AustLit
Who Wants to Create Australia? : Essays on Poetry and Ideas in Contemporary Australia
selected work
Latest Issues
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Another Dimension : Sweeney Reed's Visual Poetics
2018
single work
criticism
— Appears in: Antipodes , vol. 32 no. 1/2 2018; (p. 195-208)'The Heide Museum's 2011 exhibition Born to Concrete offered a rare opportunity to survey the history of visual poetry—a "hybrid genre … in which linguistic structures support pictorial structures and vice versa"—in Australia from the late 1960s onward (Bohn 100). It included a range of mixed and multimedia pieces, including typewritten texts, collages, prints, sculptures, and found objects, and it featured such figures as Ruth Cowen, Aleks Danko, Jas H. Duke, Peter Murphy, ΠO, Alan Riddell, Alex Selenitsch, and Richard Tipping.' (Introduction)
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Who Wants to Create, Australia?
2015
single work
essay
— Appears in: Plumwood Mountain : An Australian Journal of Ecopoetry and Ecopoetics , September vol. 2 no. 2 2015; -
Us, Them and Everybody Else : The New Humanities in Australia
2005
single work
criticism
— Appears in: Overland , Summer no. 181 2005; (p. 54-63) The author examines the state of the humanities in Australia. -
Saving Words
2005
single work
review
— Appears in: Overland , Summer no. 181 2005; (p. 97-98)
— Review of Who Wants to Create Australia? : Essays on Poetry and Ideas in Contemporary Australia 2004 selected work essay ; Words for Their Own Sake : The Pursuit of Literature in an Economic Rationalist World 2004 anthology criticism essay -
Easter Time Thoughts on Space and Place
2005
single work
review
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , April vol. 9 no. 1 2005;
— Review of Who Wants to Create Australia? : Essays on Poetry and Ideas in Contemporary Australia 2004 selected work essay
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Into Haunting Habitats
2005
single work
review
— Appears in: The Weekend Australian , 29-30 January 2005; (p. 10)
— Review of Who Wants to Create Australia? : Essays on Poetry and Ideas in Contemporary Australia 2004 selected work essay -
In Short : Non-Fiction
2005
single work
review
— Appears in: The Sydney Morning Herald , 29-30 January 2005; (p. 13)
— Review of Who Wants to Create Australia? : Essays on Poetry and Ideas in Contemporary Australia 2004 selected work essay ; Where Heaven and Earth Meet : A Journey Through Central Asia 2004 single work autobiography -
Meeting the Enemy
2005
single work
review
— Appears in: Australian Book Review , March no. 269 2005; (p. 36)
— Review of Who Wants to Create Australia? : Essays on Poetry and Ideas in Contemporary Australia 2004 selected work essay -
Untitled
2005
single work
review
— Appears in: JAS Review of Books , April no. 32 2005;
— Review of Who Wants to Create Australia? : Essays on Poetry and Ideas in Contemporary Australia 2004 selected work essay -
Easter Time Thoughts on Space and Place
2005
single work
review
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , April vol. 9 no. 1 2005;
— Review of Who Wants to Create Australia? : Essays on Poetry and Ideas in Contemporary Australia 2004 selected work essay -
Us, Them and Everybody Else : The New Humanities in Australia
2005
single work
criticism
— Appears in: Overland , Summer no. 181 2005; (p. 54-63) The author examines the state of the humanities in Australia. -
Who Wants to Create, Australia?
2015
single work
essay
— Appears in: Plumwood Mountain : An Australian Journal of Ecopoetry and Ecopoetics , September vol. 2 no. 2 2015; -
Another Dimension : Sweeney Reed's Visual Poetics
2018
single work
criticism
— Appears in: Antipodes , vol. 32 no. 1/2 2018; (p. 195-208)'The Heide Museum's 2011 exhibition Born to Concrete offered a rare opportunity to survey the history of visual poetry—a "hybrid genre … in which linguistic structures support pictorial structures and vice versa"—in Australia from the late 1960s onward (Bohn 100). It included a range of mixed and multimedia pieces, including typewritten texts, collages, prints, sculptures, and found objects, and it featured such figures as Ruth Cowen, Aleks Danko, Jas H. Duke, Peter Murphy, ΠO, Alan Riddell, Alex Selenitsch, and Richard Tipping.' (Introduction)
