y Speedfactory anthology   short story  
Issue Details: First known date: 2002 2002
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Notes

  • 'Speedfactory is a many-genred collaborative work about war, AIDS, love, sex, untiring capital, cricket, dancing, toothache, border-crossings, books, writing and erasure.'

    (Source: Fremantle Arts Centre Press, publisher blurb.)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Fremantle, Fremantle area, South West Perth, Perth, Western Australia,: Fremantle Press , 2002 .
      Extent: 151p.
      ISBN: 186368381X

Works about this Work

Palimpsestuous Voices : Difference, Distance, and Collaboration in 'Speaking Geographies' and 'Speedfactory Siobhan Hodge , Rosalind McFarlane , 2016 single work criticism
— Appears in: Axon : Creative Explorations , vol. 6 no. 1 2016;
'How do multiple poets speak at once, and what purpose can it serve? Poetry collaborations can involve sophisticated layerings of voice and impositions of meaning, depending on the intentions of the poets involved. In this article, a theory of ‘palimpsestuous’ poetic voices will be substantiated in the case of poetry collections where these voices fluctuate and come together to selectively promote certain ideas or issues. Two poetry collaborations—Speedfactory by Bernard Cohen, John Kinsella, McKenzie Wark, and Terri-ann White, and Speaking Geographies, an on-going poetry project by this article’s authors Siobhan Hodge and Rosalind McFarlane—will be examined in detail. In the case of these two collections, environmentalist concerns are particularly highlighted by their engagements with poetic voices. As this article will demonstrate, collaborations offer poets unique opportunities to set up contrasts between the personal and the communal, coming together with great effect to promote or condemn issues or values.' (Publication summary)
Speeding into Oblivion Graham Sewell , 2003 single work review
— Appears in: Overland , Winter no. 171 2003; (p. 97-99)

— Review of Speedfactory Bernard Cohen John Kinsella McKenzie Wark Terri-Ann White 2002 anthology short story
Soft Covers Cameron Woodhead , 2002 single work review
— Appears in: The Age , 13 July 2002; (p. 8)

— Review of Speedfactory Bernard Cohen John Kinsella McKenzie Wark Terri-Ann White 2002 anthology short story
In Short Debra Adelaide , 2002 single work review
— Appears in: The Sydney Morning Herald , 7-8 September 2002; (p. 15)

— Review of Speedfactory Bernard Cohen John Kinsella McKenzie Wark Terri-Ann White 2002 anthology short story
Love, Death, War and Speed David Cohen , 2002 single work review
— Appears in: The West Australian , 12 October 2002; (p. 13)

— Review of Speedfactory Bernard Cohen John Kinsella McKenzie Wark Terri-Ann White 2002 anthology short story
Speeding into Oblivion Graham Sewell , 2003 single work review
— Appears in: Overland , Winter no. 171 2003; (p. 97-99)

— Review of Speedfactory Bernard Cohen John Kinsella McKenzie Wark Terri-Ann White 2002 anthology short story
Soft Covers Cameron Woodhead , 2002 single work review
— Appears in: The Age , 13 July 2002; (p. 8)

— Review of Speedfactory Bernard Cohen John Kinsella McKenzie Wark Terri-Ann White 2002 anthology short story
In Short Debra Adelaide , 2002 single work review
— Appears in: The Sydney Morning Herald , 7-8 September 2002; (p. 15)

— Review of Speedfactory Bernard Cohen John Kinsella McKenzie Wark Terri-Ann White 2002 anthology short story
Love, Death, War and Speed David Cohen , 2002 single work review
— Appears in: The West Australian , 12 October 2002; (p. 13)

— Review of Speedfactory Bernard Cohen John Kinsella McKenzie Wark Terri-Ann White 2002 anthology short story
Palimpsestuous Voices : Difference, Distance, and Collaboration in 'Speaking Geographies' and 'Speedfactory Siobhan Hodge , Rosalind McFarlane , 2016 single work criticism
— Appears in: Axon : Creative Explorations , vol. 6 no. 1 2016;
'How do multiple poets speak at once, and what purpose can it serve? Poetry collaborations can involve sophisticated layerings of voice and impositions of meaning, depending on the intentions of the poets involved. In this article, a theory of ‘palimpsestuous’ poetic voices will be substantiated in the case of poetry collections where these voices fluctuate and come together to selectively promote certain ideas or issues. Two poetry collaborations—Speedfactory by Bernard Cohen, John Kinsella, McKenzie Wark, and Terri-ann White, and Speaking Geographies, an on-going poetry project by this article’s authors Siobhan Hodge and Rosalind McFarlane—will be examined in detail. In the case of these two collections, environmentalist concerns are particularly highlighted by their engagements with poetic voices. As this article will demonstrate, collaborations offer poets unique opportunities to set up contrasts between the personal and the communal, coming together with great effect to promote or condemn issues or values.' (Publication summary)
Last amended 29 Feb 2012 12:11:54
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