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y separately published work icon TEXT : The Journal of the Australian Association of Writing Programs periodical issue   peer reviewed assertion
Issue Details: First known date: 2002... vol. 6 no. 2 October 2002 of TEXT : The Journal of the Australian Association of Writing Programs est. 1997 TEXT : The Journal of the Australian Association of Writing Programs
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Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2002 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Editorial, Tess Brady , Nigel Krauth , single work column
The Prose Poem in Australia - and Elsewhere, Thomas Shapcott , single work criticism
In this respose to an article by Kevin Brophy, Thomas Shapcott includes an extract from an interview he gave the journal Mattoid (no, 2 1980) about prose poetry. The extract also appears in Shapcott's Biting the Bullet : A Literary Memoir (Simon and Schuster, 1990).
From Moya Costello, Moya Costello , single work correspondence
'An Idiot of the Present or a Genius of the Future?' : Some Problems, Some Promise, Brian Dibble , single work criticism
A Program Evolves : Relocating Writing, Relocating Literary Studies, Claire Woods , single work column
Learning Through Dialogue : Teaching and Assessing Creative Writing Online, Marcelle Freiman , single work criticism
Recorded-Voice Formative Assessment for Creative Writing Students : A Case Study, Patrick West , single work column
The Australian/Vogel Literary Award : A Preliminary Investigation into Three Myths, Tess Brady , single work criticism

Brady examines the history of The Australian /Vogel National Literary Award, including the various controversies that have surrounded it, and details the annual judging process for the Vogel. After explaining the methodology used by a Griffith University team to research the Vogel's winning and shortlisted authors, Brady applies the research findings to dispelling three myths surrounding the prize: 'that it is a one-book wonder prize; that in order to get the benefits of the prize the writer needs to be the winner; that the winners can come from any background and are not necessarily coming from the university sector'.
Mentoring - Alternatives to the Curriculum, Craig Cormick , single work criticism
Craig Cormick describes his role in mentoring a young writer, Brendan Mackie. The article includes an extract from Mackie's work-in-progress All of This Means Nothing.
Mentorship, Inez Baranay (interviewer), single work interview
Creative Writing Mentorship in Australia : A Survey of Activities and Issues, Nigel Krauth , Inez Baranay , single work criticism
Searching for Voice, Linda Neil , single work essay
Vowel Soundsi"Being here isn't stressful or difficult", Mark Mahemoff , single work poetry
The Writer's Guide : A Companion to Writing for Pleasure or Publication, Donna Lee Brien , single work review
— Review of The Writer's Guide : A Companion to Writing for Pleasure or Publication Irina Dunn , 1999 single work criticism ;
Logistics or Strategy? Guiding and Resourcing the Writer, Patrick West , single work review
— Review of The Writer's Guide : A Companion to Writing for Pleasure or Publication Irina Dunn , 1999 single work criticism ;
Untitled (from a work-in-progress), Brendan Mackie , extract novel
Note: Extract included in an article by Craig Cormick
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Last amended 22 Jul 2003 14:05:32
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