2551722464582889018.jpg
Cover image courtesy the publisher.
Issue Details: First known date: 2003 2003
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AbstractHistoryArchive Description

This work discusses the history of defining Aboriginality in Australia and the experience of being Aboriginal. Both these factors have impacted on the production of Aboriginal writing within the wider context of Indigenous writing. The author also focuses on Indigenous publishing in other countries and how best to market and publish Aboriginal literature.

Notes

  • Excerpts of this work have generously been made available for reproduction within AustLit's BlackWords project.
  • Other formats: Also e-book.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Canberra, Australian Capital Territory,: Aboriginal Studies Press , 2003 .
      2551722464582889018.jpg
      Cover image courtesy the publisher.
      Extent: ix, 318p.p.
      Note/s:
      • Includes three appendices: Catalogue of Aboriginal Literature, p.220-234; Select Bibliography of Canadian First Nations' Literature, p.235-244; Select Bibliography of Maori Literature, p.245-249. Also includes substantial end notes, general bibliography and index.
      ISBN: 0855754443

Works about this Work

Respecting Protocols for Representing Aboriginal Cultures Jared Thomas , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 3 2014;
'This essay undertakes a detailed discussion of how respecting protocols for representing Indigenous cultures supports the interests of Indigenous communities and producers of stories with Indigenous content. To highlight the importance of Indigenous protocols I review the prominence and reception of Aboriginal stories in Australian film and literature and discuss how protocol guidelines can prevent problematic representations. I demonstrate how protocols influenced writing Calypso Summer (2014), a novel exploring issues relating to my cultural group, the Nukunu, to illustrate the challenges encountered and benefits gained from employing Indigenous representation protocols. ' (Author's introduction)
Teaching Indigenous Literature : An Ethics of Voice Alice Healy-Ingram , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 70-94)
'My first class in teaching Indigenous literature was beset with a challenge: 'Why are you quoting that songline on overhead?! An Aboriginal student asked me, deeply offended, when I introduced a pre-scripted lecture on Aboriginal 'text'. 'It is not to be taken away from its context. It is sung, not written; it is performed with dancing and has a meaning that you would not understand!' My bravado failed and I gave her the stage. She was right. I had unwittingly performed a 'colonial' act of misappropriation. The pressures of early career academic life were my rather feeble excuse - at the last minute I had been asked to take over the unit from a retiring colleague on top of my normal teaching load, was finishing, at night, my PhD on Australian novel to film adaptation, and was processing all sorts of new realities. I'd been instructed by this colleague to show an 'example' of a songline as an introduction to a unit called 'Australian Society, Aboriginal Voices'.' (Author's introduction, 70)
Negotiating Subjectivity : Indigenous Feminist Praxis and the Politics of Aboriginality in Alexis Wright’s Plains of Promise and Melissa Lucashenko’s Steam Pigs Tomoko Ichitani , 2010 single work criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 185-202)
Writing Daughter : Writing Mother Deborah Jordan , 2010 single work criticism
— Appears in: Mother-Texts : Narratives and Counter-Narratives 2010; (p. 110-125)
'Deborah Jordan relates some of her experiences in writing a a book, and subsequently self-publishing it, about her mother's life as a writer. Writing Mothers/Writing Daughters is a theme explored in different contexts, and in different genres. One thinks of Dursilla Modjeska's Poppy or of the biography of Edna Ryan by her equally acclaimed daughter. Jordan addresses the making of There's a Woman in the House, A 1950s Journey, which is a self publishing venture to celebrate the life and work of her own mother, through her own voice, with a collection of her own writings as a freelance journalist in the 1950s. It addresses, some of the issues that arose in the process of re-discovery and publication and some of the ideologies and options of genre. (Publisher's abstract, xviii)
Bats and Crows : Ambiguity as Journey in Mudrooroo/Johnson's Master of the Ghost Dreaming Series Clare Archer-Lean , 2010 single work criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 175-188)
'Clare Archer-Lean focuses 'on the textual strategies of journey and impermanence. These can be understood through theoretical notions of trickster, a deliberately incoherent and slippery figure/story, alongside the symbolic ramification of water, representing movement and fluidity, to read Johnson's use of the journey motif. The journey motif in these works can be expanded to included the intra-textual journeys Johnson's writing carries out between its own past and present forms and how this self-referentiality constructs a challenge to the notion of a fixed and stable journal and record of any journey.' (175)
Book Publishing in Western Australia : A World Elsewhere Per Henningsgaard , 2009 single work criticism
— Appears in: Australian Studies , vol. 1 no. 1 2009;

'This article examines the role of book publishing outside the cultural centres, where the lack of access to the gatekeepers of cultural production, such as literary agents, editors and publishers, has inhibited both the publishers' and region's reach into the public imagination.

It takes Western Australia as a case study, analysing the impact of geographical regionalism on the processes of book production and publication. Western Australia is infrequently represented in the cultura record, much less in those aspects of the cultural record that are transmitted overseas.

This imbalance in 'cultural currency' arises because regions are at least in part defined by their ability to participate in what Pierre Bourdieu has deemed the 'field of cultural production'. In the case of print culture, this field includes writers, literary agents, editors, publishers, government arts organisations, the media, schools, and book retailers, just to name a few.

This article pays particular attention to Western Australia's three major publishing houses (Fremantle Press, University of Western Australia Press, and the publisher of Indigenous literature, Magabala Books), as well as those Western Australian writers who have achieved the greatest international success, such as Tim Winton and Elizabeth Jolley. It demonstrates that the awareness of geographically and culturally diverse regions within the framework of the nation is derived from representations of these regions and their associated regional characteristics in the movies, television and books.' (Author's abstract)

Publishing Indigenous Writers in Australia Rhonda Black , 2005 single work criticism
— Appears in: Journal of Publishing , October vol. 1 no. 1 2005; (p. 72-77)
The Need to Belong : Non-Fiction Publishing in Australia, 2003-2004 Richard Rossiter , 2004 single work review
— Appears in: Westerly , November vol. 49 no. 2004; (p. 96-114)

— Review of Island and Otherland : Christopher Koch and His Books Noel Henricksen 2003 single work criticism ; The Diaries of Donald Friend. Volume 2 Donald Friend 2003 selected work diary ; The Diaries of Miles Franklin Miles Franklin 2004 selected work diary ; Can I Call You Colin? : The Authorised Biography of Colin Thiele Stephany Steggall 2004 single work biography ; The Sparrow Garden Marianna Lacek (translator), Peter Skrzynecki 2004 single work autobiography ; Minerva's Owl Excerpts from Exile Niqi Thomas 2003 single work biography ; Inside Out : An Autobiography Robert Adamson 2004 single work autobiography ; Bittersweet Journey Ruth Hegarty 2003 single work autobiography ; Bud : A Life Charles Tingwell Peter Wilmoth 2004 single work autobiography ; Dhuuluu-Yala : To Talk Straight : Publishing Indigenous Literature Anita Heiss 2003 multi chapter work criticism ; Two Sisters : Ngarta and Jukuna Ngarta Jinny Bent Jukuna Mona Chuguna Pat Lowe Eirlys Richards (translator), 2004 selected work autobiography biography ; Very Big Journey : My Life as I Remember It Hilda Jarman Muir 2004 single work autobiography ; Shadow Lines Stephen Kinnane 2003 single work biography ; Mongrel Signatures : Reflections on the Work of Mudrooroo 2003 anthology criticism ; The Station at Austin Downs : One Family's Adventure on the Land Jo Jackson King 2004 single work autobiography ; Down to the Sea : A True Saga of an Australian Fishing Dynasty John Little 2004 single work biography ; Tanami : On Foot Across Australia's Desert Heart Kieran Kelly 2003 single work autobiography ; Great Australian Droving Stories Bill Marsh 2003 selected work short story ; Great Australian Drinking Stories 2003 anthology short story prose ; James Stirling : Admiral and Founding Governor of Western Australia Pamela Statham-Drew 2003 single work biography ; About Face : Asian Accounts of Australia Alison Broinowski 2003 single work criticism ; Chinese Women and the Global Village : An Australian Site Jan Ryan 2003 single work prose ; Semar's Cave : An Indonesian Journal John Mateer 2004 single work prose ; Life and Death in the Age of Sail : The Passage to Australia Robin Haines 2003 single work non-fiction ; The Girl from Botany Bay : The True Story of Mary Broad and Her Extraordinary Escape Carolly Erickson 2004 single work biography ; Legacies of White Australia : Race, Culture and Nation 2003 anthology essay ; The Best Australian Essays 2003 2003 anthology essay autobiography interview prose review obituary ; Death Sentence : The Decay of Public Language Don Watson 2003 single work prose ; Great Australian Fishing Stories Paul Benjamin Kidd 2003 selected work short story
Authentic and Essential : A Review of Anita M Heiss' Dhuuluu-Yala (To Talk Straight) : Publishing Indigenous Literature Greg Lehman , 2004 single work review
— Appears in: Australian Humanities Review , August-October no. 33 2004;

— Review of Dhuuluu-Yala : To Talk Straight : Publishing Indigenous Literature Anita Heiss 2003 multi chapter work criticism
Untitled 2003 single work review
— Appears in: Koori Mail , 13 August no. 307 2003; (p. 41)

— Review of Dhuuluu-Yala : To Talk Straight : Publishing Indigenous Literature Anita Heiss 2003 multi chapter work criticism
Straight Talk on Indigenous Writing Peter Pierce , 2003 single work review
— Appears in: The Canberra Times , 23 August 2003; (p. 4a)

— Review of Dhuuluu-Yala : To Talk Straight : Publishing Indigenous Literature Anita Heiss 2003 multi chapter work criticism
Untitled 2003 single work review
— Appears in: Koori Mail , 13 August no. 307 2003; (p. 41)

— Review of Dhuuluu-Yala : To Talk Straight : Publishing Indigenous Literature Anita Heiss 2003 multi chapter work criticism
Straight Talk on Indigenous Writing Peter Pierce , 2003 single work review
— Appears in: The Canberra Times , 23 August 2003; (p. 4a)

— Review of Dhuuluu-Yala : To Talk Straight : Publishing Indigenous Literature Anita Heiss 2003 multi chapter work criticism
The Need to Belong : Non-Fiction Publishing in Australia, 2003-2004 Richard Rossiter , 2004 single work review
— Appears in: Westerly , November vol. 49 no. 2004; (p. 96-114)

— Review of Island and Otherland : Christopher Koch and His Books Noel Henricksen 2003 single work criticism ; The Diaries of Donald Friend. Volume 2 Donald Friend 2003 selected work diary ; The Diaries of Miles Franklin Miles Franklin 2004 selected work diary ; Can I Call You Colin? : The Authorised Biography of Colin Thiele Stephany Steggall 2004 single work biography ; The Sparrow Garden Marianna Lacek (translator), Peter Skrzynecki 2004 single work autobiography ; Minerva's Owl Excerpts from Exile Niqi Thomas 2003 single work biography ; Inside Out : An Autobiography Robert Adamson 2004 single work autobiography ; Bittersweet Journey Ruth Hegarty 2003 single work autobiography ; Bud : A Life Charles Tingwell Peter Wilmoth 2004 single work autobiography ; Dhuuluu-Yala : To Talk Straight : Publishing Indigenous Literature Anita Heiss 2003 multi chapter work criticism ; Two Sisters : Ngarta and Jukuna Ngarta Jinny Bent Jukuna Mona Chuguna Pat Lowe Eirlys Richards (translator), 2004 selected work autobiography biography ; Very Big Journey : My Life as I Remember It Hilda Jarman Muir 2004 single work autobiography ; Shadow Lines Stephen Kinnane 2003 single work biography ; Mongrel Signatures : Reflections on the Work of Mudrooroo 2003 anthology criticism ; The Station at Austin Downs : One Family's Adventure on the Land Jo Jackson King 2004 single work autobiography ; Down to the Sea : A True Saga of an Australian Fishing Dynasty John Little 2004 single work biography ; Tanami : On Foot Across Australia's Desert Heart Kieran Kelly 2003 single work autobiography ; Great Australian Droving Stories Bill Marsh 2003 selected work short story ; Great Australian Drinking Stories 2003 anthology short story prose ; James Stirling : Admiral and Founding Governor of Western Australia Pamela Statham-Drew 2003 single work biography ; About Face : Asian Accounts of Australia Alison Broinowski 2003 single work criticism ; Chinese Women and the Global Village : An Australian Site Jan Ryan 2003 single work prose ; Semar's Cave : An Indonesian Journal John Mateer 2004 single work prose ; Life and Death in the Age of Sail : The Passage to Australia Robin Haines 2003 single work non-fiction ; The Girl from Botany Bay : The True Story of Mary Broad and Her Extraordinary Escape Carolly Erickson 2004 single work biography ; Legacies of White Australia : Race, Culture and Nation 2003 anthology essay ; The Best Australian Essays 2003 2003 anthology essay autobiography interview prose review obituary ; Death Sentence : The Decay of Public Language Don Watson 2003 single work prose ; Great Australian Fishing Stories Paul Benjamin Kidd 2003 selected work short story
Authentic and Essential : A Review of Anita M Heiss' Dhuuluu-Yala (To Talk Straight) : Publishing Indigenous Literature Greg Lehman , 2004 single work review
— Appears in: Australian Humanities Review , August-October no. 33 2004;

— Review of Dhuuluu-Yala : To Talk Straight : Publishing Indigenous Literature Anita Heiss 2003 multi chapter work criticism
Publishing Indigenous Writers in Australia Rhonda Black , 2005 single work criticism
— Appears in: Journal of Publishing , October vol. 1 no. 1 2005; (p. 72-77)
Negotiating Subjectivity : Indigenous Feminist Praxis and the Politics of Aboriginality in Alexis Wright’s Plains of Promise and Melissa Lucashenko’s Steam Pigs Tomoko Ichitani , 2010 single work criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 185-202)
Book Publishing in Western Australia : A World Elsewhere Per Henningsgaard , 2009 single work criticism
— Appears in: Australian Studies , vol. 1 no. 1 2009;

'This article examines the role of book publishing outside the cultural centres, where the lack of access to the gatekeepers of cultural production, such as literary agents, editors and publishers, has inhibited both the publishers' and region's reach into the public imagination.

It takes Western Australia as a case study, analysing the impact of geographical regionalism on the processes of book production and publication. Western Australia is infrequently represented in the cultura record, much less in those aspects of the cultural record that are transmitted overseas.

This imbalance in 'cultural currency' arises because regions are at least in part defined by their ability to participate in what Pierre Bourdieu has deemed the 'field of cultural production'. In the case of print culture, this field includes writers, literary agents, editors, publishers, government arts organisations, the media, schools, and book retailers, just to name a few.

This article pays particular attention to Western Australia's three major publishing houses (Fremantle Press, University of Western Australia Press, and the publisher of Indigenous literature, Magabala Books), as well as those Western Australian writers who have achieved the greatest international success, such as Tim Winton and Elizabeth Jolley. It demonstrates that the awareness of geographically and culturally diverse regions within the framework of the nation is derived from representations of these regions and their associated regional characteristics in the movies, television and books.' (Author's abstract)

Writing Daughter : Writing Mother Deborah Jordan , 2010 single work criticism
— Appears in: Mother-Texts : Narratives and Counter-Narratives 2010; (p. 110-125)
'Deborah Jordan relates some of her experiences in writing a a book, and subsequently self-publishing it, about her mother's life as a writer. Writing Mothers/Writing Daughters is a theme explored in different contexts, and in different genres. One thinks of Dursilla Modjeska's Poppy or of the biography of Edna Ryan by her equally acclaimed daughter. Jordan addresses the making of There's a Woman in the House, A 1950s Journey, which is a self publishing venture to celebrate the life and work of her own mother, through her own voice, with a collection of her own writings as a freelance journalist in the 1950s. It addresses, some of the issues that arose in the process of re-discovery and publication and some of the ideologies and options of genre. (Publisher's abstract, xviii)
Teaching Indigenous Literature : An Ethics of Voice Alice Healy-Ingram , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 70-94)
'My first class in teaching Indigenous literature was beset with a challenge: 'Why are you quoting that songline on overhead?! An Aboriginal student asked me, deeply offended, when I introduced a pre-scripted lecture on Aboriginal 'text'. 'It is not to be taken away from its context. It is sung, not written; it is performed with dancing and has a meaning that you would not understand!' My bravado failed and I gave her the stage. She was right. I had unwittingly performed a 'colonial' act of misappropriation. The pressures of early career academic life were my rather feeble excuse - at the last minute I had been asked to take over the unit from a retiring colleague on top of my normal teaching load, was finishing, at night, my PhD on Australian novel to film adaptation, and was processing all sorts of new realities. I'd been instructed by this colleague to show an 'example' of a songline as an introduction to a unit called 'Australian Society, Aboriginal Voices'.' (Author's introduction, 70)
Bats and Crows : Ambiguity as Journey in Mudrooroo/Johnson's Master of the Ghost Dreaming Series Clare Archer-Lean , 2010 single work criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 175-188)
'Clare Archer-Lean focuses 'on the textual strategies of journey and impermanence. These can be understood through theoretical notions of trickster, a deliberately incoherent and slippery figure/story, alongside the symbolic ramification of water, representing movement and fluidity, to read Johnson's use of the journey motif. The journey motif in these works can be expanded to included the intra-textual journeys Johnson's writing carries out between its own past and present forms and how this self-referentiality constructs a challenge to the notion of a fixed and stable journal and record of any journey.' (175)
Respecting Protocols for Representing Aboriginal Cultures Jared Thomas , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 3 2014;
'This essay undertakes a detailed discussion of how respecting protocols for representing Indigenous cultures supports the interests of Indigenous communities and producers of stories with Indigenous content. To highlight the importance of Indigenous protocols I review the prominence and reception of Aboriginal stories in Australian film and literature and discuss how protocol guidelines can prevent problematic representations. I demonstrate how protocols influenced writing Calypso Summer (2014), a novel exploring issues relating to my cultural group, the Nukunu, to illustrate the challenges encountered and benefits gained from employing Indigenous representation protocols. ' (Author's introduction)
Last amended 2 Dec 2015 13:44:09
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