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The Voice of the Native Oak single work   poetry   "Who hath laid him underneath"
  • Author:agent Charles Harpur http://www.poetrylibrary.edu.au/poets/harpur-charles
Issue Details: First known date: 1851... 1851 The Voice of the Native Oak
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Notes

  • This poem appears in a number of versions from 1851 onwards. For further details, see The Poems of Charles Harpur in Manuscript in the Mitchell Library and in Publication in the Nineteenth Century: An Analytical Finding List by Elizabeth Holt and Elizabeth Perkins (Canberra: Australian Scholarly Editions Centre, 2002).

Publication Details of Only Known VersionEarliest 2 Known Versions of

Notes:
Comprises 24 lines. Minor textual variations appear between publications.
  • Appears in:
    y separately published work icon The Bathurst Free Press and Mining Journal vol. 2 no. 118 20 September 1851 Z1638087 1851 newspaper issue 1851 pg. 2
  • Appears in:
    y separately published work icon The Empire 13 September 1851 Z1714202 1851 newspaper issue 1851 pg. 151
    Note: Published under the heading: The Harp of the Empire
  • Appears in:
    y separately published work icon Poems Charles Harpur , Melbourne : George Robertson , 1883 Z139167 1883 selected work poetry Melbourne : George Robertson , 1883 pg. 92-93
Alternative title: The Voice of the Swamp Oak
First line of verse: "Who hath lain him underneath"
Notes:
Comprises 32 lines.
  • Appears in:
    y separately published work icon The Poetical Works of Charles Harpur Charles Harpur , Elizabeth Perkins (editor), Sydney : Angus and Robertson , 1984 Z459555 1984 selected work poetry satire 'This collection represents one version of almost every poem written by Charles Harpur, with the omission of some translations and paraphrases. The verse drama, "Stalwart the Bushranger", and the fragments of the dramatic poem "King Saul" are not included. ... The collection is edited from Harpur's manuscript poems held in the Mitchell Library, Sydney, and from printed copies in colonial newspapers when no manuscript version existed.' (Preface) Sydney : Angus and Robertson , 1984 pg. 216-217

Works about this Work

The Tree and Its Voices : What the Casuarina Says Barbara Holloway , 2011 single work criticism
— Appears in: Australasian Journal of Ecocriticism and Cultural Ecology , Summer vol. 1 no. 2011;
'The tree known popularly and scientifically as the casuarina has been consistently noticed for the sounds made as wind passes through its unusual foliage of needles and leaf scales. The acoustic experience of the casuarina — with subspecies found throughout Australia — has been represented as 'haunted', 'grieving' and voicing the secret language of initiates. This essay traces intriguing conceptual and aesthetic representations of the 'voice' and its listeners found across both Aboriginal and white Australian cultures in traditional English verse, Aboriginal prose narrative, accounts of cultural practices, and hybrid blends of all three. The essay adopts the notion of 'listening to listening' to set out the many forms of story the tree's sounds generate their contribution to identifying places, and to suggest a specific Aboriginal song-line appears to underlie the divergent replications of tree-'voice' across southern Australia.' (Author's abstract)
The Tree and Its Voices : What the Casuarina Says Barbara Holloway , 2011 single work criticism
— Appears in: Australasian Journal of Ecocriticism and Cultural Ecology , Summer vol. 1 no. 2011;
'The tree known popularly and scientifically as the casuarina has been consistently noticed for the sounds made as wind passes through its unusual foliage of needles and leaf scales. The acoustic experience of the casuarina — with subspecies found throughout Australia — has been represented as 'haunted', 'grieving' and voicing the secret language of initiates. This essay traces intriguing conceptual and aesthetic representations of the 'voice' and its listeners found across both Aboriginal and white Australian cultures in traditional English verse, Aboriginal prose narrative, accounts of cultural practices, and hybrid blends of all three. The essay adopts the notion of 'listening to listening' to set out the many forms of story the tree's sounds generate their contribution to identifying places, and to suggest a specific Aboriginal song-line appears to underlie the divergent replications of tree-'voice' across southern Australia.' (Author's abstract)
Last amended 21 Nov 2012 14:19:19
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