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y separately published work icon Mahjar : A Novel single work   novel  
Issue Details: First known date: 2003... 2003 Mahjar : A Novel
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AbstractHistoryArchive Description

Zein, Farhan, Rayya and their circle are migrants of the fifties, yearning for both their future and their past. Their children, Salah, Rima, Hussein and their friends are young Australians with a distinctive voice and place succeeding or failing in the clash between generations, struggling for independence in the face of their parents' hopes and dreams. Abd al-Rahman is an Iraqi refugee who has lost everything. And Ali, Ahmad, Akram and Yusuf are children in Palestine and Baghdad who have no future, but whose stories soar.
Mahjar is about lives, journeys and stories, about exile and the experiences that push people to new homelands. Through interwoven stories and fables it evokes Australia's intimate connection with the Middle East. (Source: Back cover)

Exhibitions

Notes

  • A novel composed of fifteen interwoven stories divided into three sections.
  • Author note: 'The word 'mahjar' refers collectively to all the lands of Arab, most often Lebanese, migration.'

Affiliation Notes

  • This work is affiliated with the AustLit subset Asian-Australian Children's Literature and Publishing because it has references to Iraqi and Lebanese people, and references to muslim culture and the Middle East, and migrant experiences. Mahjar is indexed as an adult book, but it has been affiliated with AACLAP because it has been reviewed as a young adult text, and contains young adult characters.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • St Leonards, North Sydney - Lane Cove area, Sydney Northern Suburbs, Sydney, New South Wales,: Allen and Unwin , 2003 .
      Extent: 168p.
      ISBN: 1741140714

Works about this Work

Is Cosmopolitan the New Australian? Flexible Identities in Eva Sallis’s Fiction Salhia Ben-Messahel , 2018 single work criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 9 no. 2 2018;

'This paper examines the way in which Eva Sallis fictionalises encounters with Europe, Asia and The Middle-East in her three books, Hiam (1998), City of Sealions (2002) and Mahjar (2003). In her narratives, Sallis depicts the migrant experience in Australia and in foreign places to deconstruct definitions of “home”, of being in the world, and construct the space of the cosmopolitan subject that meanders through historical settings and transnational contexts. Thus, Sallis seems to suggest that the relationship between history and literature is intimate, that narrative and history are multiform and bound, respectively acting upon one another, redefining the boundaries of nations and identities. Looking at how Sallis engages with the political realities and tackles the problems of being different to the mainstream, this paper examines the various meanings derived from intercultural encounters, whether such encounters subvert Australia’s settler-history but also its multicultural and post-colonial nature. The novelist’s use of geographic space and displacement as major components of contemporary identity-making, conveys an inclusive approach to otherness and constructs flexible identities out of global and cosmopolitan experiences.'

Source: Publisher's blurb.

Eva Sallis : Creativity in Literature and Politics Raghid Nahhas , 2004 single work criticism
— Appears in: Kalimat : An International Periodical of English and Arabic Creative Writing , June no. 18 (Arabic) 2004; (p. 31-40)
Untitled Francoise Purdue , 2003 single work review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 17 no. 3 2003; (p. 54)

— Review of Mahjar : A Novel Eva Sallis , 2003 single work novel
Mahjar in Australia Margaret K. Miller , 2003 single work review
— Appears in: Australian Women's Book Review , vol. 15 no. 1 2003;

— Review of Mahjar : A Novel Eva Sallis , 2003 single work novel
Poignant Tales of Lives Little Known Katharine England , 2003 single work review
— Appears in: The Advertiser , 31 May 2003; (p. 12-13)

— Review of Mahjar : A Novel Eva Sallis , 2003 single work novel ; Warra Warra : A Ghost Story John Scott , 2003 single work novel
Untitled Jo Case , 2003 single work review
— Appears in: Australian Bookseller & Publisher , March vol. 82 no. 8 2003; (p. 30)

— Review of Mahjar : A Novel Eva Sallis , 2003 single work novel
Melting Pot Astir Ceridwen Spark , 2003 single work review
— Appears in: The Sydney Morning Herald , 5-6 April 2003; (p. 12)

— Review of Mahjar : A Novel Eva Sallis , 2003 single work novel
New Arrivals Make Their Way Michael Sharkey , 2003 single work review
— Appears in: The Weekend Australian , 5-6 April 2003; (p. 8-9)

— Review of Mahjar : A Novel Eva Sallis , 2003 single work novel
Look, No Snipers Thuy On , 2003 single work review
— Appears in: Australian Book Review , April no. 250 2003; (p. 39)

— Review of Mahjar : A Novel Eva Sallis , 2003 single work novel
Immigrant Story Finds New Ground Lesley Chow , 2003 single work review
— Appears in: The Age , 18-19 April 2003; (p. 6)

— Review of Mahjar : A Novel Eva Sallis , 2003 single work novel
Eva Sallis : Creativity in Literature and Politics Raghid Nahhas , 2004 single work criticism
— Appears in: Kalimat : An International Periodical of English and Arabic Creative Writing , June no. 18 (Arabic) 2004; (p. 31-40)
Is Cosmopolitan the New Australian? Flexible Identities in Eva Sallis’s Fiction Salhia Ben-Messahel , 2018 single work criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 9 no. 2 2018;

'This paper examines the way in which Eva Sallis fictionalises encounters with Europe, Asia and The Middle-East in her three books, Hiam (1998), City of Sealions (2002) and Mahjar (2003). In her narratives, Sallis depicts the migrant experience in Australia and in foreign places to deconstruct definitions of “home”, of being in the world, and construct the space of the cosmopolitan subject that meanders through historical settings and transnational contexts. Thus, Sallis seems to suggest that the relationship between history and literature is intimate, that narrative and history are multiform and bound, respectively acting upon one another, redefining the boundaries of nations and identities. Looking at how Sallis engages with the political realities and tackles the problems of being different to the mainstream, this paper examines the various meanings derived from intercultural encounters, whether such encounters subvert Australia’s settler-history but also its multicultural and post-colonial nature. The novelist’s use of geographic space and displacement as major components of contemporary identity-making, conveys an inclusive approach to otherness and constructs flexible identities out of global and cosmopolitan experiences.'

Source: Publisher's blurb.

Awards

2004 winner Queensland Premier's Literary Awards Arts Queensland Steele Rudd Australian Short Story Award This award was known as the Steele Rudd Australian Short Story Award from 1988-2007.
Last amended 25 Mar 2013 11:18:14
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