland and braids together a number of narratives converging around Wagga’s Wiradjuri Reserve on the Murrumbidgee River including the murder of a school friend in the late 1980s, Wiradjuri and colonial history and my poetry sequence ‘Triggering Town’. While ficto-critical in style, it also deploys a geo-critical methodology: foregrounding spatial and geographical fields in terms of both narrative and literary inquiry.' (Publication abstract)
-
Lost Wagga Wagga
2014
single work
criticism
— Appears in: JASAL , vol. 14 no. 3 2014; 'This paper draws on Ross Gibson’s 7 Versions of an Australian Badland and braids together a number of narratives converging around Wagga’s Wiradjuri Reserve on the Murrumbidgee River including the murder of a school friend in the late 1980s, Wiradjuri and colonial history and my poetry sequence ‘Triggering Town’. While ficto-critical in style, it also deploys a geo-critical methodology: foregrounding spatial and geographical fields in terms of both narrative and literary inquiry.' (Publication abstract)
Last amended 12 Jun 2009 13:45:41