You Who May Read My Words single work   poetry   "People - don't say talk!"
  • Author: Lionel Fogarty http://www.poetrylibrary.edu.au/poets/fogarty-lionel
Issue Details: First known date: 1995 1995
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Notes

  • Author note: Melbourne 1st February 1980

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y New and Selected Poems : Munaldjali, Mutuerjaraera Lionel Fogarty , South Melbourne : Hyland House , 1995 Z203584 1995 selected work poetry

    '... poems are written with directness, honesty and passion. In this book Lionel has combined a selection of poems from previous publications together with several new works.' Source: http://www.kpress.com.au/ (Sighted: 30/06/2009).

    South Melbourne : Hyland House , 1995
  • Appears in:
    y Politics, Power and Poetry : An Intercultural Perspective on Aboriginal Identity in Black Australian Poetry Eleonore Wildburger , Tubingen : Stauffenburg Verlag , 2003 Z1064142 2003 single work criticism

    Author's/publisher's abstract: 'This book investigates a wide range of representations of Australian Indigenous identity formations and elaborates an interculturally appropriate research model, viewed from an anti-colonial perspective. Attention is focussed on (anti-)colonial power strategies within these formation processes, as well as on the socio-political relevance of reception processes in reply to these representations. The concepts of "difference" as to their relevance within intercultural transformations are explored.

    In this context, the tensions between essentialist and non-essentialist perspectives on identity discourse are pointed out.

    The broad spectrum of Aboriginality is investigated within the discourse analysis of a selection of contemporary Black Australian poetry ... The syncretic reading method interrogates the reader's experience as effects rather than methodologically determined acts of reception. The analysis does not dismiss the relevance of literary aesthetics for text interpretations, yet it exemplifies that the assessment criteria need to be grounded in the Aboriginality of the poems. The quintessence of this book lies in the author's firm conviction that the anti-colonial perspective on Indigenous identity constructions is metonymic in its visions of universal mental constructs, while at the same time advancing the visions of contemporary Aboriginality.

    Tubingen : Stauffenburg Verlag , 2003
    pg. 187

Works about this Work

y Politics, Power and Poetry : An Intercultural Perspective on Aboriginal Identity in Black Australian Poetry Eleonore Wildburger , Tubingen : Stauffenburg Verlag , 2003 Z1064142 2003 single work criticism

Author's/publisher's abstract: 'This book investigates a wide range of representations of Australian Indigenous identity formations and elaborates an interculturally appropriate research model, viewed from an anti-colonial perspective. Attention is focussed on (anti-)colonial power strategies within these formation processes, as well as on the socio-political relevance of reception processes in reply to these representations. The concepts of "difference" as to their relevance within intercultural transformations are explored.

In this context, the tensions between essentialist and non-essentialist perspectives on identity discourse are pointed out.

The broad spectrum of Aboriginality is investigated within the discourse analysis of a selection of contemporary Black Australian poetry ... The syncretic reading method interrogates the reader's experience as effects rather than methodologically determined acts of reception. The analysis does not dismiss the relevance of literary aesthetics for text interpretations, yet it exemplifies that the assessment criteria need to be grounded in the Aboriginality of the poems. The quintessence of this book lies in the author's firm conviction that the anti-colonial perspective on Indigenous identity constructions is metonymic in its visions of universal mental constructs, while at the same time advancing the visions of contemporary Aboriginality.

'Why, White Man, Why?' : White Australia as the Addressee of Apostrophe in Contemporary Aboriginal Writing Russell West-Pavlov , 2002 single work criticism
— Appears in: Zeitschrift fur Anglistik und Amerikanistik , vol. 50 no. 2 2002; (p. 166-178) Imaginary Antipodes : Essays on Contemporary Australian Literature and Culture 2011; (p. 23-36)
'Contemporary Australian indigenous literature is characterised by a remarkably prevalent use of apostrophic address directed at the white reader. This mode of direct address in black literary texts draws attention to the political dynamics moulding reader-writer relations in contemporary Australia. The article examines numerous examples of this direct mode of address in prose, poetry and drama, and argues that this direct mode of address is a central element in the message of black writers. The use of apostrophe implies the active 'positioning' of the white reader on the part of the indigenous speaker; only by virtue of this positioning is the reading process made possible. The direct mode of address in these texts thus demands that the reader take up a stance characterised by a readiness to listen attentively to black literary voices.' (Author's abstract)
'Why, White Man, Why?' : White Australia as the Addressee of Apostrophe in Contemporary Aboriginal Writing Russell West-Pavlov , 2002 single work criticism
— Appears in: Zeitschrift fur Anglistik und Amerikanistik , vol. 50 no. 2 2002; (p. 166-178) Imaginary Antipodes : Essays on Contemporary Australian Literature and Culture 2011; (p. 23-36)
'Contemporary Australian indigenous literature is characterised by a remarkably prevalent use of apostrophic address directed at the white reader. This mode of direct address in black literary texts draws attention to the political dynamics moulding reader-writer relations in contemporary Australia. The article examines numerous examples of this direct mode of address in prose, poetry and drama, and argues that this direct mode of address is a central element in the message of black writers. The use of apostrophe implies the active 'positioning' of the white reader on the part of the indigenous speaker; only by virtue of this positioning is the reading process made possible. The direct mode of address in these texts thus demands that the reader take up a stance characterised by a readiness to listen attentively to black literary voices.' (Author's abstract)
y Politics, Power and Poetry : An Intercultural Perspective on Aboriginal Identity in Black Australian Poetry Eleonore Wildburger , Tubingen : Stauffenburg Verlag , 2003 Z1064142 2003 single work criticism

Author's/publisher's abstract: 'This book investigates a wide range of representations of Australian Indigenous identity formations and elaborates an interculturally appropriate research model, viewed from an anti-colonial perspective. Attention is focussed on (anti-)colonial power strategies within these formation processes, as well as on the socio-political relevance of reception processes in reply to these representations. The concepts of "difference" as to their relevance within intercultural transformations are explored.

In this context, the tensions between essentialist and non-essentialist perspectives on identity discourse are pointed out.

The broad spectrum of Aboriginality is investigated within the discourse analysis of a selection of contemporary Black Australian poetry ... The syncretic reading method interrogates the reader's experience as effects rather than methodologically determined acts of reception. The analysis does not dismiss the relevance of literary aesthetics for text interpretations, yet it exemplifies that the assessment criteria need to be grounded in the Aboriginality of the poems. The quintessence of this book lies in the author's firm conviction that the anti-colonial perspective on Indigenous identity constructions is metonymic in its visions of universal mental constructs, while at the same time advancing the visions of contemporary Aboriginality.

Last amended 8 May 2014 11:57:37
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