AustLit logo

AustLit

Issue Details: First known date: 2003... 2003 The Line of Wit : First Thoughts on a Defence
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'I'm attracted to poetry that realizes the near-indefinable quality of wit I'm also aware that the display of wit for its own sake is a dead end for poets. A mind alert to punning possibilities and opportunities for one-liners does not guarantee anything more memorable than a gag and a reputation for producing trivial work. Wit can be mordant, wounding, precious, facetious or fl Ling. Some forms of wit are tiresome: genteel wit may disgust, scabrous wit may alienate: caustic wit may offend. The Buddhist scholar Hsing Yun claims that The most intolerable sound in the world is satire "'8' Wit that has no object but amusement, though, can seem a dull clubbable exercise, like the efforts of toastmasters or undergraduate humorists. Wit that editorializes runs the risk of tediousness; better, perhaps, the dialogic approach that allows the reader to make the decision, as in the case of Robert Graves's poem "A Slice of Wedding Cake." about "lovely, gifted girls" who marry "impossible men"...' (Introduction)
 

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Blue Dog : Australian Poetry vol. 2 no. 4 November 2003 Z1096176 2003 periodical issue 2003 pg. 76-79
  • Appears in:
    y separately published work icon The Poetic Eye : Occasional Writings 1982-2012 Michael Sharkey , Netherlands : Brill , 2016 10632316 2016 selected work criticism

    'This volume contains a selection of the Australian poet Michael Sharkey’s uncollected essays and occasional writings on poetics and poets, chiefly Australian and New Zealand. Reviews and conversations with other poets highlight Sharkey’s concern with preserving and interrogating cultural memory and his engagement with the practice and championing of poetry. Poets discussed range from Lord Byron to colonial-era and early twentieth-century poets (Francis Adams, David McKee Wright, and Zora Cross), underrepresented Australian women poets of World War I, traditionalists and experimentalists, including several ‘New Australian Poetry’ activists of the 1970s, and contemporary Australian and New Zealand poets. Writings on poetics address form and tradition, the teaching and reception of poetry, and canon-formation. The collection is culled from commissioned and occasional contributions to anthologies of practical poetics, journals devoted to literary and cultural history and book reviewing, as well as newspaper and small-magazine features from the 1980s to the present. The writing reflects Sharkey’s poetic practice and pedagogy relating to the teaching of literature, rhetorical analysis, cultural studies, and writing in universities'.

    Source: Publisher's blurb.

    Netherlands : Brill , 2016
    pg. 389-395
    Note: With title : Defending the Line of Wit
Last amended 1 May 2020 11:16:12
76-79 The Line of Wit : First Thoughts on a Defencesmall AustLit logo Blue Dog : Australian Poetry
389-395 The Line of Wit : First Thoughts on a Defencesmall AustLit logo
Newspapers:
    Powered by Trove
    X