y Captain Jim single work   children's fiction   children's   war literature  
Is part of Billabong Books Mary Grant Bruce 1910-1942 series - author children's fiction (number 6 in series)
Issue Details: First known date: 1919 1919
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Serialised by: The Sydney Mail 1860-1938 newspaper (1427 issues)
Notes:
Appeared as a serial in the Sydney Mail between 30 July, 1919 and 14 January, 1920.

Works about this Work

“Whichever and Whatever It Was” : Rendering War and Peace in Australian WWI Narratives Clare Rhoden , 2016 single work essay
— Appears in: Long Paddock , vol. 73 no. 3 2016;
'Australian narratives of World War I (WWI) reflect a different but characteristic commemoration of that event. While the best (to modern eyes) novels of WWI present a comprehensive picture of disillusionment, futility and waste, Australian stories proffer the view that the war was worthwhile, and that the sacrifices of the Anzacs were honourable and justified. In placing WWI as a salient marker denoting the origin of the nation, Australian texts diverge from the revered WWI canon’s convincing portrayal of the war as a symbol of civilisation’s demise. Even accepting this divergence, however, there is much in Australian narratives that amplifies the memorialisation of the war in Australian society.' (Introduction)
She Rides Astride : Mateship, Morality and the Outback-Colonial Girl Caroline Campbell , 2013 single work criticism
— Appears in: Australasian Journal of Victorian Studies , vol. 18 no. 1 2013; (p. 28-39)

'This article focuses on the representation of girlhood, gender and mateship particular to Australia, and to a lesser extent New Zealand, within the context of an emerging nationalism, social change and political upheaval. In it, I apply an illustrator’s perspective to interrogating the cultural significance of Mary Grant Bruce’s iconic outback heroine, Norah of Billabong Station. By comparatively examining Norah’s sequential representation in the narrative text, and the illustrations produced by John MacFarlane, I argue Bruce and her little-known, and rarely discussed immigrant illustrator combined to create an ideal and national type that was counter to anything that had been created for colonial girl readers before.' (Author's abstract)

Britishness and Australian Popular Fiction : From the Mid-Nineteenth to the Mid-Twentieth Centuries Hsu-Ming Teo , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 46-66)
'The analysis offered here is [...], a panoptic perspective of the tangled skeins of literary imagination and imitation, gender and genre requirements, editorial control, market considerations and the sheer economics of the international book trade that knotted Australian popular literature into the cultural and economic fabric of the British empire.' (47)
Attitudes to War in Australian Children's Literature Anne M. O'Sullivan , 1994 single work criticism
— Appears in: Papers : Explorations into Children's Literature , April vol. 5 no. 1 1994; (p. 34-48)
O'Sullivan seeks to 'identify attitudes to war in Australian children's literature' in the period 1914-1994, noting in particular the movement from identification with Britain and the Empire in the early decades of this period to an affinity with Asia and the Pacific in the latter decades (34). The discussion begins with a literature review of Australian and overseas critical research in this field and then surveys a large number of (mainly Australian) novels with war as the central/pivotal theme. O'Sullivan concludes that there has been a change in attitudes to war in Australian children's literature, whereby 'once Australia was part of the British Empire and prepared to fight for that anywhere in the world, now multicultural Australia takes a broader view and sees herself as part of a global family' (47).
Fiction 1919 single work review
— Appears in: The Queenslander , 20 December 1919; (p. 3)

— Review of Camp Kiddies : A Story of Life on Railway Construction Lillian M. Pyke 1919 single work children's fiction ; Captain Jim Mary Grant Bruce 1919 single work children's fiction ; Brigid and the Cub Ethel Turner 1919 single work novel
Fiction 1919 single work review
— Appears in: The Queenslander , 20 December 1919; (p. 3)

— Review of Camp Kiddies : A Story of Life on Railway Construction Lillian M. Pyke 1919 single work children's fiction ; Captain Jim Mary Grant Bruce 1919 single work children's fiction ; Brigid and the Cub Ethel Turner 1919 single work novel
Britishness and Australian Popular Fiction : From the Mid-Nineteenth to the Mid-Twentieth Centuries Hsu-Ming Teo , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 46-66)
'The analysis offered here is [...], a panoptic perspective of the tangled skeins of literary imagination and imitation, gender and genre requirements, editorial control, market considerations and the sheer economics of the international book trade that knotted Australian popular literature into the cultural and economic fabric of the British empire.' (47)
Attitudes to War in Australian Children's Literature Anne M. O'Sullivan , 1994 single work criticism
— Appears in: Papers : Explorations into Children's Literature , April vol. 5 no. 1 1994; (p. 34-48)
O'Sullivan seeks to 'identify attitudes to war in Australian children's literature' in the period 1914-1994, noting in particular the movement from identification with Britain and the Empire in the early decades of this period to an affinity with Asia and the Pacific in the latter decades (34). The discussion begins with a literature review of Australian and overseas critical research in this field and then surveys a large number of (mainly Australian) novels with war as the central/pivotal theme. O'Sullivan concludes that there has been a change in attitudes to war in Australian children's literature, whereby 'once Australia was part of the British Empire and prepared to fight for that anywhere in the world, now multicultural Australia takes a broader view and sees herself as part of a global family' (47).
She Rides Astride : Mateship, Morality and the Outback-Colonial Girl Caroline Campbell , 2013 single work criticism
— Appears in: Australasian Journal of Victorian Studies , vol. 18 no. 1 2013; (p. 28-39)

'This article focuses on the representation of girlhood, gender and mateship particular to Australia, and to a lesser extent New Zealand, within the context of an emerging nationalism, social change and political upheaval. In it, I apply an illustrator’s perspective to interrogating the cultural significance of Mary Grant Bruce’s iconic outback heroine, Norah of Billabong Station. By comparatively examining Norah’s sequential representation in the narrative text, and the illustrations produced by John MacFarlane, I argue Bruce and her little-known, and rarely discussed immigrant illustrator combined to create an ideal and national type that was counter to anything that had been created for colonial girl readers before.' (Author's abstract)

“Whichever and Whatever It Was” : Rendering War and Peace in Australian WWI Narratives Clare Rhoden , 2016 single work essay
— Appears in: Long Paddock , vol. 73 no. 3 2016;
'Australian narratives of World War I (WWI) reflect a different but characteristic commemoration of that event. While the best (to modern eyes) novels of WWI present a comprehensive picture of disillusionment, futility and waste, Australian stories proffer the view that the war was worthwhile, and that the sacrifices of the Anzacs were honourable and justified. In placing WWI as a salient marker denoting the origin of the nation, Australian texts diverge from the revered WWI canon’s convincing portrayal of the war as a symbol of civilisation’s demise. Even accepting this divergence, however, there is much in Australian narratives that amplifies the memorialisation of the war in Australian society.' (Introduction)
Last amended 4 Jul 2014 10:22:05
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