y Michael Dransfield : A Retrospective selected work   poetry  
Issue Details: First known date: 2002 2002
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Contents

* Contents derived from the St Lucia, Indooroopilly - St Lucia area, Brisbane - North West, Brisbane, Queensland,: University of Queensland Press , 2002 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Chopin Balladei"Upon the yellow lattice of parchment", Michael Dransfield , 1970 single work poetry (p. 1)
On a Theme of Taktakishvilii"Glimpsed among the birches", Michael Dransfield , 1970 single work poetry (p. 2)
Pas de Deux for Loversi"Morning ought not", Michael Dransfield , 1968 single work poetry (p. 3)
Portrait of the Artist as an Old Mani"In my father's house are many cobwebs.", Michael Dransfield , 1970 single work poetry (p. 4)
Epidermi"Canopy of nerve ends", Michael Dransfield , 1970 single work poetry (p. 5)
Death of Salvatore Quasimodoi"Scattered symbols in the garden;", Michael Dransfield , 1970 single work poetry (p. 6)
Goliardi"Going south", Michael Dransfield , 1970 single work poetry (p. 7)
Overdosei"Inertia of a warm day: the", Michael Dransfield , 1970 single work poetry (p. 8)
Lamentationsi"Reduced to nerve-end symbols", Michael Dransfield , 1970 single work poetry (p. 9-10)
Parnassus Mad Wardi"First day she hid in bed", Michael Dransfield , 1970 single work poetry (p. 11)
Bum's Rushi"Becoming an eskimo isn't hard once you must.", Michael Dransfield , 1970 single work poetry (p. 12-13)
Note: Epigraph: 'Yea, is not even Apollo, with hair and harpstring of gold A bitter God to follow, a beautiful God to behold." - Swinburne
Fixi"It is waking in the night,", Michael Dransfield , 1970 single work poetry (p. 14)
Ground Zeroi"wake up", Michael Dransfield , 1970 single work poetry (p. 15)
Souvenir of Casinoi"Genesis, a riverbank under the sun, waking to time;", Michael Dransfield , 1970 single work poetry (p. 16)
Courland Penders : Going Homei"At the end of the road are stone posts, two either side of", Michael Dransfield , 1970 single work poetry (p. 17)
Tapestry at Courland Pendersi"Tentacles of rose scratch the sides of afternoon", Michael Dransfield , 1970 single work poetry (p. 18)
Minstreli"The road unravels as I go,", Michael Dransfield , 1970 single work poetry (p. 19)
Like This for Yearsi"In the cold weather", Michael Dransfield , 1970 single work poetry (p. 20)
Birthday Ballad, Courland Pendersi"walking through endless", Michael Dransfield , 1970 single work poetry (p. 21-22)
Hilaryi"you are sitting in a tree", Michael Dransfield , 1971 single work poetry (p. 23)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Notes:
Epigraph: 'I'm the ghost haunting an old house, my poems are posthumous.' - Michael Dransfield, 1969

Works about this Work

An “Infinitely Flexible” Space : Reading Michael Dransfield’s “Courland Penders” Poems through the Neobaroque and Dobrez’s Theory of “The Pouch” Michael Farrell , 2013 single work criticism
— Appears in: Southerly , vol. 73 no. 1 2013; (p. 138-154)

This essay 'seeks to find new ways to address Australian poetry, through the example of Michael Dransfield, a controversially significant poet.' (139)

Jack Lindsay, Patrick White, and Postcolonial Medievalism Nicholas Birns , 2010 single work criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 41-54)
Identity as Radical Alterity : Critiques of Eurocentrism, Coloniality, and Subjectivity in Contemporary Australian and Latin American Poetry Bridie McCarthy , 2010 single work criticism
— Appears in: Antipodes , December vol. 24 no. 2 2010; (p. 189-197)

'How to 'abandon Europe'? The oxymoronic quest to semantically or ideologically discard the signs of that which signifies modern thought and historical rationality in Europe's colonies is dismissed by Rama as futile. However, when the postcolonial relations of 'peripheries' to the European 'center' are examined the engagements between t he colonies and Europe are not characterized by straightforwardness either. While complete abandonment may not be possible, neither is complete affiliation. As such, postcoloniality can still be seen as a luminal state in its ambivalent positioning between what might be seen as originary Europe and a derivative periphery.

This article takes the periphery as a transnational, multilingual space, and it takes postcoloniality beyond the Anglosphere. It tests the hypothesis that there are postcolonial legacies shared across the Global South. Of central importance here is how postcoloniality is understood in Australia and Latin America, and how this is communicated in contemporary poetry pensamiento latinoamericano ['Latin American thought'].' (p. 189)

Fair Selection of Michael Dransfield's Poems Geoff Page , 2003 single work review
— Appears in: The Canberra Times , 8 February 2003; (p. 17)

— Review of Michael Dransfield : A Retrospective Michael Dransfield 2002 selected work poetry
Posthumous Poet Philip Harvey , 2003 single work review
— Appears in: Australian Book Review , March no. 249 2003; (p. 54)

— Review of Michael Dransfield : A Retrospective Michael Dransfield 2002 selected work poetry
Untitled Tim Metcalf , 2002 single work review
— Appears in: Journal of Australian Studies , no. 73 2002; (p. 194-195) JAS Review of Books , August no. 8 2002;

— Review of Michael Dransfield : A Retrospective Michael Dransfield 2002 selected work poetry
Words and Human Heads : New Poetry Kerry Leves , 2002 single work review
— Appears in: Overland , Summer no. 169 2002; (p. 156-160)

— Review of Michael Dransfield : A Retrospective Michael Dransfield 2002 selected work poetry ; Wild about the Roof : Wollongong Poetry Workshop Anthology 2001 2001 anthology poetry ; Book David Kelly 2000 selected work poetry ; Isabella Winifred Weir 2000 single work novel ; Darkness Disguised Greg McLaren 2002 selected work poetry ; Attempts at Being Alison Croggon 2002 selected work poetry
Untitled Tim Metcalf , 2002 single work review
— Appears in: Journal of Australian Studies , no. 73 2002; (p. 194-195) JAS Review of Books , August no. 8 2002;

— Review of Michael Dransfield : A Retrospective Michael Dransfield 2002 selected work poetry
Fair Selection of Michael Dransfield's Poems Geoff Page , 2003 single work review
— Appears in: The Canberra Times , 8 February 2003; (p. 17)

— Review of Michael Dransfield : A Retrospective Michael Dransfield 2002 selected work poetry
Posthumous Poet Philip Harvey , 2003 single work review
— Appears in: Australian Book Review , March no. 249 2003; (p. 54)

— Review of Michael Dransfield : A Retrospective Michael Dransfield 2002 selected work poetry
Words and Human Heads : New Poetry Kerry Leves , 2002 single work review
— Appears in: Overland , Summer no. 169 2002; (p. 156-160)

— Review of Michael Dransfield : A Retrospective Michael Dransfield 2002 selected work poetry ; Wild about the Roof : Wollongong Poetry Workshop Anthology 2001 2001 anthology poetry ; Book David Kelly 2000 selected work poetry ; Isabella Winifred Weir 2000 single work novel ; Darkness Disguised Greg McLaren 2002 selected work poetry ; Attempts at Being Alison Croggon 2002 selected work poetry
Jack Lindsay, Patrick White, and Postcolonial Medievalism Nicholas Birns , 2010 single work criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 41-54)
Identity as Radical Alterity : Critiques of Eurocentrism, Coloniality, and Subjectivity in Contemporary Australian and Latin American Poetry Bridie McCarthy , 2010 single work criticism
— Appears in: Antipodes , December vol. 24 no. 2 2010; (p. 189-197)

'How to 'abandon Europe'? The oxymoronic quest to semantically or ideologically discard the signs of that which signifies modern thought and historical rationality in Europe's colonies is dismissed by Rama as futile. However, when the postcolonial relations of 'peripheries' to the European 'center' are examined the engagements between t he colonies and Europe are not characterized by straightforwardness either. While complete abandonment may not be possible, neither is complete affiliation. As such, postcoloniality can still be seen as a luminal state in its ambivalent positioning between what might be seen as originary Europe and a derivative periphery.

This article takes the periphery as a transnational, multilingual space, and it takes postcoloniality beyond the Anglosphere. It tests the hypothesis that there are postcolonial legacies shared across the Global South. Of central importance here is how postcoloniality is understood in Australia and Latin America, and how this is communicated in contemporary poetry pensamiento latinoamericano ['Latin American thought'].' (p. 189)

An “Infinitely Flexible” Space : Reading Michael Dransfield’s “Courland Penders” Poems through the Neobaroque and Dobrez’s Theory of “The Pouch” Michael Farrell , 2013 single work criticism
— Appears in: Southerly , vol. 73 no. 1 2013; (p. 138-154)

This essay 'seeks to find new ways to address Australian poetry, through the example of Michael Dransfield, a controversially significant poet.' (139)

Last amended 13 May 2005 14:08:27
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