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Tokyo Two single work   drama  
Issue Details: First known date: 1992... 1992 Tokyo Two
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Production Details

  • First performed by Open City at the Performance Space, 1992.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 1992
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Works about this Work

y separately published work icon Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia Margaret Hamilton , Amsterdam New York (City) : Rodopi , 2011 Z1793538 2011 single work criticism 'Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s. It is the first book to discuss work by The Sydney Front (1986 - 1993) and Open City (1987 - ), and engages contemporary cultural and aesthetic theory to analyse performances by these artists, as well as theatre productions by Jenny Kemp and others. These performance practitioners are considered as part of an international paradigm attesting to forms of theatre that no longer operate according to the established principles of drama. This book also highlights the complexity of Indigenous theatre through its analysis of the Mudrooroo-Müller project staged in 1996.' Source: www.rodopi.nl/ (Sighted 25/07/2011).
Open City : A Field of Linguistic Possibilities Margaret Hamilton , 1997 single work criticism
— Appears in: Australasian Drama Studies , April no. 30 1997; (p. 43-56)
Go On, Interrupt Me Virginia Baxter , 1995 single work drama
— Appears in: Telling Time : Papers, Perfomances and Images from Playworks Playing with Time Festival Held at the Wharf Theatre, Sydney 13-15 October 1995 1996; (p. 121-131)
Go On, Interrupt Me Virginia Baxter , 1995 single work drama
— Appears in: Telling Time : Papers, Perfomances and Images from Playworks Playing with Time Festival Held at the Wharf Theatre, Sydney 13-15 October 1995 1996; (p. 121-131)
y separately published work icon Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia Margaret Hamilton , Amsterdam New York (City) : Rodopi , 2011 Z1793538 2011 single work criticism 'Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s. It is the first book to discuss work by The Sydney Front (1986 - 1993) and Open City (1987 - ), and engages contemporary cultural and aesthetic theory to analyse performances by these artists, as well as theatre productions by Jenny Kemp and others. These performance practitioners are considered as part of an international paradigm attesting to forms of theatre that no longer operate according to the established principles of drama. This book also highlights the complexity of Indigenous theatre through its analysis of the Mudrooroo-Müller project staged in 1996.' Source: www.rodopi.nl/ (Sighted 25/07/2011).
Open City : A Field of Linguistic Possibilities Margaret Hamilton , 1997 single work criticism
— Appears in: Australasian Drama Studies , April no. 30 1997; (p. 43-56)
VIEW ALL WORKS ABOUT (3)
Last amended 18 Dec 2008 13:27:00
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