Gypsophila single work   poetry   "Another day with nothing to say for itself-"
Issue Details: First known date: 1986 1986
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y The Phoenix Review no. 1 Summer 1986/7 1986 Z600655 1986 periodical issue 1986 pg. 59
  • Appears in:
    y Peniel Kevin Hart , Hawthorn : Golvan Arts , 1991 Z130010 1991 selected work poetry Hawthorn : Golvan Arts , 1991 pg. 2-3
  • Appears in:
    y New and Selected Poems Kevin Hart , Pymble : Angus and Robertson , 1995 Z539565 1995 selected work poetry Pymble : Angus and Robertson , 1995 pg. 100-101
  • Appears in:
    y The Oxford Book of Modern Australian Verse Peter Porter (editor), South Melbourne : Oxford University Press , 1996 Z397894 1996 anthology poetry extract South Melbourne : Oxford University Press , 1996 pg. 241-242
  • Appears in:
    y Landbridge : Contemporary Australian Poetry John Kinsella (editor), North Fremantle : Fremantle Press , 1999 Z310159 1999 anthology poetry North Fremantle : Fremantle Press , 1999 pg. 158
  • Appears in:
    y The Penguin Anthology of Australian Poetry John Kinsella (editor), Camberwell : Penguin , 2009 Z1553543 2009 anthology poetry (taught in 16 units)

    'This is a comprehensive survey of Australian poetic achievement, ranging from early colonial and indigenous verse to contemporary work, from the major poets to those who deserve to be better recognised.' (Provided by the publisher).

    Camberwell : Penguin , 2009
    pg. 339-340

Works about this Work

Reflections on Phenomenology and the Poetry of Kevin Hart : Foreignness and Strangeness at the Heart of Australian Identity Carles Serra Pages , 2007 single work criticism
— Appears in: Coolabah , no. 1 2007; (p. 24-35)
'In a deconstructive fashion, this paper analyses the Heideggerian concept of Bodenständigkeit ("rootedness") from the point of view of the Boden ("earth", "ground") in general, that is, before its diffraction as Bodenständigkeit and Bodenlösigkeit ("uprootedness"). Whereas Heidegger makes of the concepts of "description" and "expression" two species of the genre Bodenständigkeit, we will proceed otherwise, and derive them from the general concept of Bodenlösigkeit ("uprootedness"). In this way, following the threads of the poetry of Kevin Hart, we will suggest that it is possible to affirm that all poetry is about finitude, contingency and destiny, both from the point of view of its form and of its content. In the course of our analysis, we will wonder about the role of identity and alterity in the construction of Australian identity. Source: Carles Serra Page.
Reflections on Phenomenology and the Poetry of Kevin Hart : Foreignness and Strangeness at the Heart of Australian Identity Carles Serra Pages , 2007 single work criticism
— Appears in: Coolabah , no. 1 2007; (p. 24-35)
'In a deconstructive fashion, this paper analyses the Heideggerian concept of Bodenständigkeit ("rootedness") from the point of view of the Boden ("earth", "ground") in general, that is, before its diffraction as Bodenständigkeit and Bodenlösigkeit ("uprootedness"). Whereas Heidegger makes of the concepts of "description" and "expression" two species of the genre Bodenständigkeit, we will proceed otherwise, and derive them from the general concept of Bodenlösigkeit ("uprootedness"). In this way, following the threads of the poetry of Kevin Hart, we will suggest that it is possible to affirm that all poetry is about finitude, contingency and destiny, both from the point of view of its form and of its content. In the course of our analysis, we will wonder about the role of identity and alterity in the construction of Australian identity. Source: Carles Serra Page.
Last amended 14 May 2009 12:15:49
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