Issue Details: First known date: 1995-1996 1995-1996
AustLit is a subscription service. The content and services available here are limited because you have not been recognised as a subscriber. Find out how to gain full access to AustLit

AbstractHistoryArchive Description

The article analyses four poems by Murray, suggesting that 'for Murray the poet, the notion of convergence of three cultures - Aboriginal, rural and urban - is one of the basic planks of what he terms as Vernacular Republic' (40).

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

The Solid Mandala and Patrick White’s Late Modernity Nicholas Birns , 2011 single work criticism
— Appears in: Transnational Literature , November vol. 4 no. 1 2011;
'This essay contends that the Australian novelist Patrick White (1912-1990) presents, in his novel The Solid Mandala (1966), a prototypical evocation of late modernity that indicates precisely why and how it was different from the neoliberal and postmodern era that succeeded it. Late modernity is currently emerging as a historical period, though still a nascent and contested one. Robert Hassan speaks of the 1950-1970 era as a period which, in its 'Fordist' mode of production maintained a certain conformity yet held off the commoditisation of later neoliberalism's 'network-driven capitalism'. This anchors the sense of 'late modernity,' that will operate in this essay, though my sense of the period also follows on definitions of the term established, in very different contexts, by Edward Lucie-Smith and Tyrus Miller.' (Author's introduction)
The Solid Mandala and Patrick White’s Late Modernity Nicholas Birns , 2011 single work criticism
— Appears in: Transnational Literature , November vol. 4 no. 1 2011;
'This essay contends that the Australian novelist Patrick White (1912-1990) presents, in his novel The Solid Mandala (1966), a prototypical evocation of late modernity that indicates precisely why and how it was different from the neoliberal and postmodern era that succeeded it. Late modernity is currently emerging as a historical period, though still a nascent and contested one. Robert Hassan speaks of the 1950-1970 era as a period which, in its 'Fordist' mode of production maintained a certain conformity yet held off the commoditisation of later neoliberalism's 'network-driven capitalism'. This anchors the sense of 'late modernity,' that will operate in this essay, though my sense of the period also follows on definitions of the term established, in very different contexts, by Edward Lucie-Smith and Tyrus Miller.' (Author's introduction)
Last amended 6 Jan 2004 15:00:59
X