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The Transnational Fantasy : The Case of James Cowan
2012
single work
criticism
— Appears in: Antipodes , June vol. 26 no. 1 2012; (p. 67-73) 'Recent criticism has seen the rise of an approach to literature that views texts as products of 'transnationalism,' a move that arises from a growing sense that, in a global age, authors should not be bounded by the traditional limits of national culture. In her book Cosmopolitan Style: Modernism Beyond the Nation (2006), for instance, Rebecca Walkowitz looks at how this trend has evolved in world Anglophone literature, extending from canonical writers like Joseph Conrad, James Joyce, and Virginia Woolf to such contemporary authors as Salman Rushdie, Kazuo Ishiguro, and W.G. Sebald. In the field of Australian literature, the question of transnationalism is often linked to issues of postcolonialism, as reflected in recent critical works like Graham Huggan's Australian Literature: Postcolonialism, Racism, Transnationalism (2007) and Nathanael O'Reilly's edited collection Postcolonial Issues in Australian Literature (2010), both of which examine how Australian literature and culture have metamorphosed in the new global context. While there is little doubt that world literature has been affected in important ways by this broadening of literary stage, there seems to be a widespread conflation between two similar but different terms: the transnational and transcultural. For while it is true that the culture of many countries arises from a cosmopolitan and diverse assortment of influences, this loosening of cultural boundaries between nations is far from being simultaneous with the decline of the state.' (Author's introduction)
-
The Transnational Fantasy : The Case of James Cowan
2012
single work
criticism
— Appears in: Antipodes , June vol. 26 no. 1 2012; (p. 67-73) 'Recent criticism has seen the rise of an approach to literature that views texts as products of 'transnationalism,' a move that arises from a growing sense that, in a global age, authors should not be bounded by the traditional limits of national culture. In her book Cosmopolitan Style: Modernism Beyond the Nation (2006), for instance, Rebecca Walkowitz looks at how this trend has evolved in world Anglophone literature, extending from canonical writers like Joseph Conrad, James Joyce, and Virginia Woolf to such contemporary authors as Salman Rushdie, Kazuo Ishiguro, and W.G. Sebald. In the field of Australian literature, the question of transnationalism is often linked to issues of postcolonialism, as reflected in recent critical works like Graham Huggan's Australian Literature: Postcolonialism, Racism, Transnationalism (2007) and Nathanael O'Reilly's edited collection Postcolonial Issues in Australian Literature (2010), both of which examine how Australian literature and culture have metamorphosed in the new global context. While there is little doubt that world literature has been affected in important ways by this broadening of literary stage, there seems to be a widespread conflation between two similar but different terms: the transnational and transcultural. For while it is true that the culture of many countries arises from a cosmopolitan and diverse assortment of influences, this loosening of cultural boundaries between nations is far from being simultaneous with the decline of the state.' (Author's introduction)
Last amended 14 Oct 2002 09:08:43
