Image courtesy of Giramondo Publishing
y The Garden Book single work   novel  
Issue Details: First known date: 2005 2005
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Notes

  • Epigraph: O where is the garden of Being that is only known in Existence
    As the command to be never there, the sentence by which
    Alephs of throbbing fact have been banished into position,
    The clock that dismisses the moment into the turbine of time?
    (W. H. Auden, For the Time Being)
  • Epigraph: Writing letters, however, means to denude oneself before the ghosts,
    something for which they greedily wait. Written kisses don't reach their destination, rather they are drunk on the way by the ghosts. It is on this ample nourishment that they multiply so enormously. Humanity senses this and fights against it and in order to eliminate as far as possible the ghostly element between people and to create a natural communication, the peace of souls, it has invented the railway, the motor car, the areoplane. But it's no longer any good, these are evidently inventions being made at the moment of crashing. The opposing side is so much calmer and stronger; after the postal service it has invented the telegraph, the telephone, the radiograph. The ghosts won't starve, but we will perish.
    (Franz Kafta, Letter to Milena Jesenka)

Affiliation Notes

  • Associated with the AustLit subset Australian Literary Responses to 'Asia' as the work contains an Australian character of Chinese heritage.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Artarmon, North Sydney - Lane Cove area, Sydney Northern Suburbs, Sydney, New South Wales,: Giramondo Publishing , 2005 .
      Image courtesy of Giramondo Publishing
      Extent: 316p.
      ISBN: 1920882103

Works about this Work

y Transcultural Writers and Novels in the Age of Global Mobility Arianna Dagnino , Lafayette : Purdue University Press , 2015 8887143 2015 single work criticism
Miles Franklin : Castro on List Deborah Bogle , 2013 single work column
— Appears in: The Advertiser , 27 March 2013; (p. 23)
Writing Asian Poetry in English Nicholas Jose , 2013 single work criticism
— Appears in: Mascara Literary Review , June no. 13 2013;

'If you open a collection by a contemporary Australian poet, you’re likely to find poems in forms derived from various Asian literary traditions: haiku, ghazal, tanka and other verse forms that originate in the swathe of cultures from the Arabian Gulf in the West to Japan in the North and Indonesia in the South. This is not new, of course. Nineteenth-century French poets, including Baudelaire, were attracted by the pantoum (pantun), a traditional Malay verse form. John Ashbery and other Americans followed suit in the twentieth-century. Contemporary Australian poet Mike Ladd acknowledges this lineage in ‘Pantuns in the Orchard’ (Island, Spring 2011), a recent essay about his experiments with the form during a residency at Rimbun Dahan in Malaysia.' (Author's introduction)

The Chinese Poetess in an Australian Setting : Cultural Translation in Brian Castro’s 'The Garden Book' Wang Guanglin , 2012 single work criticism
— Appears in: JASAL , vol. 12 no. 2 2012;
"Grammars of Creation” : An Interview with Brian Castro : 24 November 2008 Marilyne Brun (interviewer), 2011 single work interview
— Appears in: Journal of the European Association for Studies on Australia , vol. 2 no. 1 2011;
'This interview with contemporary Australian writer Brian Castro addresses a number of themes and concepts that are central to his critical work and fiction. In the interview, Castro discusses his oeuvre as a whole, providing insights into the starting point for his first eight novels. He comments on the concepts of transgression, hybridity, polyphonia, cosmopolitanism and play, underlining the central significance of grammar, ethics and aesthetics in his work. The interview also includes reflections on the development of Asian Australian studies and the importance of translating novels. In the final sections of the interview, Castro discusses the relation between his critical work and his novels and reflects on the common conflation of the novelist and the theorist in much literary criticism.' Source: Marilyne Brun.
Portrayal of Librarians in Australian Creative Writing Australian Library Journal Michael Middleton , 2011 single work criticism
— Appears in: The Australian Library Journal , June vol. 60 no. 2 2011; (p. 144-154)
'An exploration is made of the ways in which librarians have been depicted in Australian creative writing. Reference is made to characters in novels, short stories, drama and poetry. With respect to novels, there is some consideration of characterisation and its relationship to plot.' Michael Middleton.
Literary Doubles and Colonial Subjectivity : Brian Castro's The Garden Book Marilyne Brun , 2011 single work criticism
— Appears in: Journal of Commonwealth and Postcolonial Studies , Fall vol. 17 no. 2 2011; (p. 57-71)
Racial Melancholia in Brian Castro’s Chinese-Australian Historical Fiction Hoa Pham , 2010 single work criticism
— Appears in: The Journal of Australian Writers and Writing , May no. 1 2010; (p. 65-72)
Writing Chinese Diaspora : After the 'White Australia Policy' Deborah L. Madsen , 2009 single work criticism
— Appears in: Reading Down Under : Australian Literary Studies Reader 2009; (p. 263-270) Australian Made : A Multicultural Reader 2010; (p. 158-172)
An overview of Chinese-Australian writing.
Flaubert in the Garden Jennifer Rutherford , 2008 single work criticism
— Appears in: Heat , no. 18 (New Series) 2008; (p. 79-96)
Unpacking Castro's Library, or Detours and Return in 'The Garden Book' Bernadette Brennan , 2007 single work criticism
— Appears in: JASAL , Special Issue 2007; (p. 25-36) Brian Castro's Fiction : The Seductive Play of Language 2008; (p. 175-190)
Brennan argues that while 'Castro's writing has always engaged obliquely with ethical concerns' there is a sense through the characters and dialogue of The Garden Book 'that the narrative, while remaining true to more abstract questions of writing, memory, desire and death, wants us to think deeply and urgently about the consequences of the politics of fear currently operating in Australia'.
When the Past Isn't Past : A Role for Fiction in Australia's History Wars James Ley , 2006 single work criticism
— Appears in: The Times Literary Supplement , 19 May no. 5381 2006; (p. 23)
Discusses the extent to which contemporary Australian literature is preoccipied with the past.
Prize for Tale of Two Torn Loves Dorothy Illing , 2006 single work column
— Appears in: The Australian , 13 September 2006; (p. 7)
Australian Fiction 2005-2006 Thomas Shapcott , 2006 single work review
— Appears in: Westerly , November vol. 51 no. 2006; (p. 108-119)
Untitled Bryant George , 2006 single work review
— Appears in: Southerly , vol. 66 no. 1 2006; (p. 190-193)

— Review of The Garden Book Brian Castro 2005 single work novel
Untitled Mads Clausen , 2006 single work review
— Appears in: API Review of Books , July no. 44 2006;

— Review of The Garden Book Brian Castro 2005 single work novel
Bush Ascetic, with Martini Susan Wyndham , 2005 single work column
— Appears in: The Sydney Morning Herald , 8-9 October 2005; (p. 20-21)
Toccata and Fuge in a Postmodernist Key Ingrid Wassenaar , 2005 single work review
— Appears in: The Weekend Australian , 20-21 August 2005; (p. 12)

— Review of The Garden Book Brian Castro 2005 single work novel
Fertile Soil of Our Past Peter Pierce , 2005 single work review
— Appears in: The Age , 27 August 2005; (p. 5)

— Review of The Garden Book Brian Castro 2005 single work novel
The Meaning is Beside the Point James Ley , 2005 single work review
— Appears in: The Sydney Morning Herald , 10-11 September 2005; (p. 19)

— Review of The Garden Book Brian Castro 2005 single work novel
Toccata and Fuge in a Postmodernist Key Ingrid Wassenaar , 2005 single work review
— Appears in: The Weekend Australian , 20-21 August 2005; (p. 12)

— Review of The Garden Book Brian Castro 2005 single work novel
Fertile Soil of Our Past Peter Pierce , 2005 single work review
— Appears in: The Age , 27 August 2005; (p. 5)

— Review of The Garden Book Brian Castro 2005 single work novel
The Meaning is Beside the Point James Ley , 2005 single work review
— Appears in: The Sydney Morning Herald , 10-11 September 2005; (p. 19)

— Review of The Garden Book Brian Castro 2005 single work novel
A Most Fertile Garden Katharine England , 2005 single work review
— Appears in: The Advertiser , 10 September 2005; (p. 10)

— Review of The Garden Book Brian Castro 2005 single work novel
The Avant-Garde Minder Melinda Harvey , 2005 single work review
— Appears in: Australian Book Review , October no. 275 2005; (p. 34)

— Review of The Garden Book Brian Castro 2005 single work novel
Complex Structure in Layered Symbolism Rosamund Dalziell , 2005 single work review
— Appears in: The Canberra Times , 29 October 2005; (p. 15)

— Review of The Garden Book Brian Castro 2005 single work novel
Untitled Foong Ling Kong , 2005 single work review
— Appears in: The Bulletin , 22 November vol. 123 no. 6497 2005; (p. 69)

— Review of The Garden Book Brian Castro 2005 single work novel
Thank Godness for Writing Like This Brian Castro , 2005 single work review
— Appears in: The Courier-Mail , 19 - 20 November 2005; (p. 5)

— Review of The Garden Book Brian Castro 2005 single work novel
Untitled Bryant George , 2006 single work review
— Appears in: Southerly , vol. 66 no. 1 2006; (p. 190-193)

— Review of The Garden Book Brian Castro 2005 single work novel
Untitled Mads Clausen , 2006 single work review
— Appears in: API Review of Books , July no. 44 2006;

— Review of The Garden Book Brian Castro 2005 single work novel
Bush Ascetic, with Martini Susan Wyndham , 2005 single work column
— Appears in: The Sydney Morning Herald , 8-9 October 2005; (p. 20-21)
When the Past Isn't Past : A Role for Fiction in Australia's History Wars James Ley , 2006 single work criticism
— Appears in: The Times Literary Supplement , 19 May no. 5381 2006; (p. 23)
Discusses the extent to which contemporary Australian literature is preoccipied with the past.
Prize for Tale of Two Torn Loves Dorothy Illing , 2006 single work column
— Appears in: The Australian , 13 September 2006; (p. 7)
Unpacking Castro's Library, or Detours and Return in 'The Garden Book' Bernadette Brennan , 2007 single work criticism
— Appears in: JASAL , Special Issue 2007; (p. 25-36) Brian Castro's Fiction : The Seductive Play of Language 2008; (p. 175-190)
Brennan argues that while 'Castro's writing has always engaged obliquely with ethical concerns' there is a sense through the characters and dialogue of The Garden Book 'that the narrative, while remaining true to more abstract questions of writing, memory, desire and death, wants us to think deeply and urgently about the consequences of the politics of fear currently operating in Australia'.
Australian Fiction 2005-2006 Thomas Shapcott , 2006 single work review
— Appears in: Westerly , November vol. 51 no. 2006; (p. 108-119)
Flaubert in the Garden Jennifer Rutherford , 2008 single work criticism
— Appears in: Heat , no. 18 (New Series) 2008; (p. 79-96)
Writing Chinese Diaspora : After the 'White Australia Policy' Deborah L. Madsen , 2009 single work criticism
— Appears in: Reading Down Under : Australian Literary Studies Reader 2009; (p. 263-270) Australian Made : A Multicultural Reader 2010; (p. 158-172)
An overview of Chinese-Australian writing.
Racial Melancholia in Brian Castro’s Chinese-Australian Historical Fiction Hoa Pham , 2010 single work criticism
— Appears in: The Journal of Australian Writers and Writing , May no. 1 2010; (p. 65-72)
"Grammars of Creation” : An Interview with Brian Castro : 24 November 2008 Marilyne Brun (interviewer), 2011 single work interview
— Appears in: Journal of the European Association for Studies on Australia , vol. 2 no. 1 2011;
'This interview with contemporary Australian writer Brian Castro addresses a number of themes and concepts that are central to his critical work and fiction. In the interview, Castro discusses his oeuvre as a whole, providing insights into the starting point for his first eight novels. He comments on the concepts of transgression, hybridity, polyphonia, cosmopolitanism and play, underlining the central significance of grammar, ethics and aesthetics in his work. The interview also includes reflections on the development of Asian Australian studies and the importance of translating novels. In the final sections of the interview, Castro discusses the relation between his critical work and his novels and reflects on the common conflation of the novelist and the theorist in much literary criticism.' Source: Marilyne Brun.
Portrayal of Librarians in Australian Creative Writing Australian Library Journal Michael Middleton , 2011 single work criticism
— Appears in: The Australian Library Journal , June vol. 60 no. 2 2011; (p. 144-154)
'An exploration is made of the ways in which librarians have been depicted in Australian creative writing. Reference is made to characters in novels, short stories, drama and poetry. With respect to novels, there is some consideration of characterisation and its relationship to plot.' Michael Middleton.
Literary Doubles and Colonial Subjectivity : Brian Castro's The Garden Book Marilyne Brun , 2011 single work criticism
— Appears in: Journal of Commonwealth and Postcolonial Studies , Fall vol. 17 no. 2 2011; (p. 57-71)
The Chinese Poetess in an Australian Setting : Cultural Translation in Brian Castro’s 'The Garden Book' Wang Guanglin , 2012 single work criticism
— Appears in: JASAL , vol. 12 no. 2 2012;
Miles Franklin : Castro on List Deborah Bogle , 2013 single work column
— Appears in: The Advertiser , 27 March 2013; (p. 23)
Writing Asian Poetry in English Nicholas Jose , 2013 single work criticism
— Appears in: Mascara Literary Review , June no. 13 2013;

'If you open a collection by a contemporary Australian poet, you’re likely to find poems in forms derived from various Asian literary traditions: haiku, ghazal, tanka and other verse forms that originate in the swathe of cultures from the Arabian Gulf in the West to Japan in the North and Indonesia in the South. This is not new, of course. Nineteenth-century French poets, including Baudelaire, were attracted by the pantoum (pantun), a traditional Malay verse form. John Ashbery and other Americans followed suit in the twentieth-century. Contemporary Australian poet Mike Ladd acknowledges this lineage in ‘Pantuns in the Orchard’ (Island, Spring 2011), a recent essay about his experiments with the form during a residency at Rimbun Dahan in Malaysia.' (Author's introduction)

y Transcultural Writers and Novels in the Age of Global Mobility Arianna Dagnino , Lafayette : Purdue University Press , 2015 8887143 2015 single work criticism
Last amended 9 May 2012 15:20:47
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