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AbstractHistoryArchive Description
Notes
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A novel composed of fifteen interwoven stories divided into three sections.
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Author note: 'The word 'mahjar' refers collectively to all the lands of Arab, most often Lebanese, migration.'
Affiliation Notes
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This work is affiliated with the AustLit subset Asian-Australian Children's Literature and Publishing because it has references to Iraqi and Lebanese people, and references to muslim culture and the Middle East, and migrant experiences. Mahjar is indexed as an adult book, but it has been affiliated with AACLAP because it has been reviewed as a young adult text, and contains young adult characters.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Is Cosmopolitan the New Australian? Flexible Identities in Eva Sallis’s Fiction
2018
single work
criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 9 no. 2 2018;'This paper examines the way in which Eva Sallis fictionalises encounters with Europe, Asia and The Middle-East in her three books, Hiam (1998), City of Sealions (2002) and Mahjar (2003). In her narratives, Sallis depicts the migrant experience in Australia and in foreign places to deconstruct definitions of “home”, of being in the world, and construct the space of the cosmopolitan subject that meanders through historical settings and transnational contexts. Thus, Sallis seems to suggest that the relationship between history and literature is intimate, that narrative and history are multiform and bound, respectively acting upon one another, redefining the boundaries of nations and identities. Looking at how Sallis engages with the political realities and tackles the problems of being different to the mainstream, this paper examines the various meanings derived from intercultural encounters, whether such encounters subvert Australia’s settler-history but also its multicultural and post-colonial nature. The novelist’s use of geographic space and displacement as major components of contemporary identity-making, conveys an inclusive approach to otherness and constructs flexible identities out of global and cosmopolitan experiences.'
Source: Publisher's blurb.
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Eva Sallis : Creativity in Literature and Politics
2004
single work
criticism
— Appears in: Kalimat : An International Periodical of English and Arabic Creative Writing , June no. 18 (Arabic) 2004; (p. 31-40) -
Untitled
2003
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 17 no. 3 2003; (p. 54)
— Review of Mahjar : A Novel 2003 single work novel -
Mahjar in Australia
2003
single work
review
— Appears in: Australian Women's Book Review , vol. 15 no. 1 2003;
— Review of Mahjar : A Novel 2003 single work novel -
Poignant Tales of Lives Little Known
2003
single work
review
— Appears in: The Advertiser , 31 May 2003; (p. 12-13)
— Review of Mahjar : A Novel 2003 single work novel ; Warra Warra : A Ghost Story 2003 single work novel
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Untitled
2003
single work
review
— Appears in: Australian Bookseller & Publisher , March vol. 82 no. 8 2003; (p. 30)
— Review of Mahjar : A Novel 2003 single work novel -
Melting Pot Astir
2003
single work
review
— Appears in: The Sydney Morning Herald , 5-6 April 2003; (p. 12)
— Review of Mahjar : A Novel 2003 single work novel -
New Arrivals Make Their Way
2003
single work
review
— Appears in: The Weekend Australian , 5-6 April 2003; (p. 8-9)
— Review of Mahjar : A Novel 2003 single work novel -
Look, No Snipers
2003
single work
review
— Appears in: Australian Book Review , April no. 250 2003; (p. 39)
— Review of Mahjar : A Novel 2003 single work novel -
Immigrant Story Finds New Ground
2003
single work
review
— Appears in: The Age , 18-19 April 2003; (p. 6)
— Review of Mahjar : A Novel 2003 single work novel -
Eva Sallis : Creativity in Literature and Politics
2004
single work
criticism
— Appears in: Kalimat : An International Periodical of English and Arabic Creative Writing , June no. 18 (Arabic) 2004; (p. 31-40) -
Is Cosmopolitan the New Australian? Flexible Identities in Eva Sallis’s Fiction
2018
single work
criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 9 no. 2 2018;'This paper examines the way in which Eva Sallis fictionalises encounters with Europe, Asia and The Middle-East in her three books, Hiam (1998), City of Sealions (2002) and Mahjar (2003). In her narratives, Sallis depicts the migrant experience in Australia and in foreign places to deconstruct definitions of “home”, of being in the world, and construct the space of the cosmopolitan subject that meanders through historical settings and transnational contexts. Thus, Sallis seems to suggest that the relationship between history and literature is intimate, that narrative and history are multiform and bound, respectively acting upon one another, redefining the boundaries of nations and identities. Looking at how Sallis engages with the political realities and tackles the problems of being different to the mainstream, this paper examines the various meanings derived from intercultural encounters, whether such encounters subvert Australia’s settler-history but also its multicultural and post-colonial nature. The novelist’s use of geographic space and displacement as major components of contemporary identity-making, conveys an inclusive approach to otherness and constructs flexible identities out of global and cosmopolitan experiences.'
Source: Publisher's blurb.
Awards
- 2004 winner Queensland Premier's Literary Awards — Arts Queensland Steele Rudd Australian Short Story Award This award was known as the Steele Rudd Australian Short Story Award from 1988-2007.
- Middle East, Asia,
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cAustralia,c