The Struggles of the Little Magazines single work   criticism  
Issue Details: First known date: 2003 2003
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AbstractHistoryArchive Description

Discusses the demise of the Queensland-based literary magazine Imago because of financial difficulties and the implications of this for writers, partucularly regional writers.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Quadrant vol. 47 no. 7-8 July-August 2003 Z1051376 2003 periodical issue 2003 pg. 84-85

Works about this Work

Book Publishing in Western Australia : A World Elsewhere Per Henningsgaard , 2009 single work criticism
— Appears in: Australian Studies , vol. 1 no. 1 2009;

'This article examines the role of book publishing outside the cultural centres, where the lack of access to the gatekeepers of cultural production, such as literary agents, editors and publishers, has inhibited both the publishers' and region's reach into the public imagination.

It takes Western Australia as a case study, analysing the impact of geographical regionalism on the processes of book production and publication. Western Australia is infrequently represented in the cultura record, much less in those aspects of the cultural record that are transmitted overseas.

This imbalance in 'cultural currency' arises because regions are at least in part defined by their ability to participate in what Pierre Bourdieu has deemed the 'field of cultural production'. In the case of print culture, this field includes writers, literary agents, editors, publishers, government arts organisations, the media, schools, and book retailers, just to name a few.

This article pays particular attention to Western Australia's three major publishing houses (Fremantle Press, University of Western Australia Press, and the publisher of Indigenous literature, Magabala Books), as well as those Western Australian writers who have achieved the greatest international success, such as Tim Winton and Elizabeth Jolley. It demonstrates that the awareness of geographically and culturally diverse regions within the framework of the nation is derived from representations of these regions and their associated regional characteristics in the movies, television and books.' (Author's abstract)

Book Publishing in Western Australia : A World Elsewhere Per Henningsgaard , 2009 single work criticism
— Appears in: Australian Studies , vol. 1 no. 1 2009;

'This article examines the role of book publishing outside the cultural centres, where the lack of access to the gatekeepers of cultural production, such as literary agents, editors and publishers, has inhibited both the publishers' and region's reach into the public imagination.

It takes Western Australia as a case study, analysing the impact of geographical regionalism on the processes of book production and publication. Western Australia is infrequently represented in the cultura record, much less in those aspects of the cultural record that are transmitted overseas.

This imbalance in 'cultural currency' arises because regions are at least in part defined by their ability to participate in what Pierre Bourdieu has deemed the 'field of cultural production'. In the case of print culture, this field includes writers, literary agents, editors, publishers, government arts organisations, the media, schools, and book retailers, just to name a few.

This article pays particular attention to Western Australia's three major publishing houses (Fremantle Press, University of Western Australia Press, and the publisher of Indigenous literature, Magabala Books), as well as those Western Australian writers who have achieved the greatest international success, such as Tim Winton and Elizabeth Jolley. It demonstrates that the awareness of geographically and culturally diverse regions within the framework of the nation is derived from representations of these regions and their associated regional characteristics in the movies, television and books.' (Author's abstract)

Last amended 16 Jul 2003 10:37:39
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