3357386168696213390.jpg
This image has been sourced from online.
y Craft for a Dry Lake single work   autobiography  
Issue Details: First known date: 2000 2000
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AbstractHistoryArchive Description

In Craft for a Dry Lake, Kim Mahood embarks on an extraordinary journey to her heartland - the outback of her youth. Compelled to revisit the haunts of her childhood by the tragic death of her father, Kim seeks to lay his ghost to rest, but instead finds herself faced with many of her own. Her adventures are interwoven with the echoes of childhood memories and peopled by an intriguing cast of outback characters. At times the lines between past and present become blurred as a daughter travels in the footsteps of her father, searching for a sense of place in this landscape she once called home. (Source: Trove)

Notes

  • Dedication: To my father, whose death made the book necessary.
  • Other formats: Also sound recording.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Sydney, New South Wales,: Anchor , 2000 .
      Extent: 266p.
      Description: illus., map
      ISBN: 1863591397
    • Sydney, New South Wales,: Random House Australia , 2012 .
      3357386168696213390.jpg
      This image has been sourced from online.
      Extent: 272p.
      Note/s:
      • Published 1 October 2012
      ISBN: 9781742749174
Alternative title: Vaisseau pour un lac mort : journal de bord
Language: French
    • Mouries,
      c
      France,
      c
      Western Europe, Europe,
      :
      Le Fil Invisible , 2004 .
      6635721747293077768.jpg
      This image has been sourced from online.
      Extent: 315p.
      Description: illus., map
      ISBN: 2843150353

Works about this Work

Position Doubtful by Kim Mahood : Lives of the Desert Mapped on an Artist's Skin Barry Hill , 2016 single work review
— Appears in: Brisbane Times , 14 October 2016;

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography
'Kim Mahood, an artist who writes exceptionally well, is fond of the expression "paying attention". As is fitting. In her Craft for a Dry Lake (2000), a prize-winning memoir about growing up on a cattle station called Mongrel Downs, at the western edge of the Tanami Desert in northern Australia, she was paying attention to the way her father, the "outback", and the Aboriginal people shaped her. ...'
Seeing the Cosmos : Ross Gibson’s ‘Simultaneous Living Map’ Catherine Noske , 2015 single work criticism
— Appears in: JASAL , vol. 15 no. 3 2015;
'In its reading of the journals of William Dawes, Ross Gibson’s 26 Views of the Starburst World offers a dynamic vision of the world. His entry into the landscape of Sydney Cove is characterised by and constructed according to the multiple ‘views’ of his title, each of which interrelate in various, shifting ways to coalesce into a narrative. The version of place which emerges is both strange and beautiful, challenging constructs of nation which depend on notions of locality and ‘rootedness’. Gibson’s text thus prompts questions of critical practice before place. What can be achieved in taking up a fragmented writing style? This paper investigates the manner in which Gibson reconstructs concepts of place and space in order to challenge contemporary understandings of the Australian nation. It questions whether or not a similar vision of place can be applied in other contexts, and examines the manner in which place comes to be doubled over in the act of reading.' (Publication abstract)
Reading Australia from Distant Shores Jennifer Wawrzinek , 2014 single work criticism
— Appears in: Antipodes , June vol. 28 no. 1 2014; (p. 18-22, 257)
'A a doctoral candidate working in Australian Studies, Wawrzinek shares the difficulty to find quality Australian literature in Europe, particularly in Paris and in Berlin. With the increasing availability of ebooks via download,she is hoping that it will become easier to include lesser known Australian writers on reading lists in the European university and to access material that otherwise takes months to arrive via conventional methods of transportation. She says a sustained, ongoing program to support Australian authors, to speak about their work, and to engage in collaborative programs with European scholars and artists is needed to show the world that Australia is not just about Kangaroos and beautiful beaches.' (Publication summary)
The Poetics of Ambivalence : A Postcolonial Reading of Kim Mahood's Craft for a Dry Lake Martina Horakova , 2013 single work criticism
— Appears in: Antipodes , December vol. 27 no. 2 2013; (p. 213-218)
'Horakova talks about Kim Mahood's memoir "Craft for a Dry Lake," one of the most complex representations of the Australian Outback, one that offers a "new history of the frontier." Framed as a homecoming journey to the Tanami Desert northwest of Alice Springs alter her lather's death in a helicopter crash, Mahood's narrative begins as a biography of her parents. She reflects on a childhood spent on the homestead among her family and both Aboriginal and white staff, and her eventual departure to the city in order to pursue an education and later her artistic career. Among other things, Horakova discusses the memoir's complexity consists in its ability to simultaneously build upon and write back to several well-established literary traditions. ' (Publication abstract)
Australian Transnation Bill Ashcroft , 2011 single work criticism
— Appears in: Southerly , vol. 71 no. 1 2011; (p. 18-40)
'The world is more mobile than it has ever been and in many different fields, most notably literary studies, it has led to a growing, and now well established interest in cultural and ethnic mobility, diaspora, transnational and cosmopolitan interactions. This rise in global mobility at the same time as state borders have become more hysterically protected, has interested post-colonial cultural critics for some time. The concept of the nation, or at least the nation state, has often been robustly critiqued because the post-colonial nation is marked by disappointment, instituted on the boundaries of the colonial state and doomed to continue its oppressive functions. Almost universally the nation is contrasted with "the transnational" and the global movement of peoples. It is held to be a fixed entity, a pole of attraction or repulsion orienting transnational relationships at state level. But if we distinguish the nation from the state we discover that mobility and border crossing are already features of the phenomenon we call nation.' (Author's introduction)
A 'Place' for Reconciliation in Indigenous Writing Adelle Barry , 2011 single work essay
— Appears in: Northern Territory Literary Awards 2011 2011; (p. 85-92)
'The Northern Territory is often remarked for its rich cultures and unique landscape. It is home to many Indigenous and non-Indigenous Australians, and the overall population quickly growing. The city of Palmerston (approximately 21 kilometres from Darwin) is expanding at such a significant rate that a number of new suburbs (such as Bellamack) are being especially designed with consultation from residents about the construction of ‘place’. ...'
"They Seemed Unbearably Foolish and Fragile" : Apple Trees, Intimacy and the Strangeness of Possession Lisa Slater , 2010 single work criticism
— Appears in: Halfway House : The Poetics of Australian Spaces 2010; (p. 276-292)
Reading Post-Colonial Australia Bill Ashcroft , 2010 single work criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 15-37)
Bearing Witness : Memory and Decreation in Kim Mahood's Craft for a Dry Lake Jennifer Wawrzinek , 2010 single work criticism
— Appears in: Frontier Skirmishes : Literary and Cultural Debates in Australia after 1992 2010; (p. 185-198)
Australian Literature and Alternative Modernities Bill Ashcroft , 2010 single work criticism
— Appears in: Change - Conflict and Convergence : Austral-Asian Scenarios 2010; (p. 80-93)
Bill Ashcroft explores the 'somewhat outrageous idea of Australia as an alternative modernity'. He states: 'This appears absurd on the face of it because Australia is a westernised, developed nation. It appears even more absurd as we emerge out of eleven years of slavish adherence to American unilateralism. Therefore, I realise that I am walking on very thin ice here. However, the habit has been to think of alternative modernities as alternative to the West...' (p. 81)
'At-Home' Two-Ways : Negotiating the Sacred in the Pastoral Zone Bill Ashcroft , Frances Devlin-Glass , Lyn McCredden , 2009 single work criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 165-204)
Literature in the Arid Zone Tom Lynch , 2007 single work criticism
— Appears in: The Littoral Zone : Australian Contexts and Their Writers 2007; (p. 70-92)
This chapter surveys and assesses from an ecocentric perspective some representative literary portrayals of the Australian deserts. Generally, it contrasts works that portray the desert as an alien, hostile, and undifferentiated void with works that recognise and value the biological particularities of specific desert places. It explores the literature of three dominant cultural orientations to the deserts: pastoralism, mining, and traversal. It concludes with a consideration of several multi-voiced and/or multi-genred bioregionally informed works that suggests fruitful directions for more ecocentric literary approaches. (abstract taken from The Littoral Zone)
Kim Mahood's Evolving Geographies Saskia Beudel , 2007 single work review
— Appears in: Australian Humanities Review , August no. 42 2007;

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography ; Blow-Ins on the Cold Desert Wind Kim Mahood 2007 single work essay
Kim Mahood's Craft for a Dry Lake: A Work in Progress Bernadette Brennan , 2006 single work criticism
— Appears in: Southerly , vol. 66 no. 1 2006; (p. 91-105)
Red Ochre in the Moonlight: Cultural Self-Inscription in Kim Mahood's Craft for a Dry Lake Anita Balakrishnan , 2004 single work criticism
— Appears in: Cultural Interfaces 2004; (p. 41-48)
Balakrishnan argues that, in Craft for a Dry Lake, Kim Mahood 'turns away from the myth of the outback associated with her father and her childhood idealisation of it, and envisions a syncretic identity that partakes of both the white settler and Aboriginal traditions that constitute her heritage. Secondly, the notion of the child as an emblem of the self that remains deep within the individual recurs, so the autobiographical narration of childhood becomes a way of giving meaning to the self. Mahood, in Craft for a Dry Lake negotiates between these versions of subjectivity in her quest for authentic, albeit syncretic selfhood.'
Intimate Strangers : Contemporary Australian Travel Writing, the Semiotics of Empathy, and the Therapeutics of Race Robert Clarke , 2004 single work criticism
— Appears in: Crossings : Bulletin of the International Australian Studies Association , vol. 9 no. 3 2004; Journal of Australian Studies , no. 85 2005; (p. 69-81, notes 208-209)
'Increasingly, domestic white Australian travel narratives mobilise encounters with Aboriginality as contexts for political and ethical critiques of white hegemony that, in turn, reflect different manifestations of sympathetic white liberal discourses of reconciliation.... This paper focuses on how these narratives represent performances of a white Australian postcolonial sensibility towards Aboriginality that defines itself through a semiotics of empathy ... for Aboriginality, and how the co-ordinates of this semiotics shifted over the 1990s in response to movements in the Australian public sphere vis-à-vis the politics and ethics of reconciliation.' (Introduction)
A Track Winding Back Kim Mahood , 2003 single work essay
— Appears in: Meanjin , vol. 62 no. 4 2003; (p. 121-125)
'Mahood explores the relationship between physical and metaphorical journeys in the light of her return to where she grew up.' -- Editor's note, p.121
Memories of Earth (Somewhere Specific) Carmen Leigh Keates , 2003 single work review
— Appears in: Dotlit : The Online Journal of Creative Writing , August vol. 4 no. 1 2003;

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography
Sense of Place Katharine England , 2000 single work review
— Appears in: The Advertiser , 13 May 2000; (p. 18)

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography ; Into the Wadi Michèle Drouart 2000 single work autobiography
Living at the Centre Kate Llewellyn , 2000 single work review
— Appears in: Eureka Street , October vol. 10 no. 8 2000; (p. 36-37)

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography
Memories of Earth (Somewhere Specific) Carmen Leigh Keates , 2003 single work review
— Appears in: Dotlit : The Online Journal of Creative Writing , August vol. 4 no. 1 2003;

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography
Kim Mahood's Evolving Geographies Saskia Beudel , 2007 single work review
— Appears in: Australian Humanities Review , August no. 42 2007;

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography ; Blow-Ins on the Cold Desert Wind Kim Mahood 2007 single work essay
Sense of Place Katharine England , 2000 single work review
— Appears in: The Advertiser , 13 May 2000; (p. 18)

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography ; Into the Wadi Michèle Drouart 2000 single work autobiography
Living at the Centre Kate Llewellyn , 2000 single work review
— Appears in: Eureka Street , October vol. 10 no. 8 2000; (p. 36-37)

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography
Enigmatic Memoir Joyce Smith , 2000 single work review
— Appears in: Australian Book Review , October no. 225 2000; (p. 10-11)

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography
Position Doubtful by Kim Mahood : Lives of the Desert Mapped on an Artist's Skin Barry Hill , 2016 single work review
— Appears in: Brisbane Times , 14 October 2016;

— Review of Craft for a Dry Lake Kim Mahood 2000 single work autobiography
'Kim Mahood, an artist who writes exceptionally well, is fond of the expression "paying attention". As is fitting. In her Craft for a Dry Lake (2000), a prize-winning memoir about growing up on a cattle station called Mongrel Downs, at the western edge of the Tanami Desert in northern Australia, she was paying attention to the way her father, the "outback", and the Aboriginal people shaped her. ...'
A Track Winding Back Kim Mahood , 2003 single work essay
— Appears in: Meanjin , vol. 62 no. 4 2003; (p. 121-125)
'Mahood explores the relationship between physical and metaphorical journeys in the light of her return to where she grew up.' -- Editor's note, p.121
Red Ochre in the Moonlight: Cultural Self-Inscription in Kim Mahood's Craft for a Dry Lake Anita Balakrishnan , 2004 single work criticism
— Appears in: Cultural Interfaces 2004; (p. 41-48)
Balakrishnan argues that, in Craft for a Dry Lake, Kim Mahood 'turns away from the myth of the outback associated with her father and her childhood idealisation of it, and envisions a syncretic identity that partakes of both the white settler and Aboriginal traditions that constitute her heritage. Secondly, the notion of the child as an emblem of the self that remains deep within the individual recurs, so the autobiographical narration of childhood becomes a way of giving meaning to the self. Mahood, in Craft for a Dry Lake negotiates between these versions of subjectivity in her quest for authentic, albeit syncretic selfhood.'
Intimate Strangers : Contemporary Australian Travel Writing, the Semiotics of Empathy, and the Therapeutics of Race Robert Clarke , 2004 single work criticism
— Appears in: Crossings : Bulletin of the International Australian Studies Association , vol. 9 no. 3 2004; Journal of Australian Studies , no. 85 2005; (p. 69-81, notes 208-209)
'Increasingly, domestic white Australian travel narratives mobilise encounters with Aboriginality as contexts for political and ethical critiques of white hegemony that, in turn, reflect different manifestations of sympathetic white liberal discourses of reconciliation.... This paper focuses on how these narratives represent performances of a white Australian postcolonial sensibility towards Aboriginality that defines itself through a semiotics of empathy ... for Aboriginality, and how the co-ordinates of this semiotics shifted over the 1990s in response to movements in the Australian public sphere vis-à-vis the politics and ethics of reconciliation.' (Introduction)
Kim Mahood's Craft for a Dry Lake: A Work in Progress Bernadette Brennan , 2006 single work criticism
— Appears in: Southerly , vol. 66 no. 1 2006; (p. 91-105)
Literature in the Arid Zone Tom Lynch , 2007 single work criticism
— Appears in: The Littoral Zone : Australian Contexts and Their Writers 2007; (p. 70-92)
This chapter surveys and assesses from an ecocentric perspective some representative literary portrayals of the Australian deserts. Generally, it contrasts works that portray the desert as an alien, hostile, and undifferentiated void with works that recognise and value the biological particularities of specific desert places. It explores the literature of three dominant cultural orientations to the deserts: pastoralism, mining, and traversal. It concludes with a consideration of several multi-voiced and/or multi-genred bioregionally informed works that suggests fruitful directions for more ecocentric literary approaches. (abstract taken from The Littoral Zone)
'At-Home' Two-Ways : Negotiating the Sacred in the Pastoral Zone Bill Ashcroft , Frances Devlin-Glass , Lyn McCredden , 2009 single work criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 165-204)
"They Seemed Unbearably Foolish and Fragile" : Apple Trees, Intimacy and the Strangeness of Possession Lisa Slater , 2010 single work criticism
— Appears in: Halfway House : The Poetics of Australian Spaces 2010; (p. 276-292)
Reading Post-Colonial Australia Bill Ashcroft , 2010 single work criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 15-37)
Bearing Witness : Memory and Decreation in Kim Mahood's Craft for a Dry Lake Jennifer Wawrzinek , 2010 single work criticism
— Appears in: Frontier Skirmishes : Literary and Cultural Debates in Australia after 1992 2010; (p. 185-198)
Australian Transnation Bill Ashcroft , 2011 single work criticism
— Appears in: Southerly , vol. 71 no. 1 2011; (p. 18-40)
'The world is more mobile than it has ever been and in many different fields, most notably literary studies, it has led to a growing, and now well established interest in cultural and ethnic mobility, diaspora, transnational and cosmopolitan interactions. This rise in global mobility at the same time as state borders have become more hysterically protected, has interested post-colonial cultural critics for some time. The concept of the nation, or at least the nation state, has often been robustly critiqued because the post-colonial nation is marked by disappointment, instituted on the boundaries of the colonial state and doomed to continue its oppressive functions. Almost universally the nation is contrasted with "the transnational" and the global movement of peoples. It is held to be a fixed entity, a pole of attraction or repulsion orienting transnational relationships at state level. But if we distinguish the nation from the state we discover that mobility and border crossing are already features of the phenomenon we call nation.' (Author's introduction)
Australian Literature and Alternative Modernities Bill Ashcroft , 2010 single work criticism
— Appears in: Change - Conflict and Convergence : Austral-Asian Scenarios 2010; (p. 80-93)
Bill Ashcroft explores the 'somewhat outrageous idea of Australia as an alternative modernity'. He states: 'This appears absurd on the face of it because Australia is a westernised, developed nation. It appears even more absurd as we emerge out of eleven years of slavish adherence to American unilateralism. Therefore, I realise that I am walking on very thin ice here. However, the habit has been to think of alternative modernities as alternative to the West...' (p. 81)
The Poetics of Ambivalence : A Postcolonial Reading of Kim Mahood's Craft for a Dry Lake Martina Horakova , 2013 single work criticism
— Appears in: Antipodes , December vol. 27 no. 2 2013; (p. 213-218)
'Horakova talks about Kim Mahood's memoir "Craft for a Dry Lake," one of the most complex representations of the Australian Outback, one that offers a "new history of the frontier." Framed as a homecoming journey to the Tanami Desert northwest of Alice Springs alter her lather's death in a helicopter crash, Mahood's narrative begins as a biography of her parents. She reflects on a childhood spent on the homestead among her family and both Aboriginal and white staff, and her eventual departure to the city in order to pursue an education and later her artistic career. Among other things, Horakova discusses the memoir's complexity consists in its ability to simultaneously build upon and write back to several well-established literary traditions. ' (Publication abstract)
Reading Australia from Distant Shores Jennifer Wawrzinek , 2014 single work criticism
— Appears in: Antipodes , June vol. 28 no. 1 2014; (p. 18-22, 257)
'A a doctoral candidate working in Australian Studies, Wawrzinek shares the difficulty to find quality Australian literature in Europe, particularly in Paris and in Berlin. With the increasing availability of ebooks via download,she is hoping that it will become easier to include lesser known Australian writers on reading lists in the European university and to access material that otherwise takes months to arrive via conventional methods of transportation. She says a sustained, ongoing program to support Australian authors, to speak about their work, and to engage in collaborative programs with European scholars and artists is needed to show the world that Australia is not just about Kangaroos and beautiful beaches.' (Publication summary)
Seeing the Cosmos : Ross Gibson’s ‘Simultaneous Living Map’ Catherine Noske , 2015 single work criticism
— Appears in: JASAL , vol. 15 no. 3 2015;
'In its reading of the journals of William Dawes, Ross Gibson’s 26 Views of the Starburst World offers a dynamic vision of the world. His entry into the landscape of Sydney Cove is characterised by and constructed according to the multiple ‘views’ of his title, each of which interrelate in various, shifting ways to coalesce into a narrative. The version of place which emerges is both strange and beautiful, challenging constructs of nation which depend on notions of locality and ‘rootedness’. Gibson’s text thus prompts questions of critical practice before place. What can be achieved in taking up a fragmented writing style? This paper investigates the manner in which Gibson reconstructs concepts of place and space in order to challenge contemporary understandings of the Australian nation. It questions whether or not a similar vision of place can be applied in other contexts, and examines the manner in which place comes to be doubled over in the act of reading.' (Publication abstract)
A 'Place' for Reconciliation in Indigenous Writing Adelle Barry , 2011 single work essay
— Appears in: Northern Territory Literary Awards 2011 2011; (p. 85-92)
'The Northern Territory is often remarked for its rich cultures and unique landscape. It is home to many Indigenous and non-Indigenous Australians, and the overall population quickly growing. The city of Palmerston (approximately 21 kilometres from Darwin) is expanding at such a significant rate that a number of new suburbs (such as Bellamack) are being especially designed with consultation from residents about the construction of ‘place’. ...'
Last amended 29 Jun 2015 15:57:51
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  • Alice Springs, Southern Northern Territory, Northern Territory,
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