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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Crime Scenes : The Importance of Place in Australian Crime Fiction
2010
single work
criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
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Untitled
2002
single work
review
— Appears in: Crime Factory , August no. 7 2002;
— Review of The Feng Shui Detective Goes South 2002 single work novel -
Cryptic Sleuths Go South to Encompass East and West
2002
single work
review
— Appears in: The Weekend Australian , 29-30 June 2002;
— Review of The Feng Shui Detective Goes South 2002 single work novel -
Cop Suey
2002
single work
review
— Appears in: The Bulletin , 3 September vol. 120 no. 6340 2002;
— Review of The Feng Shui Detective Goes South 2002 single work novel -
A Phryne Time to Curl Up with Some Classy Cozies
2002
single work
review
— Appears in: The Sunday Age , 23 June 2002; (p. 8)
— Review of Murder in Montparnasse 2002 single work novel ; The Feng Shui Detective Goes South 2002 single work novel
-
Cop Suey
2002
single work
review
— Appears in: The Bulletin , 3 September vol. 120 no. 6340 2002;
— Review of The Feng Shui Detective Goes South 2002 single work novel -
Cryptic Sleuths Go South to Encompass East and West
2002
single work
review
— Appears in: The Weekend Australian , 29-30 June 2002;
— Review of The Feng Shui Detective Goes South 2002 single work novel -
Untitled
2002
single work
review
— Appears in: Crime Factory , August no. 7 2002;
— Review of The Feng Shui Detective Goes South 2002 single work novel -
A Phryne Time to Curl Up with Some Classy Cozies
2002
single work
review
— Appears in: The Sunday Age , 23 June 2002; (p. 8)
— Review of Murder in Montparnasse 2002 single work novel ; The Feng Shui Detective Goes South 2002 single work novel -
Crime Scenes : The Importance of Place in Australian Crime Fiction
2010
single work
criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
Last amended 1 Nov 2002 17:22:25
Subjects:
- Sydney Opera House, Sydney Harbour, Sydney, New South Wales,
Settings:
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cSingapore,cSoutheast Asia, South and East Asia, Asia,
- Sydney, New South Wales,
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