AustLit logo
As Though We Were Never Here sequence   poetry  
Issue Details: First known date: 2005... 2005 As Though We Were Never Here
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Includes

Intercession i "sitting on the back steps and it is", Jaya Savige , 2003 single work poetry
— Appears in: The Age , 3 May 2003; (p. 5) Latecomers 2005; (p. 80)
Sky i "stabbed twenty-six times", Jaya Savige , 2004 single work poetry
— Appears in: The Weekend Australian , 20-21 March 2004; (p. 14) Latecomers 2005; (p. 79)
Now That No-One Is Watching i "another beautiful day", Jaya Savige , 2004 single work poetry
— Appears in: Foam:e , no. 1 2004; Latecomers 2005; (p. 66)
The Light Works, Turn It On i "A dark road.", Jaya Savige , 2004 single work poetry
— Appears in: Foam:e , no. 1 2004; Latecomers 2005; (p. 69)
Currency Lad i "Darwin, four years before I am born", Jaya Savige , 2004 single work poetry
— Appears in: Cultural Studies Review , March vol. 10 no. 1 2004; (p. 100-101) Latecomers 2005; (p. 54-55) Contemporary Asian Australian Poets 2013; (p. 214-215)
Silent Night i "Bottle-top trivia masses on the lawn", Jaya Savige , 2004 single work poetry
— Appears in: The Courier-Mail , 24 December 2004; (p. 5) Latecomers 2005; (p. 67)
Infrared Madonna i "by the strange dance", Jaya Savige , 2003 single work poetry
— Appears in: Retort Magazine 2001-; Latecomers 2005; (p. 52-53)
Mercedes i "she says her mother will kill her", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 47)
The Famous Pitch Drop Experiment i "I try to distinguish the physics foyer in the twilight", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 48)
Wake i "like the poet", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 49)
To the River Burning i "In hindsight her backache", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 50)
Mandarin i "I separate the seeds from a mandarin", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 51) Contemporary Asian Australian Poets 2013; (p. 215-216)
Sunshine Coast Exit i "you walk into a room", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 60)
Free to Air i "Nightfall - flat coke", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 61)
Jemimah, Dove i "Light rain drizzles through", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 62)
Serein i "the tumuli of you", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 63)
Poem i "the heart", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 64)
A Place for the Rain II i "afternoons", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 65)
Fast Asleep i "night", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 68)
Paramedic i "Sirens slam shut apertures of silence", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 70)
Investment i "I dare you to buy", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 71)
The Dreamworld Murders i "If you like", Jaya Savige , 2005 single work poetry
— Appears in: Latecomers 2005; (p. 72-78)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Latecomers Jaya Savige , St Lucia : University of Queensland Press , 2005 Z1213117 2005 selected work poetry

    'Winner of the prestigious Arts Queensland Thomas Shapcott Poetry Prize, Jaya Savige’s latecomers is a first collection of poems by one of Australia’s most exciting young poets. Lively, playful, and always intelligent, Savige’s poems show an awareness of place, of the inescapability of history, and a personal commitment to the precision of language. ‘The poems in latecomers go beyond what we take for granted these days in a first collection: refinement of language and cadence, allusiveness, wit. Moving easily through abstract wonders and the streets of the inner city, they return for nourishment to family and ‘the Island’ – Bribie, its fishing-life and beaches – as a test always of what is native and endures’ – DAVID MALOUF' (Publication summary)

    St Lucia : University of Queensland Press , 2005
    pg. 45-80
Last amended 6 Sep 2005 13:37:07
Newspapers:
    Powered by Trove
    X