Issue Details: First known date: 1993 1993
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Production Details

  • First produced as Der Auftrag 16 November 1980 at the Volksbuhne (East Berlin), directed by Heiner Muller.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

y Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia. Margaret Hamilton , Amsterdam New York (City) : Rodopi , 2011 Z1793538 2011 single work criticism 'Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s. It is the first book to discuss work by The Sydney Front (1986 - 1993) and Open City (1987 - ), and engages contemporary cultural and aesthetic theory to analyse performances by these artists, as well as theatre productions by Jenny Kemp and others. These performance practitioners are considered as part of an international paradigm attesting to forms of theatre that no longer operate according to the established principles of drama. This book also highlights the complexity of Indigenous theatre through its analysis of the Mudrooroo-Müller project staged in 1996.' Source: www.rodopi.nl/ (Sighted 25/07/2011).
Australian-German Intercultural Dramaturgy : On Mudrooroo's Play Gerhard Fischer , 1995 single work criticism
— Appears in: German-Australian Cultural Relations Since 1945 : Proceedings of the Conference Held at the University of Queensland, Brisbane, from September 20-23, 1994 1995; (p. 225-244)
Australian-German Intercultural Dramaturgy : On Mudrooroo's Play Gerhard Fischer , 1995 single work criticism
— Appears in: German-Australian Cultural Relations Since 1945 : Proceedings of the Conference Held at the University of Queensland, Brisbane, from September 20-23, 1994 1995; (p. 225-244)
y Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia. Margaret Hamilton , Amsterdam New York (City) : Rodopi , 2011 Z1793538 2011 single work criticism 'Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s. It is the first book to discuss work by The Sydney Front (1986 - 1993) and Open City (1987 - ), and engages contemporary cultural and aesthetic theory to analyse performances by these artists, as well as theatre productions by Jenny Kemp and others. These performance practitioners are considered as part of an international paradigm attesting to forms of theatre that no longer operate according to the established principles of drama. This book also highlights the complexity of Indigenous theatre through its analysis of the Mudrooroo-Müller project staged in 1996.' Source: www.rodopi.nl/ (Sighted 25/07/2011).
Last amended 6 Feb 2007 13:59:30
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